【摘要】：自畫像在一般人眼里就是畫家給自己畫的個人肖像,僅僅是作為畫家成長過程的記錄,或者某段心理歷程的一面鏡子。然而,僅僅這么解釋自畫像我覺得還是不夠的,只是對自畫像的模糊解釋。因為我們只是知道這或許是個事實,而往往忽略了這個事實是如何通過具體的特點來傳達(dá)的。反過來說就是：如果我們了解了自畫像中的具體特點,我們可以反推藝術(shù)家的內(nèi)在特性(本性),因為我們知道：正因為藝術(shù)家的內(nèi)在特性,才呈現(xiàn)出了自畫像中的特定形象。這個特定形象與畫家與生俱來的偏好是分不開的。比如為什么有的畫家在作自畫像時偏好特定角度(正面、側(cè)面、正視、斜視等)的面部或視線。分析自畫像特點與畫家的內(nèi)在特性之間的聯(lián)系,將是解讀自畫像這面神秘鏡子所呈現(xiàn)出的偏好的背后含義的一個途徑。這里共選用12位畫家的自畫像來闡述我的觀點,這些畫家分別為：達(dá)·芬奇、丟勒、倫勃朗、魯本斯、凡戴克、凡·高、契里柯、畢加索、保拉·莫德松·貝克爾、達(dá)利、弗朗西斯·培根、芙烈達(dá)·卡蘿。
[Abstract]:In the eyes of most people, self-portrait is a personal portrait painted by a painter, only as a record of the artist's growing up, or as a mirror of a certain period of psychological process. However, I do not think it is enough to interpret self-portrait in this way. It is only a vague explanation of self-portrait. Because we just know that this may be a fact, and often ignore how this fact is conveyed by specific characteristics. Conversely, if we understand the specific characteristics of the self-portrait, we can reverse the inherent characteristics of the artist (nature), because we know: it is because of the inherent characteristics of the artist, showing a specific image in the self-portrait. This particular image is inextricably linked to the inherent preference of the painter. For example, why do some artists prefer the face or sight of a particular angle (front, side, face, squint, etc.) when making self-portraits. The analysis of the relationship between the characteristics of self-portrait and the inherent characteristics of the painter will be a way to interpret the meaning behind the preference presented by the mysterious mirror of self-portrait. Here are 12 self-portraits of painters: da Vinci, Deller, Rembrandt, Rubens, Vandack, Van Gogh, Chiriko, Picasso, Paula Modeson Becker, Dali. Francis Bacon, Freda Carol.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

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