【摘要】：中國傳統(tǒng)園林藝術是世界景觀藝術中最為寶貴的遺產之一,它不僅是融入詩、書、畫的綜合藝術,還蘊含了中國的傳統(tǒng)文化與思想。園林不僅是隱逸思想的現(xiàn)實體現(xiàn),也是文人士大夫們的精神幻象；而中國傳統(tǒng)山水畫所表達的也是畫家歸隱山林的理想。本文認為,園林繪畫并非單純?yōu)榱嗣枥L園林景致,同時也表現(xiàn)了園林的某些內在特征,以及文人士大夫的獨立人格、價值觀和審美趣味,反映了他們對隱逸文化的理解和對理想生活的追求。 本文從形式分析、情感表達和心理因素等三方面對傳統(tǒng)園林繪畫進行研究,闡述了園林題材與畫家情感表達之間的關系,試圖尋找園林繪畫背后蘊含的意義。在當代畫家在處理園林題材繪畫時,應有新的認知方法和表達方式,使其具備時代印跡。
[Abstract]:Chinese traditional garden art is one of the most precious heritage in the world landscape art. It is not only a comprehensive art of poetry, book and painting, but also contains Chinese traditional culture and thought. Garden is not only the realistic embodiment of hermit thought, but also the spiritual illusion of literati and officials, and the Chinese traditional landscape painting is also the ideal of the painter to return to the mountain forest. This paper holds that landscape painting is not only for the purpose of depicting the landscape, but also shows some inherent characteristics of the garden, as well as the independent personality, values and aesthetic taste of literati and officials. It reflects their understanding of hermit culture and their pursuit of ideal life. This paper studies the traditional garden painting from the aspects of form analysis, emotional expression and psychological factors, expounds the relationship between the garden theme and the painter's emotion expression, and tries to find the meaning behind the garden painting. When contemporary painters deal with garden paintings, they should have new cognitive methods and expression methods to make them have epochal imprinting.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J205

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