【摘要】：我認(rèn)為藝術(shù)和宗教本初都是一樣，都是一種信仰，都是對自己和世界的某種關(guān)系的修為。從一個藝術(shù)家的作品可以看到的是這個藝術(shù)家的內(nèi)心素質(zhì)，自然稟賦。這種自然稟賦所標(biāo)示出的是藝術(shù)家不同的思維習(xí)慣，知識結(jié)構(gòu)，審美趣味，以及每位藝術(shù)家對藝術(shù)和生活的追求和態(tài)度。 與我而言，生活與繪畫的思考是無境的相互動力。其思辨過程是一個復(fù)雜艱辛的過程。當(dāng)面對自己，，需要用無限的時間和精力進(jìn)行思考，需要有無窮的能量做出一個哪怕是最小的一個決定，必須放置很多思考和探索才能平衡一架創(chuàng)作的天平。這是一個自我衍生與提升的過程。 對群體和個人關(guān)系的探討一直是我生活和創(chuàng)作的關(guān)注點�！盁o處藏身”緣于生活中我們或多或少都在隱匿些什么。獨自思忖，為生活的復(fù)雜性付出的代價太大。但這種隱匿與包裹下究竟是否可以藏身？俗世雖過于荒涼，但我想至少總會有智者不會為了這一席藏身之地而苦苦尋覓吧。
[Abstract]:I think art and religion were at first the same, both a belief, a revision of some kind of relationship between ourselves and the world. What can be seen from an artist's work is the artist's inner quality and natural endowment. What this natural endowment indicates is the artist's different thinking habits, knowledge structure, aesthetic taste, and every artist's pursuit and attitude towards art and life. To me, the thinking of life and painting is a mutual motive force. Its speculative process is a complicated and arduous process. When you face yourself, you need to think with unlimited time and energy, and you need infinite energy to make even the smallest decision. You have to put a lot of thinking and exploration in order to balance an creative balance. This is a process of self-derivation and ascension. The discussion of the relationship between group and individual has always been the focus of my life and creation. Nowhere to hide is because we are more or less hiding something in life. Think alone, the cost of the complexity of life is too great. But is it possible to hide under this kind of concealment and parcels? The earthly world is too desolate, but I suppose at least there will be wise men who will not search for this hiding place.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J205

【共引文獻(xiàn)】

相關(guān)期刊論文 前5條

1 劉軍;;后現(xiàn)代藝術(shù)荒誕情結(jié)的雙面性[J];南通大學(xué)學(xué)報(社會科學(xué)版);2014年03期

2 張Z

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