【摘要】：水彩畫作為一種西方畫種,在20世紀(jì)初正式傳入中國(guó),是中國(guó)人比較容易接受的西方繪畫語(yǔ)言。水彩在中國(guó)一百余年的各個(gè)發(fā)展階段中,涌現(xiàn)了大批優(yōu)秀的水彩畫家和代表作品,書寫出自己獨(dú)特的繪畫發(fā)展進(jìn)程。在中國(guó)經(jīng)濟(jì)與文化藝術(shù)蓬勃發(fā)展的背景下,當(dāng)代中國(guó)水彩畫創(chuàng)作雖然與國(guó)畫、油畫等傳統(tǒng)熱門畫種相比仍有差距,但在美術(shù)界已經(jīng)迸發(fā)出空前高漲的活力,并且開始在世界水彩畫舞臺(tái)上嶄露頭角。作為中國(guó)水彩的重要組成部分,河南水彩畫創(chuàng)作亦積極參與到全國(guó)水彩畫發(fā)展的大潮中。尤其從八十年代以來(lái),河南水彩畫家逐漸創(chuàng)作出大量?jī)?yōu)秀的水彩畫創(chuàng)作,且多次在各種水彩畫展覽中取得良好成績(jī)。本篇論文從20世紀(jì)八十年以來(lái)的河南水彩畫創(chuàng)作發(fā)展談起,重點(diǎn)對(duì)河南水彩畫創(chuàng)作在全國(guó)美展中的參展、獲獎(jiǎng)情況進(jìn)行分析,以及對(duì)重要河南水彩畫家的作品風(fēng)格進(jìn)行梳理研究,從而探究當(dāng)代河南水彩畫創(chuàng)作的發(fā)展成就和進(jìn)行反思�；谝陨蠋c(diǎn),本文共分為四章:第一章是對(duì)河南水彩畫早期的發(fā)展進(jìn)行回顧和對(duì)八十年代以來(lái)河南水彩畫創(chuàng)作的發(fā)展情況進(jìn)行概述分析;第二章是對(duì)20世紀(jì)八十年代河南水彩畫創(chuàng)作的發(fā)展情況進(jìn)行分析探究,對(duì)此階段河南水彩畫創(chuàng)作的參展情況和水彩協(xié)會(huì)活動(dòng)情況進(jìn)行介紹,重點(diǎn)品讀河南早期水彩畫壇代表人物白荻、宋惠民、潘道生的藝術(shù)歷程。第三章對(duì)20世紀(jì)九十年代河南水彩畫創(chuàng)作發(fā)展情況進(jìn)行探究,重點(diǎn)對(duì)全國(guó)美展中的河南水彩畫創(chuàng)作和一批新出現(xiàn)的青年代表畫家進(jìn)行歸納與闡述;第四章對(duì)新世紀(jì)以來(lái)河南水彩畫創(chuàng)作的發(fā)展情況進(jìn)行研究,對(duì)河南水彩畫對(duì)外交流和創(chuàng)作隊(duì)伍建設(shè)等情況進(jìn)行分析,同時(shí)對(duì)河南水彩畫創(chuàng)作發(fā)展中面臨的問(wèn)題分析檢討,從而展望河南水彩畫創(chuàng)作發(fā)展的未來(lái)。當(dāng)前河南水彩畫壇正處于發(fā)展的關(guān)鍵期,如何把握好時(shí)代脈絡(luò),逐漸提高河南水彩畫的創(chuàng)作水平,培養(yǎng)新生創(chuàng)作力量,這正是河南水彩畫界在不斷與外界交流和參展中需要思考面對(duì)的。
[Abstract]:Watercolor, as a kind of western painting, was introduced into China in the early 20th century. Watercolor in China for more than 100 years in each stage of development, the emergence of a large number of outstanding watercolor painters and representative works, writing their own unique painting development process. In the context of the vigorous development of Chinese economy and culture and art, although the creation of contemporary Chinese watercolor painting is still far from traditional popular paintings such as traditional Chinese painting and oil painting, it has burst out unprecedented vitality in the art world. And began to appear on the world watercolor stage. As an important part of Chinese watercolor, Henan watercolor painting creation also takes an active part in the development of national watercolor painting. Especially since the eighties Henan watercolor painters have gradually created a large number of outstanding watercolor paintings and have made good achievements in various watercolor exhibitions. This paper begins with the development of Henan watercolor painting since the eighties of the 20th century. It focuses on the exhibition and award winning of Henan watercolor painting creation in the national art exhibition. As well as the important Henan watercolor painter's work style carries on the combing research, thus probes into the contemporary Henan watercolor painting creation development achievement and carries on the reflection. Based on the above points, this paper is divided into four chapters: the first chapter is to review the early development of Henan watercolor painting and the development of Henan watercolor painting since the 1980s. The second chapter is to analyze the development of Henan watercolor painting creation in the 1980s, and introduce the exhibition situation of Henan watercolor painting creation and the activities of watercolor association at this stage. Focus on the early Henan watercolor world representative figures Bai Di, Song Huimin, Pan Dao-sheng 's art process. The third chapter explores the development of Henan watercolor painting in the 1990s, focusing on the national art exhibition of Henan watercolor painting creation and a number of new youth representative painters to sum up and elaborate; The fourth chapter studies the development of Henan watercolor creation since the new century, analyzes the external communication and creation team construction of Henan watercolor painting, and analyzes and reviews the problems in the development of Henan watercolor painting creation. In order to look forward to Henan watercolor painting development of the future. At present, the watercolor painting circle in Henan is in a critical period of development. How to grasp the context of the times, gradually improve the creative level of Henan watercolor painting, and cultivate the new creative power, This is Henan watercolor painting in the continuous exchange with the outside and exhibitors need to think about the face.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J215

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本文編號(hào)：2120544