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惲壽平?jīng)]骨花鳥畫色彩研究

發(fā)布時間:2018-11-04 20:52
【摘要】:惲壽平是清代初期的最具代表性的一位畫家,尤長花鳥,作沒骨花鳥畫。沒骨花鳥畫由來已久,最早可以追溯到北宋的徐崇嗣。歷經(jīng)了宋、元、明三代的發(fā)展,到了清初,惲壽平在繼承前人的基礎上,把寫意與寫生相結(jié)合,創(chuàng)造出淡雅妍麗、形態(tài)生動、畫格高逸的沒骨花鳥畫風。惲壽平的沒骨花鳥畫在題材,用筆、設色等方面都有建樹,,尤其是在用色上,已達到巧奪天工,出神入化的高逸境界。 本文以惲壽平?jīng)]骨花鳥畫的設色為研究點,結(jié)合已有的國內(nèi)論著從現(xiàn)在的藝術(shù)角度進行分析研究。文章分為六個部分,首先梳理了從北宋開始歷代沒骨花鳥畫的發(fā)展,對惲壽平及之前的沒骨花鳥畫有了初步的認識;接著探究惲壽平生活的時代背景、生平經(jīng)歷;其次分析總結(jié)惲壽平?jīng)]骨花鳥畫的成因,對惲壽平的沒骨花鳥畫設色有了深入的探索;繼而歸納惲壽平?jīng)]骨花鳥畫的設色風格特點:淡逸為宗、富于變化、筆精墨妙、色染水暈、粉筆代脂、生命之色;然后敘述惲壽平?jīng)]骨花鳥畫色彩體系對后世的影響;最后再論述其設色對我實踐創(chuàng)作的影響和啟迪。
[Abstract]:Yun Shouping was the most representative painter in the early Qing Dynasty. Flower and bird paintings without bones have a long history, which can be traced back to Xu Chongsi in the Northern Song Dynasty. After the development of Song, Yuan and Ming dynasties, Yun Shuping combined freehand brushwork with sketching on the basis of his predecessors in the early Qing Dynasty. Yun Shouping's boneless flowers and birds painting has made achievements in subject matter, pen, color and so on, especially in the use of color. This paper takes Yun Shuping's painting of flowers and birds as the research point, combining the existing domestic works from the point of view of the present art. The article is divided into six parts, firstly combing the development of the flower and bird painting without bone in the past dynasties from the Northern Song Dynasty, having a preliminary understanding of Yun Shouping and his previous painting without bones, then exploring the background of Yun Shuping's life and life experience; Secondly, it analyzes and summarizes the causes of Yun Shuping's painting without bone flowers and birds, and probes deeply into Yun Shuping's painting with no bone flowers and birds. Then the color style of Yun Shuping's painting without bone is summarized as follows: light and elegant style, rich in changes, fine ink of pen, color of water, chalk for fat, color of life, and then narrate the influence of Yun Shuping's color system on later generations; At last, it discusses the influence and enlightenment of its color setting on my practical creation.
【學位授予單位】:西安美術(shù)學院
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J212

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