發(fā)布時(shí)間：2018-12-30 21:41

【摘要】：傳統(tǒng)人物畫(huà)在發(fā)展變遷的過(guò)程中漸趨分化為肖像、道釋、故實(shí)、風(fēng)俗等門(mén)類(lèi)。其中,故實(shí)畫(huà)一門(mén)傳統(tǒng)悠遠(yuǎn),以往圣舊聞、歷史典故、古賢軼事、神仙逸話(huà)等為繪制內(nèi)容,名家輩出、累世相傳。綜合考察故實(shí)畫(huà),其核心在于繪畫(huà)是"故實(shí)"內(nèi)質(zhì),而畫(huà)題正是故實(shí)的傳達(dá)和表現(xiàn)。因此,對(duì)故實(shí)畫(huà)畫(huà)題的研究是把握這一類(lèi)繪畫(huà)的關(guān)鍵所在。本文在對(duì)故實(shí)畫(huà)相關(guān)概念的辨析基礎(chǔ)上分析了早期帶有禮教特征的故實(shí)畫(huà),以及故實(shí)畫(huà)的情節(jié)性、畫(huà)題拓展與構(gòu)圖變化,并分析了《廣川畫(huà)跋》中的畫(huà)題實(shí)證方法。
[Abstract]:In the course of development and vicissitude of traditional figure painting, it is gradually divided into portrait, Taoism, truth, custom and so on. Among them, the truth painting a traditional distant, the past holy old news, historical allusions, ancient anecdotes, fairy words and so on for the drawing content, famous writers have been handed down from time to time. The core of the comprehensive investigation is that the painting is the essence of the old reality, and the painting title is the transmission and expression of the reason and reality. Therefore, it is the key to grasp this kind of painting. In this paper, based on the analysis of the related concepts of the traditional painting, the author analyzes the characteristics of the ancient realistic painting with the characteristics of etiquette, the plot, the expansion and the composition of the painting, and analyzes the empirical method of the painting title in "the Postscript of Guangchuan painting".
【作者單位】： 首都師范大學(xué)美術(shù)學(xué)院;
【分類(lèi)號(hào)】：J212

【相似文獻(xiàn)】

相關(guān)期刊論文 前3條

1 張自然;;董，

本文編號(hào)：2396192