寫(xiě)實(shí)油畫(huà)在中國(guó)的發(fā)展現(xiàn)狀及分析
發(fā)布時(shí)間:2018-12-15 01:13
【摘要】:縱觀(guān)我國(guó)的油畫(huà)發(fā)展的發(fā)展歷程,可以看到一個(gè)很清晰的脈絡(luò),那就是寫(xiě)實(shí)油畫(huà)的引進(jìn)與發(fā)展。改革開(kāi)放以后,作為一個(gè)引進(jìn)的畫(huà)種,中國(guó)寫(xiě)實(shí)油畫(huà),在不斷地學(xué)習(xí)西方寫(xiě)實(shí)繪畫(huà)技巧和融合本民族特色的基礎(chǔ)上逐漸地有了自己面貌。從一味跟在西方話(huà)語(yǔ)權(quán)和價(jià)值觀(guān)標(biāo)準(zhǔn)下進(jìn)行模仿,轉(zhuǎn)變?yōu)殚_(kāi)始逐步地尋找自己的位置和方向。雖然寫(xiě)實(shí)油畫(huà)發(fā)展到今天在寫(xiě)實(shí)技巧上達(dá)到了一定的高度,但寫(xiě)實(shí)油畫(huà)如何在當(dāng)代進(jìn)一步發(fā)展是值得我們認(rèn)真思考的。筆者認(rèn)為我國(guó)的寫(xiě)實(shí)油畫(huà)只有在不脫離油畫(huà)材料語(yǔ)言的獨(dú)特性上,更好的吸收本國(guó)的文化傳統(tǒng),創(chuàng)作出符合本民族審美意識(shí)形態(tài)的繪畫(huà)寫(xiě)實(shí)繪畫(huà)作品才是最重要的。一種優(yōu)秀的藝術(shù)語(yǔ)言表現(xiàn)形式只有更深層的表現(xiàn)本國(guó)的文化藝術(shù)審美,才能得到社會(huì)和世界的承認(rèn),所以我們應(yīng)該更進(jìn)一步從中國(guó)的傳統(tǒng)文化中不斷的汲取養(yǎng)分來(lái)豐富寫(xiě)實(shí)油畫(huà)的精神內(nèi)涵。
[Abstract]:Looking at the development course of oil painting in our country, we can see a very clear thread, that is, the introduction and development of realistic oil painting. After the reform and opening up, as an imported kind of painting, Chinese realistic oil painting, in the continuous study of Western realistic painting skills and integration of the national characteristics on the basis of gradually have their own face. From imitating under the standards of Western discourse power and values, we began to look for our own position and direction step by step. Although realistic oil painting has reached a certain height in realistic techniques today, how to further develop realistic oil painting in contemporary times is worthy of our careful consideration. The author thinks that the realistic oil painting of our country is the most important thing only if we do not break away from the uniqueness of the oil painting material language, better absorb the cultural tradition of our country, and create the realistic painting works which accord with the national aesthetic ideology. An excellent form of artistic language can only be recognized by the society and the world if it expresses its cultural and artistic aesthetics in a deeper way. Therefore, we should further from the traditional Chinese culture to enrich the spiritual connotation of realistic oil painting.
【學(xué)位授予單位】:陜西師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類(lèi)號(hào)】:J213
本文編號(hào):2379667
[Abstract]:Looking at the development course of oil painting in our country, we can see a very clear thread, that is, the introduction and development of realistic oil painting. After the reform and opening up, as an imported kind of painting, Chinese realistic oil painting, in the continuous study of Western realistic painting skills and integration of the national characteristics on the basis of gradually have their own face. From imitating under the standards of Western discourse power and values, we began to look for our own position and direction step by step. Although realistic oil painting has reached a certain height in realistic techniques today, how to further develop realistic oil painting in contemporary times is worthy of our careful consideration. The author thinks that the realistic oil painting of our country is the most important thing only if we do not break away from the uniqueness of the oil painting material language, better absorb the cultural tradition of our country, and create the realistic painting works which accord with the national aesthetic ideology. An excellent form of artistic language can only be recognized by the society and the world if it expresses its cultural and artistic aesthetics in a deeper way. Therefore, we should further from the traditional Chinese culture to enrich the spiritual connotation of realistic oil painting.
【學(xué)位授予單位】:陜西師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類(lèi)號(hào)】:J213
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