【摘要】：傳統(tǒng)中國工筆畫，在中國繪畫歷史上是成熟較早的畫種，源于魏晉，興盛于唐宋，尤其到了宋代，得到宋徽宗提倡，成立了翰林圖畫院，使工筆畫得到了前所未有的繁榮。延至明清時期由于其自身發(fā)展的局限性影響而走向衰落。至上世紀八十年代以后，，肌理技法的運用介入到工筆花鳥創(chuàng)新中，才使工筆花鳥畫形成風格的多元化，體現(xiàn)時代的人文情懷和更加豐富了多樣的審美形態(tài)。本文就針對肌理技法在工筆花鳥畫中的探索、運用、審美、意境做了深入研究，全文分為三個部分。 第一部分,首先介紹肌理的產(chǎn)生、發(fā)展以及在繪畫藝術中的價值，對畫面中的肌理進行了詳盡的闡述。第二部分,具體解析各種肌理特殊技法，如積水法、拓印法、撒鹽法、撒水法、噴染法、水洗法等等，并對相關的例畫進行分析與研究。第三部分，闡述了肌理技法的運用對風格特征及構建現(xiàn)代的多元審美形態(tài)、滿足現(xiàn)代的多元審美需求有重要作用，也使中國工筆花鳥畫向前推進了一大步。
[Abstract]:Traditional Chinese fine brushwork, which originated from Wei and Jin dynasties and flourished in Tang and Song dynasties, was advocated by Song Huizong and set up Hanlin Picture Academy, which made the painting become more prosperous than ever. Extended to the Ming and Qing dynasties due to its own development of the limitations of the decline. Since the eighties of the last century, the application of texture techniques has been involved in the innovation of fine brushwork flowers and birds, so that the style of fine brushwork flower and bird painting has been diversified, which reflects the humanistic feelings of the times and enriches the various aesthetic forms. This paper makes a deep study on the texture techniques in the fine brushwork flower and bird painting exploration, application, aesthetic, artistic conception, the full text is divided into three parts. The first part first introduces the production, development and value of the texture in the painting art, and elaborates the texture in the picture. In the second part, we analyze the special techniques of texture, such as water accumulation, printing, salting, spraying, washing and so on. In the third part, the application of texture techniques plays an important role in stylistic features and the construction of modern multi-aesthetic forms, to meet the needs of modern multi-aesthetic, and also makes Chinese fine brushwork flower-and-bird painting a big step forward.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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本文編號：2264112