本文選題：中國現(xiàn)當(dāng)代油畫 + 民間美術(shù)��； 參考：《曲阜師范大學(xué)》2013年碩士論文

【摘要】：本論文是對民間美術(shù)作為資源在中國現(xiàn)當(dāng)代油畫創(chuàng)作中的應(yīng)用進(jìn)行研究。選此課題原因也是由于中國現(xiàn)當(dāng)代繪畫的藝術(shù)追求正在發(fā)生悄然聲息的變化,現(xiàn)當(dāng)代油畫家很多都是運(yùn)用與汲取民間美術(shù)的語言來進(jìn)行創(chuàng)作的,成為中國現(xiàn)當(dāng)代油畫藝術(shù)發(fā)展的一個現(xiàn)象。首先,本文的第一章對民間美術(shù)有一個完整、透徹、全面的了解,對民間美術(shù)的概況及其分類進(jìn)行了較詳細(xì)的分析與研究。第二章主要進(jìn)一步分析中國現(xiàn)當(dāng)代油畫家們是如何巧妙地運(yùn)用民間美術(shù)的造型元素來進(jìn)行他們的油畫創(chuàng)作的,具體到在他們各自油畫創(chuàng)作時分別是怎樣運(yùn)用了民間美術(shù)中造型的平面性、完美性、簡約性和程式性等特性的。本論文第三章研究中國現(xiàn)當(dāng)代油畫創(chuàng)作對民間美術(shù)色彩這一語言的運(yùn)用,主要從民間美術(shù)色彩的裝飾性、象征性、夸張性和原始性特征,結(jié)合油畫家們的作品深入解讀其畫面的深層含義。 最終本論文的落腳點(diǎn)是為了試圖將民間美術(shù)諸因素的美學(xué)價值應(yīng)用于中國現(xiàn)當(dāng)代油畫的實(shí)踐創(chuàng)作中,為解決“中國現(xiàn)當(dāng)代油畫究竟是怎樣對民間美術(shù)語言巧妙地運(yùn)用和借鑒的”提供些思考。中國現(xiàn)當(dāng)代油畫從傳統(tǒng)民間美術(shù)之中汲取營養(yǎng),為中國油畫奠定了堅(jiān)實(shí)的本土基礎(chǔ),使油畫這個外來的藝術(shù)形式在中國也開始有了自己的根,那么枝與葉的生長便是指民間美術(shù)中的造型規(guī)律、形式因素、色彩特性、審美特征以及藝術(shù)精神等在現(xiàn)當(dāng)代油畫創(chuàng)作的具體運(yùn)用,這樣民間美術(shù)元素與油畫特有的材料特點(diǎn)相結(jié)合便形成了具有獨(dú)特審美內(nèi)涵的藝術(shù)形式,也充分證明了本論文在研究現(xiàn)當(dāng)代油畫對民間美術(shù)語言的運(yùn)用與借鑒上還是非常有價值的。
[Abstract]:This paper is a study of the application of folk art as a resource in modern and contemporary Chinese oil painting. The reason for this topic is also because the artistic pursuit of modern and contemporary Chinese painting is changing quietly. Many contemporary oil paintings are used and drawn from the language of folk art to become China. First of all, the first chapter of this article has a complete, thorough and comprehensive understanding of folk art, and a detailed analysis and study of the general situation and classification of folk art. The second chapter is to further analyze how the Chinese contemporary oil painting artists use the modeling elements of folk art ingeniously. In the third chapters of this paper, the third chapters of the thesis study the application of the Chinese contemporary oil painting to the folk art color, mainly from the folk art color. Decorative, symbolic, exaggerated and primitive characteristics, combined with oil painting works, in-depth interpretation of the deep meaning of its picture.
The final point of this thesis is to try to apply the aesthetic value of the folk art factors to the practical creation of Chinese contemporary oil painting, and to provide some ideas to solve the "how the Chinese modern and contemporary oil paintings are skillfully used and learned from the folk art language". Nutrition, laying a solid foundation for Chinese oil painting, making the foreign art form of oil painting have its own roots in China, then the growth of branches and leaves refers to the rules of modeling in folk art, form factors, color characteristics, aesthetic characteristics and artistic essence and so on in the present and contemporary oil painting. The combination of the art elements and the characteristics of the oil painting has formed an artistic form with unique aesthetic connotation. It is also proved to be of great value in the study of the modern and contemporary oil painting on the use and reference of the folk art language.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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本文編號：2092434