【摘要】：周氏兄弟的繪畫(huà)藝術(shù)深受其家鄉(xiāng)廣西花山巖畫(huà)的影響,他們?cè)诶L畫(huà)中注入少數(shù)民族原始的精神力量,把壯族祖先的原始藝術(shù)和其他中國(guó)傳統(tǒng)藝術(shù)形式結(jié)合在西方現(xiàn)代繪畫(huà)藝術(shù)實(shí)踐中,創(chuàng)作出獨(dú)具一格的抽象繪畫(huà)風(fēng)格,使民族藝術(shù)融匯于當(dāng)今世界藝術(shù)中。在20世紀(jì)80年代中期,周氏兄弟的抽象表現(xiàn)繪畫(huà)風(fēng)格促進(jìn)了中國(guó)美術(shù)界新藝術(shù)發(fā)展時(shí)期的到來(lái),但是他們?cè)趪?guó)內(nèi)新潮美術(shù)運(yùn)動(dòng)到達(dá)高潮之前離開(kāi)了中國(guó),所以在國(guó)內(nèi)美術(shù)界少有人知曉他們的名字。在周氏兄弟的繪畫(huà)藝術(shù)中,既體現(xiàn)了對(duì)中國(guó)古代藝術(shù)精神的永久價(jià)值的追求,也融入了對(duì)西方現(xiàn)代藝術(shù)的理解,是“古為今用”和“洋為中用”的成功典范。本論文從周氏兄弟所生活的時(shí)代背景出發(fā),重點(diǎn)分析周氏兄弟在本土?xí)r期的繪畫(huà)演變過(guò)程和在國(guó)外各個(gè)時(shí)期的藝術(shù)語(yǔ)言特征,并得出以下結(jié)論：在當(dāng)代多元藝術(shù)背景下,中國(guó)豐富的民族藝術(shù)形式和悠久的傳統(tǒng)文化可以成為滋養(yǎng)中國(guó)藝術(shù)家獲得藝術(shù)靈感的源泉。通過(guò)借鑒和發(fā)展中國(guó)的傳統(tǒng)藝術(shù)表現(xiàn)形式,能使中國(guó)當(dāng)代藝術(shù)煥發(fā)出新的生機(jī)和光彩。
[Abstract]:The Zhou brothers' painting art was deeply influenced by the rock paintings in their hometown of Huashan, Guangxi. They injected the original spiritual strength of the minority nationalities into their paintings. Combining the primitive art of Zhuang ancestors with other traditional Chinese art forms in the practice of western modern painting art, it creates a unique abstract painting style, which makes the national art merge into the art of the world today. In the mid-1980s, the Zhou brothers' abstract style of painting promoted the arrival of the new art development period in Chinese art circles, but they left China before the upsurge of the domestic trendy art movement. So few people in the domestic art world know their names. In the painting art of the Zhou brothers, it not only embodies the pursuit of the eternal value of the ancient Chinese artistic spirit, but also integrates the understanding of the western modern art. It is a successful example of "using the past for the present" and "using the foreign as the Chinese". Starting from the background of the times in which the brothers lived, this paper focuses on the evolution of their paintings in the local period and the characteristics of their artistic language in various periods abroad, and draws the following conclusions: under the background of contemporary pluralistic art, China's rich national art forms and long-standing traditional culture can nourish Chinese artists to get the source of artistic inspiration. By drawing lessons from and developing Chinese traditional art forms, Chinese contemporary art can radiate new vitality and brilliance.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J205

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本文編號(hào)：2205520