【摘要】：金代題畫詩(shī)是少數(shù)民族女真政權(quán)統(tǒng)治中國(guó)北方120年間孕育生成的文化產(chǎn)物,作為中國(guó)題畫詩(shī)發(fā)展長(zhǎng)河中的支流,它上承北宋題畫詩(shī)之文明,期間與南宋題畫詩(shī)并立,下啟元代題畫詩(shī)之蓬勃,作用不可小覷。從內(nèi)容上看,金代題畫詩(shī)展現(xiàn)了有金一代題畫詩(shī)人們的內(nèi)心所想、心懷所系,無(wú)論是金代前期詩(shī)人們?nèi)?guó)懷鄉(xiāng)的哀婉情調(diào),還是金代中期詩(shī)人們兼濟(jì)天下的志愿和安然蕭散的閑怡情趣,亦或是金代后期詩(shī)人們悲愴蒼涼的末世情懷,他們都以金源一代特有的筆風(fēng)筆貌借畫抒情寫志,將其情感和個(gè)人經(jīng)歷融入畫境之中,充滿身世之感。其中諸如劉仲尹、趙秉文、特別是元好問(wèn)在題畫詩(shī)中展現(xiàn)的畫論觀,吸收并繼承了儒道審美觀和宋代文人畫理論精華,使金代題畫詩(shī)文質(zhì)兼?zhèn)?具有較高藝術(shù)水準(zhǔn)。金代題畫詩(shī)的藝術(shù)風(fēng)格亦較為多元化,既有彰顯北方民族特色的雄豪之作,又有自然閑適的清新小詩(shī),更有古樸蒼涼的感慨興嘆。其體裁不拘一格,題材豐富多樣,其中一些作品頗具民族特色。金代題畫詩(shī)是漢文化和少數(shù)民族文化流通共融結(jié)出的碩果,其多彩面貌的呈現(xiàn)飽受中原文化的浸潤(rùn),流淌著民族的血脈,鐫刻著時(shí)代的印記。
[Abstract]:The painting poem of Jin Dynasty is a cultural product that was conceived during 120 years under the rule of Nupin regime of minority nationality in northern China. As a tributary of the development of Chinese painting poem, it inherited the civilization of the painting poem of the Northern Song Dynasty and stood side by side with the painting poem of the Southern Song Dynasty. The prosperity of the painting poems in the Yuan Dynasty can not be underestimated. From the content point of view, the painting poems of the Jin Dynasty show the hearts and minds of the people who wrote the paintings in the Jin Dynasty, whether it is the sadness of the poets going to the country and the hometown in the early part of the Jin Dynasty. Or the poets in the middle of the Jin Dynasty and the will to help the world and the ease and joy of the peaceful dispersal of the world, or the sorrowful and desolate feelings of the late Jin Dynasty poets, all of whom wrote their records through the paintings and lyricists of the unique style of the Jin Yuan generation. His feelings and personal experience into the painting, full of a sense of life. Among them, such as Liu Zhongyin and Zhao Bingwen, especially Yuan Hao-wen 's view of painting theory, absorbed and inherited the aesthetic conception of Confucianism and Taoism and the theory essence of literati painting in Song Dynasty, which made the painting poems of Jin Dynasty have both quality and high artistic standard. The artistic style of the painting poems of Jin Dynasty is also diversified, which not only shows the northern national characteristics of Xiong Hao's works, but also has the fresh poems of nature and leisure, and also has the simple and desolate feeling and sigh. Its genre is not rigid, subject matter is rich and diverse, some of which have national characteristics. The painting poem of Jin Dynasty is the fruit of the circulation of Han culture and minority culture. Its colorful appearance is deeply infiltrated by the Central Plains culture, flowing with the blood of the nation and engraving the mark of the times.
【學(xué)位授予單位】：內(nèi)蒙古民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I207.22;J212

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