【摘要】：從清康熙年間至今,蕪湖鐵畫已歷經(jīng)三百多年的風(fēng)風(fēng)雨雨,經(jīng)歷過各種波折甚至幾近瀕危,但因其自身頑強(qiáng)生命力渡過了各種劫難,成為徽州文化的杰出代表之一,而其也因獨(dú)特的歷史成長環(huán)境、復(fù)雜而精致的鍛造技藝與多元化的象征表達(dá)意境而成為了中國傳統(tǒng)手工工藝美術(shù)領(lǐng)域里的一顆璀璨的藝術(shù)奇葩。 本文從蕪湖概況談起,通過對蕪湖自然環(huán)境、人文因素、經(jīng)濟(jì)與社會發(fā)展進(jìn)行解讀,力圖說明鐵畫在蕪湖興起與發(fā)展的原因,接著對蕪湖鐵畫的起源與發(fā)展歷程進(jìn)行了梳理,并對蕪湖鐵畫的現(xiàn)狀進(jìn)行了分析,在總結(jié)介紹蕪湖鐵畫的內(nèi)容題材、工藝流程基礎(chǔ)上,對其特征與價值進(jìn)行了闡述。結(jié)合作為非物質(zhì)文化遺產(chǎn)保護(hù)重要方式之一的生產(chǎn)性保護(hù)理論對蕪湖鐵畫保護(hù)與延續(xù)所做的工作進(jìn)行了交代,同時對蕪湖鐵畫在生產(chǎn)性保護(hù)過程中所出現(xiàn)的問題進(jìn)行了探討,并針對出現(xiàn)的這些問題,提出具體的建議。最后本文總結(jié)了本研究所獲得的內(nèi)容,并提出了可延續(xù)探討的相關(guān)研究主題。 全文共分為以下幾個部分： 第一部分為緒論部分,介紹選題的緣由、研究的目的與意義、相關(guān)研究的文獻(xiàn)綜述、研究方法。 第二部分為蕪湖鐵畫概說。探討了蕪湖地區(qū)的自然與人文環(huán)境,追溯蕪湖鐵畫的起源與發(fā)展演變的相關(guān)情況,力圖梳理出蕪湖鐵畫產(chǎn)生與發(fā)展的歷史背景和演變過程。接著介紹了蕪湖鐵畫現(xiàn)狀發(fā)展的情況,并介紹了蕪湖鐵畫鍛造技藝的流程及其特征價值。 第三部分著力圍繞蕪湖鐵畫探討其生產(chǎn)性保護(hù)方式。梳理了目前蕪湖鐵畫在生產(chǎn)性保護(hù)方式的運(yùn)用現(xiàn)狀,同時對蕪湖鐵畫在生產(chǎn)性保護(hù)過程中出現(xiàn)的問題進(jìn)行了闡述,提出了一些可行性建議。 第四部分,介紹本研究所獲得的內(nèi)容與啟發(fā),同時闡述了本研究可延伸研究的相關(guān)主題。
[Abstract]:From the Kangxi period of Qing Dynasty to now, Wuhu iron painting has gone through more than 300 years of ups and downs, experienced various twists and turns or even nearly endangered, but because of its tenacious vitality, it has survived all kinds of disasters, and has become one of the outstanding representatives of Huizhou culture. And because of its unique historical growth environment, complex and exquisite forging techniques and diverse symbols to express artistic conception, it has become a brilliant art in the field of Chinese traditional handicraft arts and crafts. Starting from the general situation of Wuhu, this paper tries to explain the reasons for the rise and development of iron painting in Wuhu by interpreting the natural environment, humanistic factors, economic and social development of Wuhu, and then combs the origin and development course of iron painting in Wuhu. The present situation of Wuhu iron painting is analyzed, and the characteristics and value of Wuhu iron painting are expounded on the basis of summarizing and introducing the content theme and technological process of Wuhu iron painting. Based on the theory of productive protection, which is one of the important ways to protect intangible cultural heritage, the paper gives an account of the work done in the protection and continuation of Wuhu iron painting, and probes into the problems of Wuhu iron painting in the process of productive protection. And in the light of these problems, put forward specific suggestions. Finally, this paper summarizes the contents of this study, and puts forward the relevant research topics. The full text is divided into the following parts: the first part is the introduction part, introduces the reason of the topic, the purpose and significance of the research, the literature review of related research, research methods. The second part is an overview of Wuhu iron painting. This paper probes into the natural and human environment of Wuhu area, traces the origin and development of Wuhu iron painting, and tries to sort out the historical background and evolution process of the emergence and development of Wuhu iron painting. Then it introduces the present situation of Wuhu iron painting, and introduces the process and characteristic value of Wuhu iron painting forging technique. The third part focuses on Wuhu Iron painting to explore its productive protection. The application of Wuhu iron painting in productive protection is reviewed, and the problems in the process of production protection are expounded, and some feasible suggestions are put forward. The fourth part introduces the content and inspiration of the research, and expounds the relevant topics of the extensible research.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

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1 易忠;徐超;;蕪湖鐵畫的設(shè)計開發(fā)策略[J];浙江工藝美術(shù);2008年02期

2 趙昌進(jìn);;蕪湖鐵畫藝術(shù)[J];上海工藝美術(shù);2009年03期

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本文編號：2266125