【摘要】：繪畫色彩同繪畫造型、繪畫構(gòu)圖一樣，，是畫面重要的構(gòu)成因素，是營造畫面意境的基本要素和表現(xiàn)手段。20世紀80年代改革開放以來，隨著人文精神領(lǐng)域的拓展，文化多元的形成,當代工筆畫家開始更加關(guān)注色彩本身的審美價值，他們在繼承傳統(tǒng)繪畫色彩觀念的基礎(chǔ)上，融合西方繪畫色彩觀，吸收民間美術(shù)中的色彩元素，不斷地追求材質(zhì)的豐富和色彩運用的突破，使當代工筆畫的色彩更加多變與絢麗多姿。 本文分別用三部分來論述當代工筆畫的色彩表現(xiàn)：當代工筆畫色彩觀念的多元化；當代工筆畫色彩媒介的豐富與拓展；當代工筆畫家對色彩意境的審美追求及對我創(chuàng)作的影響。旨在通過這幾方面的論述，來關(guān)注當代中國工筆畫色彩的語言特征，極力發(fā)掘色彩的表現(xiàn)力，并傳遞出在當代文化語境下，藝術(shù)家獨特的內(nèi)心世界和對生活的深刻體悟。 第一章從傳統(tǒng)色彩觀、西方色彩觀、民間美術(shù)這三個角度展現(xiàn)當代工筆畫色彩觀念的多元化，并以比較有代表性的畫家為例來具體論述；第二章主要從繪畫顏料、畫面材質(zhì)、綜合材料及制作技法等方面來探索工筆畫色彩媒介的豐富與拓展；第三章選取對我影響比較大的當代工筆畫家，以他們的具體作品為例，探討對于色彩意境的追求，同時具體分析我的個人感悟和創(chuàng)作過程中的體現(xiàn)。
[Abstract]:Painting color, like painting modeling and drawing composition, is an important component of the picture, a basic element and a means of expression to create the artistic conception of a picture. Since the reform and opening up in the 1980s, with the expansion of the field of humanistic spirit, The formation of cultural diversity, contemporary painters began to pay more attention to the aesthetic value of color itself, they inherited the traditional painting color concept on the basis of the integration of Western painting color view, absorb the color elements in folk art, Continuously pursue the material rich and the breakthrough of color application, make the color of contemporary fine brushwork more changeable and colorful. This paper uses three parts to discuss the color performance of contemporary fine brushwork: the diversity of contemporary meticulous painting color concept, the enrichment and development of contemporary meticulous painting color media, the aesthetic pursuit of contemporary meticulous painters to color artistic conception and the influence on my creation. The purpose of this paper is to pay attention to the linguistic characteristics of the color of contemporary Chinese fine brushwork, to explore the expressive power of color, and to convey the artist's unique inner world and profound understanding of life in the context of contemporary culture. The first chapter from the traditional color view, Western color view, folk art these three angles to show the diversity of contemporary painting color concept, and a more representative painter as an example to discuss; The second chapter mainly from the painting pigment, picture material, comprehensive material and production techniques and other aspects to explore the enrichment and development of fine brush painting color media; The third chapter selects the contemporary meticulous painters who have great influence on me, taking their concrete works as an example, discusses the pursuit of color artistic conception, and analyzes my personal perception and the embodiment in the process of creation.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前1條

1 李善杰;;中國工筆畫的意境表達[J];山東大學學報(哲學社會科學版);2009年05期

本文編號：2409648