【摘要】：惲南田是清初著名文人畫家、繪畫理論家，詩書畫俱佳，為“清初六大家”之一，在山水畫和沒骨花鳥畫創(chuàng)作方面自成一格，成就卓然。中國畫論“靜”的觀點起源于哲學(xué)，特別是道家學(xué)說的“虛靜”論。“虛靜”是老莊哲學(xué)的重要命題，后來被引入到美學(xué)領(lǐng)域中，成為美學(xué)審美的重要命題。此外，“虛靜”觀對文學(xué)、書法、繪畫等領(lǐng)域也有著直接或間接的影響�！办o”境是傳統(tǒng)文人畫的理想境界，惲南田作為中國傳統(tǒng)文化中文人的代表，其身上帶有明顯的時代特征和個性特征。惲南田對繪畫理論頗有研究，在后人根據(jù)其畫跋整理的《南田畫跋》中，明確提出繪畫創(chuàng)作要有“虛靜”的心態(tài)。南田追求以自然界為中心進行藝術(shù)構(gòu)思，崇尚簡、雅的審美意趣，以“高逸”作為審美理想。南田的繪畫實踐和理論都展現(xiàn)出獨特的文人畫特征，強調(diào)安頓性靈，以平和沖淡為審美理想，在離亂、無可奈何、不平等的亂世中，既有生命的寂寞，又蘊藏著無窮的生命力量。正是在這種彰顯生命真性的寂寞環(huán)境中，他完成了自己一生的不朽之作，也展現(xiàn)了堅貞不屈的高潔品性。本文以惲南田切入，從四個方面來深度剖析和闡述中國畫論中主“靜”理論的深刻內(nèi)涵：一是“靜”的由來與意味；二是“靜”的創(chuàng)作心境與筆墨；三是“靜”的美學(xué)意味；四是余論，淺談中國畫論中“靜”境的意義和影響。在體會惲南田畫作及繪畫理論精妙絕倫的同時，領(lǐng)悟其高超的思想境界與靜坐默觀的審美心境。
[Abstract]:Yun Nantian is a famous literati painter, painting theorist, poem, calligraphy and painting, for the "early Qing Dynasty six people", in the landscape painting and no bone flowers and birds painting to create its own style, the achievement of Zhuo Ran. The view of Chinese painting theory "Jing" originates from philosophy, especially the theory of "empty stillness" of Taoism. "Xu Jing" is an important proposition in Laozhuang's philosophy, which was later introduced into the field of aesthetics and became an important proposition of aesthetic aesthetics. In addition, the concept of "Xu Jing" has direct or indirect influence on literature, calligraphy, painting and other fields. "quiet" is the ideal realm of traditional literati painting. Yun Nantian, as the representative of Chinese people in Chinese traditional culture, has obvious characteristics of the times and personality. Yun Nantian has studied painting theory quite well. In the postscript of Nantian painting arranged by posterity, Yun Nantian clearly pointed out that painting creation should have the mentality of "empty and quiet". Nantian pursues artistic conception centered on nature, advocates simplicity and elegance, and takes "Gao Yi" as aesthetic ideal. Nantian's painting practice and theory all show unique characteristics of literati painting, emphasizing the nature of settling down, taking peace as the aesthetic ideal. In the turbulent times of chaos, helplessness and inequality, there is the loneliness of life. There is also an infinite power of life. It is in this lonely environment that shows the true nature of life that he has completed his immortal works and displayed his unyielding and unyielding quality of cleanness. In this paper, Yun Nantian is used to deeply analyze and expound the profound connotation of the main "static" theory in the theory of Chinese painting from four aspects: the origin and meaning of "quiet", the state of mind and pen and ink of "static", the aesthetic meaning of "quiet"; The fourth is the comment on the meaning and influence of "quiet" in Chinese painting theory. While understanding Yun Nantian's paintings and painting theory, he understood his superb ideological state and the aesthetic state of meditation.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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