坦培拉繪畫技法的研究與應(yīng)用
發(fā)布時間：2018-07-13 17:07
【摘要】：文研究的對象是坦培拉繪畫技法。通過《吉祥蒙古》系列組畫的應(yīng)用實踐,說明技法是如何進(jìn)行研究并且應(yīng)用在當(dāng)代中國繪畫上的。文章簡述坦培拉技法的起源及發(fā)展歷史,通過對文藝復(fù)興時期肖像畫的研究,選取側(cè)面肖像的形式來表達(dá)自己繪畫作品理念。運(yùn)用古老的坦培拉繪畫技法,描繪自己理解的蒙古族民族的精神及其對這一民族的崇敬和熱愛。
[Abstract]:The object of the study is Tanpei ' s painting technique . Through the application practice of the Mongolian calligraphy series , this paper illustrates how the technique is researched and applied to contemporary Chinese painting . The paper briefly describes the origin and development history of Tanpei ' s technique . Through the study of the portrait in the Renaissance , the author selects the form of the side portrait to express his ideas of painting .
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J205
[Abstract]:The object of the study is Tanpei ' s painting technique . Through the application practice of the Mongolian calligraphy series , this paper illustrates how the technique is researched and applied to contemporary Chinese painting . The paper briefly describes the origin and development history of Tanpei ' s technique . Through the study of the portrait in the Renaissance , the author selects the form of the side portrait to express his ideas of painting .
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J205
【共引文獻(xiàn)】
相關(guān)期刊論文 前10條
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本文編號：2120124
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