【摘要】：在全球化、城市文化日益凸顯的時(shí)代,弘揚(yáng)對本土、鄉(xiāng)土文化的探索是具有重要意義的。在繪畫領(lǐng)域中,不少藝術(shù)家開始關(guān)注自己本土的文化傳統(tǒng)和文化精神,挖掘本土資源,尋求本土文化土壤的支撐。在中國水彩畫快速發(fā)展的今天,以鄉(xiāng)土為題材的水彩畫作品比例在中國畫壇中不斷增加。桂林的“鄉(xiāng)土”有其深刻和獨(dú)特的文化內(nèi)涵。桂林水彩畫家偏愛自己熟悉的自然、文化土壤,以桂林特有的地域鄉(xiāng)土為特色,在作品中呈現(xiàn)出它獨(dú)有的本土色彩和民族風(fēng)情,逐漸形成了具有自身特點(diǎn)的繪畫手法和表現(xiàn)語言,創(chuàng)造出具有個(gè)性語言的鄉(xiāng)土創(chuàng)作。 本文以桂林鄉(xiāng)土題材的水彩畫為基點(diǎn)來進(jìn)行研究,從其鄉(xiāng)土繪畫朔源開始,找出桂林水彩畫發(fā)展的藝術(shù)脈絡(luò)及背景。分析鄉(xiāng)土題材在桂林水彩畫家作品中的藝術(shù)呈現(xiàn),挖掘桂林水彩畫家特有的藝術(shù)特質(zhì)和藝術(shù)語言,探討以鄉(xiāng)土為表現(xiàn)題材的桂林水彩畫的審美價(jià)值和發(fā)展意義。 本文主要從作品分析研究的角度出發(fā),對桂林鄉(xiāng)土題材的水彩畫進(jìn)行系統(tǒng)的研究,論文分為四個(gè)章節(jié),全面的考察和闡述了桂林鄉(xiāng)土題材水彩畫的形成背景和藝術(shù)風(fēng)貌。第一章,闡釋鄉(xiāng)土繪畫的內(nèi)涵,以縱向角度,大致梳理了中外鄉(xiāng)土繪畫的發(fā)展脈絡(luò)。第二章,對廣西美術(shù)發(fā)展的思路和桂林本土獨(dú)特的地域文化特點(diǎn)進(jìn)行分析和考察,闡釋鄉(xiāng)土題材在桂林水彩畫家創(chuàng)作中發(fā)展的原因。第三章,從橫向研究的角度,著重分析桂林水彩畫家多元的藝術(shù)視角及作品中呈現(xiàn)的藝術(shù)與文化內(nèi)涵,展現(xiàn)出他們獨(dú)特的、具有本土民族特性的個(gè)性化藝術(shù)語言特征。第四章,從審美價(jià)值及其藝術(shù)發(fā)展意義的角度,闡釋了桂林水彩畫的民族性、時(shí)代性和豐富的人文情懷。最后,肯定了以鄉(xiāng)土為題材的桂林水彩畫對當(dāng)前中國水彩民族化發(fā)展起的積極作用和意義,并對中國水彩和桂林水彩畫的發(fā)展趨勢做以展望。 通過研究,使本文對桂林的水彩畫有了一個(gè)深刻、立體的認(rèn)識(shí),有一定的學(xué)術(shù)價(jià)值和現(xiàn)實(shí)意義。同時(shí)也希望有更多的藝術(shù)家關(guān)注鄉(xiāng)土與現(xiàn)實(shí),不斷豐富和繁榮水彩畫的藝術(shù)面貌。
[Abstract]:In the era of globalization and increasingly prominent urban culture, it is of great significance to carry forward the exploration of native and local culture. In the field of painting, many artists begin to pay attention to their own cultural traditions and cultural spirit, tap local resources, and seek the support of local cultural soil. With the rapid development of Chinese watercolor paintings, the proportion of watercolor paintings with local themes is increasing in the Chinese painting world. Guilin's Native Land has its profound and unique cultural connotation. Guilin watercolor painters prefer their familiar natural and cultural soil, which is characterized by Guilin's unique local land, and presents its unique local color and national customs in its works. Gradually formed with its own characteristics of painting techniques and expression of language, create a unique language of local creation. Based on the local watercolor painting of Guilin, this paper starts with the origin of Guilin's local painting, and finds out the artistic context and background of the development of Guilin watercolor painting. This paper analyzes the artistic presentation of local themes in the works of Guilin watercolor painters, excavates the unique artistic characteristics and artistic language of Guilin watercolor painters, and probes into the aesthetic value and development significance of Guilin watercolor paintings with local themes. This article mainly from the work analysis research angle, carries on the systematic research to the Guilin local subject matter watercolor painting, the thesis divides into four chapters, has comprehensively inspected and elaborated the Guilin native theme watercolor painting formation background and the artistic style. The first chapter, explains the connotation of local painting, with the vertical angle, roughly combing the development of Chinese and foreign local painting. In the second chapter, the author analyzes and inspects the development of Guangxi fine arts and the unique regional cultural characteristics of Guilin, and explains the reasons for the development of local theme in the creation of Guilin watercolor painters. The third chapter, from the perspective of horizontal research, focuses on the analysis of Guilin watercolor painters' diverse artistic perspectives and artistic and cultural connotations in their works, showing their unique and unique characteristics of individualized artistic language with native national characteristics. Chapter four, from the angle of aesthetic value and artistic development significance, explains the nationality, times and rich humanistic feelings of Guilin watercolor painting. Finally, it affirms the positive effect and significance of Guilin watercolor painting on the current development of Chinese watercolor nationalization, and prospects the development trend of Chinese watercolor painting and Guilin watercolor painting. Through the study, this paper has a profound and three-dimensional understanding of Guilin watercolor painting, which has certain academic value and practical significance. At the same time, we hope that more artists will pay attention to the local land and reality, and enrich and prosper the art appearance of watercolor painting.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J215

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