手繪插畫藝術(shù)在數(shù)字新媒體時代的創(chuàng)新應(yīng)用研究
發(fā)布時間:2019-01-15 23:47
【摘要】:隨著數(shù)字化新媒體技術(shù)的發(fā)展,科學(xué)與技術(shù)正在全面地改變我們的生活方式,并開啟了以數(shù)字化與現(xiàn)代化為特征的科技潮流新時代。不斷變化和發(fā)展的新媒體技術(shù)帶給了人們前所未有的信息便利。數(shù)字科技主宰的媒體時代,被稱之為新媒體時代。新媒體技術(shù)的進(jìn)步,所帶來的影響是全方位的,不僅僅是人們的衣食住行和生活方式,它正悄然引領(lǐng)著一場視覺變革。新的視覺傳播方式,標(biāo)志著一個新的讀圖時代的到來,它影響著人們對于圖像藝術(shù)的審美潮流。手繪插畫——這個古老而又現(xiàn)代的藝術(shù)創(chuàng)作形式,也面臨著新媒體技術(shù)革命帶來的沖擊,在新媒體時代的背景下,手繪插畫有著怎樣的表現(xiàn)形式與發(fā)展趨勢,以及手繪插畫藝術(shù)在發(fā)展中面臨著怎樣的挑戰(zhàn),是本文探討的重點(diǎn)。 在當(dāng)今飛速發(fā)展的信息時代,舊的藝術(shù)創(chuàng)作與表現(xiàn)形式已經(jīng)無法滿足日益發(fā)展的現(xiàn)代社會了,人們開始追求更高層次的文化傳播方式,來滿足自身的文化需求。此時創(chuàng)新思維的提倡為我們指引了一條藝術(shù)發(fā)展的道路。創(chuàng)新是當(dāng)下社會發(fā)展的源動力,手繪插畫藝術(shù)的發(fā)展同樣也離不開創(chuàng)新二字。創(chuàng)新并不代表將傳統(tǒng)的創(chuàng)作方式全盤拋棄,而是選擇性繼承,結(jié)合新時代特征創(chuàng)新創(chuàng)意。本文通過對數(shù)字化時代手繪插畫的創(chuàng)新發(fā)展研究,以及手繪插畫在數(shù)字新媒體時代的創(chuàng)新手段與表現(xiàn)方式,來探究手繪插畫在數(shù)字新媒體時代的傳播價(jià)值與意義。通過對現(xiàn)狀的分析以及市場的調(diào)研,本文論證了手繪插畫藝術(shù)的創(chuàng)新離不開對自身傳統(tǒng)特色的挖掘與呈現(xiàn)。通過對中國傳統(tǒng)元素的提取與創(chuàng)新,以及對西方先進(jìn)科學(xué)技術(shù)的應(yīng)用與借鑒,是手繪插畫藝術(shù)在當(dāng)今時代背景下的創(chuàng)新趨勢。
[Abstract]:With the development of digital new media technology, science and technology are changing our way of life in an all-round way and opening a new era of scientific and technological trend characterized by digitalization and modernization. The ever-changing and developing new media technology has brought people unprecedented information convenience. The media age dominated by digital technology is called the new media age. The progress of new media technology has brought about omnidirectional influence, not only the people's clothing, food, shelter and way of life, it is quietly leading a visual revolution. The new way of visual communication marks the arrival of a new era of picture reading, which influences the aesthetic trend of image art. Hand-painted illustration, an ancient and modern form of artistic creation, also faces the impact of the technological revolution in the new media. Under the background of the new media era, what kind of performance form and development trend does the hand-painted illustration have? And how to face the challenge in the development of hand-drawing illustration art is the focus of this paper. In the rapid development of information age, the old art creation and expression form can not meet the needs of the modern society, people began to pursue a higher level of cultural communication to meet their own cultural needs. At this time the promotion of innovative thinking for us to guide the development of an art road. Innovation is the source of social development, the development of hand-painted illustration art can not be separated from innovation. Innovation does not mean abandoning the traditional creative methods completely, but inheriting selectively and innovating with the characteristics of the new era. This paper probes into the spreading value and significance of hand-painted illustration in the digital new media age through the research on the innovation and development of hand-painted illustration in the digital age, as well as the innovative means and ways of expression of hand-painted illustration in the digital new media era. Through the analysis of the present situation and the market research, this paper demonstrates that the innovation of hand-painted illustration art can not be separated from the excavation and presentation of its own traditional characteristics. Through the extraction and innovation of Chinese traditional elements, as well as the application and reference of western advanced science and technology, it is the innovation trend of hand-painted illustration art under the background of the present times.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J218.5
本文編號:2409236
[Abstract]:With the development of digital new media technology, science and technology are changing our way of life in an all-round way and opening a new era of scientific and technological trend characterized by digitalization and modernization. The ever-changing and developing new media technology has brought people unprecedented information convenience. The media age dominated by digital technology is called the new media age. The progress of new media technology has brought about omnidirectional influence, not only the people's clothing, food, shelter and way of life, it is quietly leading a visual revolution. The new way of visual communication marks the arrival of a new era of picture reading, which influences the aesthetic trend of image art. Hand-painted illustration, an ancient and modern form of artistic creation, also faces the impact of the technological revolution in the new media. Under the background of the new media era, what kind of performance form and development trend does the hand-painted illustration have? And how to face the challenge in the development of hand-drawing illustration art is the focus of this paper. In the rapid development of information age, the old art creation and expression form can not meet the needs of the modern society, people began to pursue a higher level of cultural communication to meet their own cultural needs. At this time the promotion of innovative thinking for us to guide the development of an art road. Innovation is the source of social development, the development of hand-painted illustration art can not be separated from innovation. Innovation does not mean abandoning the traditional creative methods completely, but inheriting selectively and innovating with the characteristics of the new era. This paper probes into the spreading value and significance of hand-painted illustration in the digital new media age through the research on the innovation and development of hand-painted illustration in the digital age, as well as the innovative means and ways of expression of hand-painted illustration in the digital new media era. Through the analysis of the present situation and the market research, this paper demonstrates that the innovation of hand-painted illustration art can not be separated from the excavation and presentation of its own traditional characteristics. Through the extraction and innovation of Chinese traditional elements, as well as the application and reference of western advanced science and technology, it is the innovation trend of hand-painted illustration art under the background of the present times.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J218.5
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 宋世宏;;數(shù)字繪畫藝術(shù)之我見[J];科技信息(科學(xué)教研);2008年06期
2 么冰儒;;手繪表現(xiàn)的意義與未來[J];美術(shù)大觀;2009年03期
3 何桂彥;;“社會風(fēng)景” 中國當(dāng)代繪畫中的“風(fēng)景敘事”及其文化觀念變遷[J];美術(shù)文獻(xiàn);2013年01期
相關(guān)碩士學(xué)位論文 前3條
1 李歡;時尚插畫風(fēng)格分類探討與應(yīng)用研究[D];重慶大學(xué);2007年
2 吳妍妍;論插畫藝術(shù)在數(shù)字時代的新發(fā)展[D];西北大學(xué);2008年
3 耿健;論數(shù)字化語境下插畫設(shè)計(jì)的處境[D];西北大學(xué);2009年
,本文編號:2409236
本文鏈接:http://www.sikaile.net/wenyilunwen/huihuayishu/2409236.html