靜穆的儀式—張曉剛藝術(shù)作品中的圖像符號(hào)研究
[Abstract]:Since the mid-1990s, the use of facial image symbols for artistic creation has become a common phenomenon, while Zhang Xiaogang has been a representative of widespread concern and research. His masterpiece "extended Family" series shows an enlarged social model of patriarchal system, and the ritualistic sense of patriarchal society is more prominent because of the collectivism principle. Zhang Xiaogang faced with this complicated and inextricable state of existence in a particular historical period, strengthened the ritual feeling and turned it into a simple and powerful symbol. This article is divided into four chapters to carry on the related discussion. The first chapter is the introduction of cross-cultural knowledge background. It makes a general understanding of the concept of image symbol and combs Zhang Xiaogang's personal background knowledge of image symbol. The second chapter discusses the meaning of the symbolic image symbol in Zhang Xiaogang's works and the origin of its ceremonial feeling in combination with the knowledge background of the first chapter. The third chapter takes Zhang Xiaogang's masterpiece, "extended Family" series, as a case study, combining social, political, cultural and other factors at that time to discuss and analyze the origin of ceremony and ceremony in his works. Chapter four discusses the quiet atmosphere in Zhang Xiaogang's works and the influencing factors.
【學(xué)位授予單位】:華中師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J205
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