宋代畫家江參里籍身世考略
發(fā)布時間：2018-07-15 17:59
【摘要】：生活在兩宋交替之際的畫家江參是江南山水畫派重要傳人。南宋鄧椿《畫繼》贊其"筆墨學董源而豪放過之",將其與蘇軾、李公麟、米芾等同列"軒冕才賢、巖穴上士"之序。江參曾受到宋高宗趙構的特意召見,卻不幸于覲見前夕意外身故。元、明、清以來,江參的藝術影響經久不息,但有關其身世的文獻史料卻與時俱減,所以關于他的里籍、生卒年、生平等一直困擾著繪畫史學界。筆者通過研究與江參生前有過密切交往的歷史人物資料,以宋人程俱《北山小集》中撰述的《江器博墓志銘》為突破口,從"程俱與江參其他友朋之間的關聯事略""程俱與江參父親江器博之間的關聯事略""程俱與江參岳父彥楚之間的關聯事略"三個歷史維度,系統梳理了程俱等一批歷史人物與江參的生活聯系及藝術淵源,揭示出江器博與江參的父子關系、王彥楚與江參的翁婿關系以及程俱與江參的世交關系,從而確證江參里籍為浙江衢州。
[Abstract]:Jiangshen, a painter who lived at the turn of the Song Dynasty, was an important descendant of Jiangnan Landscape painting School. Deng Chun in the Southern Song Dynasty praised his "Dong Yuan's calligraphy and ink learning", and listed it with Su Shi, Li Gonglin, Mi Fu, etc. Jiangshen was specially summoned by Song Gaozong Zhao, but unfortunately died on the eve of the audience. Since the Yuan, Ming and Qing dynasties, the artistic influence of Jiangshen has been unceasing, but the historical documents about his life have diminished with the times, so about his nationality, birth and death years, the equality of students has been perplexing the field of painting history. Through the study of historical figures who had close contact with Jiangshen before his death, the author took the epitaph "Jiangzi Bo epitaph", which was written by Cheng Cheng of Song Dynasty, as the breakthrough point. From the three historical dimensions of "the connection between Cheng Chi and other friends and friends of Jiangshen" and the relation between Cheng Chi and Jiang Qi Bo, the father of Jiang Shen, "the relation between Cheng Zhi and Yanchu, the father-in-law of Jiangshen," three historical dimensions are given. This paper systematically combs the life relations and artistic origins between Cheng Chi and other historical figures and Jiangshen, and reveals the relationship between Jiang Zhibo and Jiang Shen, Wang Yanchu and Jiang Shen's son-in-law, and Cheng Zhi's social relationship with Jiangshen. It is confirmed that Jiangshen Li is Quzhou, Zhejiang Province.
【作者單位】： 衢州博物館;
【分類號】：J209.2
本文編號：2124899
[Abstract]:Jiangshen, a painter who lived at the turn of the Song Dynasty, was an important descendant of Jiangnan Landscape painting School. Deng Chun in the Southern Song Dynasty praised his "Dong Yuan's calligraphy and ink learning", and listed it with Su Shi, Li Gonglin, Mi Fu, etc. Jiangshen was specially summoned by Song Gaozong Zhao, but unfortunately died on the eve of the audience. Since the Yuan, Ming and Qing dynasties, the artistic influence of Jiangshen has been unceasing, but the historical documents about his life have diminished with the times, so about his nationality, birth and death years, the equality of students has been perplexing the field of painting history. Through the study of historical figures who had close contact with Jiangshen before his death, the author took the epitaph "Jiangzi Bo epitaph", which was written by Cheng Cheng of Song Dynasty, as the breakthrough point. From the three historical dimensions of "the connection between Cheng Chi and other friends and friends of Jiangshen" and the relation between Cheng Chi and Jiang Qi Bo, the father of Jiang Shen, "the relation between Cheng Zhi and Yanchu, the father-in-law of Jiangshen," three historical dimensions are given. This paper systematically combs the life relations and artistic origins between Cheng Chi and other historical figures and Jiangshen, and reveals the relationship between Jiang Zhibo and Jiang Shen, Wang Yanchu and Jiang Shen's son-in-law, and Cheng Zhi's social relationship with Jiangshen. It is confirmed that Jiangshen Li is Quzhou, Zhejiang Province.
【作者單位】： 衢州博物館;
【分類號】：J209.2
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