淺析文人畫對張冬峰油畫創(chuàng)作中“筆墨意蘊”的影響
發(fā)布時間:2018-10-11 19:46
【摘要】:社會的進步與文化的發(fā)展促使著中國風(fēng)景油畫的形式語言不再是單一的寫實主義或現(xiàn)實主義:中國藝術(shù)家越來越深刻的認識到作品的“民族性”是時代發(fā)展的必然趨勢,因此中國傳統(tǒng)的繪畫觀念、思想與審美風(fēng)格也正在逐步影響著中國當(dāng)代風(fēng)景油畫形式語言發(fā)展的新方向。追根溯源且與當(dāng)下發(fā)展相結(jié)合,將傳統(tǒng)文人畫的審美趣味與西方油畫藝術(shù)語言相融合,提煉出符合中國當(dāng)代風(fēng)景油畫家進行藝術(shù)表現(xiàn)的繪畫元素,并從畫面形式感與內(nèi)容上加以繼承和創(chuàng)新,最終形成作品自身鮮明、獨特的藝術(shù)特征,是本文所要闡述的觀點。文章采用個案、分析、例證等方法,具體從畫家張冬峰風(fēng)景油畫作品中的“寫意性精神、筆墨技法和審美風(fēng)格”三個方面來分別品悟文人畫代表畫家石濤、龔賢與沈周獨特的藝術(shù)表現(xiàn)力對其產(chǎn)生的影響與彼此藝術(shù)觀點的相似性?傊瑢χ袊(dāng)代藝術(shù)家而言,繼承與創(chuàng)新油畫風(fēng)景中的“筆墨意蘊”,畫家需肩負起勇于探索且實事求是的實踐行動和專業(yè)態(tài)度,,才能最終在這條任重且道遠的藝術(shù)探索之路上取得實質(zhì)性的收獲。
[Abstract]:With the development of society and culture, the formal language of Chinese landscape oil painting is no longer a single realism or realism: Chinese artists are more and more deeply aware that the "nationality" of their works is the inevitable trend of the development of the times. Therefore, the traditional Chinese painting concept, thought and aesthetic style are gradually affecting the new direction of the development of the formal language of Chinese contemporary landscape oil painting. Tracing back to the source and combining with the current development, the aesthetic taste of the traditional literati painting is combined with the western oil painting art language to extract the painting elements that accord with the artistic expression of Chinese contemporary landscape oil painters. And from the form and content of the picture to inherit and innovate, and finally form its own distinctive and unique artistic characteristics, is the point of view to be elaborated in this paper. This article adopts the methods of case study, analysis and illustration, specifically from three aspects of "freehand brushwork spirit, stroke technique and aesthetic style" in the painter Zhang Dongfeng's landscape oil paintings, respectively. The influence of Gong Xian and Shen Zhou's unique artistic expressiveness on them is similar to each other's artistic views. In short, for contemporary Chinese artists, to inherit and innovate the "pen and ink meaning" in oil painting landscape, painters should shoulder the practical action and professional attitude of daring to explore and seek truth from facts. In the end, we can get substantial results on the long road of art exploration.
【學(xué)位授予單位】:山東工藝美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J213
本文編號:2265027
[Abstract]:With the development of society and culture, the formal language of Chinese landscape oil painting is no longer a single realism or realism: Chinese artists are more and more deeply aware that the "nationality" of their works is the inevitable trend of the development of the times. Therefore, the traditional Chinese painting concept, thought and aesthetic style are gradually affecting the new direction of the development of the formal language of Chinese contemporary landscape oil painting. Tracing back to the source and combining with the current development, the aesthetic taste of the traditional literati painting is combined with the western oil painting art language to extract the painting elements that accord with the artistic expression of Chinese contemporary landscape oil painters. And from the form and content of the picture to inherit and innovate, and finally form its own distinctive and unique artistic characteristics, is the point of view to be elaborated in this paper. This article adopts the methods of case study, analysis and illustration, specifically from three aspects of "freehand brushwork spirit, stroke technique and aesthetic style" in the painter Zhang Dongfeng's landscape oil paintings, respectively. The influence of Gong Xian and Shen Zhou's unique artistic expressiveness on them is similar to each other's artistic views. In short, for contemporary Chinese artists, to inherit and innovate the "pen and ink meaning" in oil painting landscape, painters should shoulder the practical action and professional attitude of daring to explore and seek truth from facts. In the end, we can get substantial results on the long road of art exploration.
【學(xué)位授予單位】:山東工藝美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J213
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