【摘要】：黎族是具有三千多年歷史的海南島原住民,他們?cè)跉v史的長河中繁衍生息、燃著生命之火摸索前進(jìn),在向大自然學(xué)習(xí)與天地生長的過程中逐漸形成了別具特色的民族文化藝術(shù),其美術(shù)繪畫領(lǐng)域亦有傳承有續(xù)的卓著成就。然據(jù)有關(guān)資料顯示,當(dāng)代黎族美術(shù)研究領(lǐng)域多以民間實(shí)用美術(shù)為主,如從黎族織錦、服飾、手工藝、民居的藝術(shù)價(jià)值、文化內(nèi)涵、傳承、商業(yè)價(jià)值等方向進(jìn)行研究,而于繪畫研究則側(cè)重于美術(shù)作品的評(píng)論等方面�；诖�,本文的研究探析之點(diǎn),在于著重挖掘黎族民族美術(shù)的創(chuàng)作表現(xiàn)成果,探察其形態(tài)與現(xiàn)狀,找尋其特有的美術(shù)表現(xiàn)審美特征,形成海南黎族美術(shù)初探。為求深入探索,本文結(jié)合個(gè)人的創(chuàng)作將其運(yùn)用到黎族題材美術(shù)創(chuàng)作實(shí)踐中,使空泛的理論與繪畫實(shí)踐緊密結(jié)合,梳理形成實(shí)踐心得。因?yàn)?從繪畫創(chuàng)作實(shí)踐的角度談黎族美術(shù)在該研究領(lǐng)域可以說是一個(gè)較新的視角,從而對(duì)我使用黎族題材進(jìn)行美術(shù)創(chuàng)作推進(jìn)具有一定的標(biāo)桿意義。順此思路,筆者以中國工筆畫創(chuàng)作的角度,從繪畫素材的提取、形式語言、色彩運(yùn)用、民族精神的體現(xiàn)、對(duì)其他藝術(shù)的借鑒這五方面進(jìn)行剖析并結(jié)合個(gè)人的創(chuàng)作思考進(jìn)行闡述,擬論證在黎族題材美術(shù)創(chuàng)作實(shí)踐中如何既能深入表現(xiàn)其生活與生存狀貌,不失其民族文化元素與養(yǎng)分,又能打開更為廣闊的創(chuàng)作眼界與思路,追求更高的藝術(shù)境界,既能使作品植根于中國文化傳統(tǒng)繪畫脈絡(luò),又能創(chuàng)作出具有鮮明時(shí)代特征、民族特色、個(gè)人風(fēng)格的當(dāng)代黎族美術(shù)作品。
[Abstract]:Li is a native of Hainan Island with a history of more than three thousand years. They have multiplied in the long river of history, fumbled along with the fire of life, and gradually formed distinctive national culture and art in the process of learning from nature and growing up in heaven and earth. Its art painting field also has inherited and continued outstanding achievements. However, according to relevant materials, the field of contemporary art research of Li nationality is mainly concerned with folk and practical art, such as the artistic value, cultural connotation, inheritance, commercial value of Li nationality tapestry, clothing, handicraft, folk residence, etc. On the other hand, the study of painting focuses on the comments of art works and so on. Based on this, the research point of this paper is to explore the achievements of Li ethnic art creation, explore its form and present situation, find its unique aesthetic characteristics of art performance, and form a preliminary exploration of Li nationality art in Hainan. In order to explore deeply, this article combines the individual creation to apply it to the Li nationality subject matter art creation practice, causes the empty theory and the painting practice closely unifies, combs forms the practice experience. Because from the angle of painting creation practice talking about Li nationality fine arts is a relatively new angle of view in this research field, so it has certain benchmarking significance for me to use Li theme to promote art creation. In this way, the author from the perspective of the creation of Chinese fine brushwork, from the drawing material extraction, form language, color application, the embodiment of national spirit, to other art to learn from these five aspects, and combined with personal creative thinking to elaborate. It is intended to demonstrate how in the practice of art creation of Li nationality, it can not only deeply express its life and existence, but also open wider creative horizon and train of thought and pursue higher artistic realm without losing the elements and nutrients of its national culture. It can not only make the works rooted in the Chinese traditional painting context, but also create contemporary Li art works with distinctive characteristics of the times, national characteristics and personal style.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J204

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