淺析李成山水畫風(fēng)格對(duì)畢業(yè)創(chuàng)作的影響
發(fā)布時(shí)間：2018-12-08 19:19
【摘要】：宋代作為中國(guó)繪畫發(fā)展史上的巔峰時(shí)期,其山水畫成就尤為突出。李成作為北宋眾多的山水畫家中的一個(gè)代表,是中國(guó)山水畫史上一位里程碑式的人物。他在師法關(guān)仝的基礎(chǔ)上放意自然,寫胸中浩然之氣,遂自成一家。李成以北方地區(qū)的山水景物為對(duì)象,“山林澤藪,平遠(yuǎn)險(xiǎn)易,縈帶曲折,飛流危棧,斷橋絕澗,水石、風(fēng)雨、晦明、煙云、雪霧之狀,一皆吐其胸中,而寫之筆下”,以“平遠(yuǎn)”的構(gòu)圖方式和蟹爪皴、卷云皴等獨(dú)特的藝術(shù)表現(xiàn)手法形成了李氏獨(dú)特的藝術(shù)特色。此外,李成又善寫北方寒林之景,用筆簡(jiǎn)勁,運(yùn)墨淡潤(rùn),惜墨如金,獨(dú)具一格。李成以其獨(dú)到的筆墨技法和藝術(shù)理念將北宋時(shí)期的山水畫推向了新的歷史高峰,從此,中國(guó)山水畫走向全面成熟。不管其藝術(shù)表現(xiàn)技法還是繪畫思想,都對(duì)后世產(chǎn)生了極其深遠(yuǎn)的影響。無(wú)怪乎劉道醇在他的《圣朝名畫評(píng)》中將李成的畫作列為“神品”,論其畫“思清格老,古無(wú)其人”。
[Abstract]:Song Dynasty as the peak of the history of Chinese painting, its landscape painting achievements are particularly prominent. Li Cheng, a representative of many landscape painters in the Northern Song Dynasty, is a landmark figure in the history of Chinese landscape painting. He set his mind on nature on the basis of teaching and learning, and became a family of his own. Li Cheng took the landscape of the northern region as an object. "the mountains, the forest, the plain, the danger, the twists and turns, the flying streams, the broken bridges, the rocks, the wind, the rain, the Huiming, the smoke clouds, the snow and the mist, all spit in their bosoms, and write in their writings." Li's unique artistic features are formed by the unique artistic expression methods such as "Pingyuan" composition and crabclaw chapping and cirrus chapping. In addition, Li Cheng is good at writing North Cold Forest King, with a simple pen, ink light run, rare ink such as gold, unique. Li Cheng pushed the landscape painting of the Northern Song Dynasty to a new historical peak with his unique techniques and artistic ideas. From then on, Chinese landscape painting went to full maturity. No matter its artistic expression technique or painting thought, all had the extremely profound influence to the later generation. It is no wonder that Liu Daool listed Li Cheng's paintings as "sacred objects" in his famous paintings of the Holy Dynasty.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212
[Abstract]:Song Dynasty as the peak of the history of Chinese painting, its landscape painting achievements are particularly prominent. Li Cheng, a representative of many landscape painters in the Northern Song Dynasty, is a landmark figure in the history of Chinese landscape painting. He set his mind on nature on the basis of teaching and learning, and became a family of his own. Li Cheng took the landscape of the northern region as an object. "the mountains, the forest, the plain, the danger, the twists and turns, the flying streams, the broken bridges, the rocks, the wind, the rain, the Huiming, the smoke clouds, the snow and the mist, all spit in their bosoms, and write in their writings." Li's unique artistic features are formed by the unique artistic expression methods such as "Pingyuan" composition and crabclaw chapping and cirrus chapping. In addition, Li Cheng is good at writing North Cold Forest King, with a simple pen, ink light run, rare ink such as gold, unique. Li Cheng pushed the landscape painting of the Northern Song Dynasty to a new historical peak with his unique techniques and artistic ideas. From then on, Chinese landscape painting went to full maturity. No matter its artistic expression technique or painting thought, all had the extremely profound influence to the later generation. It is no wonder that Liu Daool listed Li Cheng's paintings as "sacred objects" in his famous paintings of the Holy Dynasty.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212
【共引文獻(xiàn)】
相關(guān)期刊論文 前10條
1 束新水;;“九朽一罷”與中國(guó)人物畫創(chuàng)作[J];書畫世界;2009年03期
2 王愿石;;論李公麟的白描藝術(shù)[J];安徽工業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2010年02期
3 張駿，
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