本文選題：繪畫語言 + 材料�。� 參考：《華東師范大學(xué)》2013年碩士論文

【摘要】：繪畫語言是藝術(shù)家以記錄狀態(tài)、反映認(rèn)識(shí)、傳達(dá)信息或表現(xiàn)思想為目的,運(yùn)用筆、刀、墨、紙、顏料等材料工具為物質(zhì)載體,以色彩、線條、明暗、肌理等視覺信號(hào)為媒介,通過造型藝術(shù)手段,創(chuàng)作描繪藝術(shù)形象造成視覺體驗(yàn)的表達(dá)方式。藝術(shù)家通過個(gè)人的藝術(shù)積累、生活體驗(yàn)、個(gè)性表達(dá)來構(gòu)建自己的藝術(shù)語言,使觀者從畫面中可以找到特殊符號(hào)性的繪畫語言。 中國漆畫與油畫的繪畫語言也在不斷探索與繼續(xù)發(fā)展中。中國漆畫比較年輕,起步比較晚,制作工藝繁雜,創(chuàng)作團(tuán)隊(duì)薄弱,缺少完整的研究體系,但是在前進(jìn)和發(fā)展的過程中,中國漆畫能夠發(fā)揮自身的優(yōu)勢(shì),強(qiáng)調(diào)繪畫與工藝的雙重性,不斷學(xué)習(xí)和借鑒其它畫種的繪畫語言,豐富了自己的繪畫語言形式。藝術(shù)的多元,文化的發(fā)展,在中國漆畫的發(fā)展過程中,對(duì)漆畫影響最大的莫屬當(dāng)代油畫,眾所周知,油畫作為舶來畫種,中國油畫顯然是在學(xué)習(xí)西方油畫的基礎(chǔ)上逐漸形成了自己的繪畫體系。中國油畫較漆畫起步早,創(chuàng)作團(tuán)隊(duì)強(qiáng)大,創(chuàng)作形式眾多,逐漸形成了具有中國民族文化價(jià)值體系的中國當(dāng)代油畫。中國漆畫在借鑒中國油畫的基礎(chǔ)上不斷實(shí)踐與創(chuàng)新,更新了創(chuàng)作理念,更多地注重操作實(shí)踐,把技術(shù)與藝術(shù)緊密結(jié)合,將藝術(shù)家的個(gè)人情感與現(xiàn)實(shí)生活和審美價(jià)值結(jié)合起來,開辟出中國漆畫的新篇章。 本文在論述的過程中分為四個(gè)章節(jié)：第一章,總體概述漆畫與油畫的繪畫語言；第二章,簡述中國漆畫與油畫的發(fā)展現(xiàn)狀和發(fā)展背景；第三章,主要從材料、色彩語言、畫面構(gòu)成、表現(xiàn)方式、以及繪制過程進(jìn)行比較分析,來區(qū)別兩種繪畫語言之間的不同,從而得出兩種繪畫語言既有聯(lián)系又有區(qū)別,能夠更加全面的認(rèn)識(shí)中國漆畫與油畫的繪畫語言問題,對(duì)今后的學(xué)習(xí)和創(chuàng)作產(chǎn)生重大意義；最后-章對(duì)兩種繪畫語言比較研究的意義以及對(duì)中國漆畫與油畫的展望作總結(jié)闡述。以上這些將是筆者在本文中主要論述的內(nèi)容。
[Abstract]:Painting language is an artist whose purpose is to record state, reflect knowledge, convey information or express thought, use material tools such as pen, knife, ink, paper and pigment as material carrier, and take visual signals such as color, line, light and shade, texture as media, etc. Through the plastic arts means, the creation depicts the artistic image to cause the visual experience the expression way. Artists construct their own artistic language through personal artistic accumulation, life experience and personality expression, so that the viewer can find the special symbolic painting language from the picture. The painting language of Chinese lacquer painting and oil painting is also continuously exploring and developing. Chinese lacquer painting is relatively young, starts late, has complicated production techniques, weak creative team, and lacks a complete research system. However, in the process of advancing and developing, Chinese lacquer painting can bring its own advantages into full play. Emphasizing the duality of painting and craftsmanship, learning and drawing on other painting languages enriches one's own painting language form. The diversity of art and the development of culture, in the development of Chinese lacquer painting, the greatest impact on the lacquer painting is the contemporary oil painting. As we all know, oil painting is a kind of imported painting. Chinese oil painting obviously formed its own painting system on the basis of studying western oil painting. Chinese oil painting started earlier than lacquer painting, with strong creative team and numerous forms of creation, and gradually formed a Chinese contemporary oil painting with Chinese national cultural value system. On the basis of drawing lessons from Chinese oil painting, Chinese lacquer painting has continuously practiced and innovated, updated its creative idea, paid more attention to operational practice, closely combined technology with art, and combined the artist's personal emotion with real life and aesthetic value. Open a new chapter in Chinese lacquer painting. This paper is divided into four chapters: the first chapter, the general overview of the painting language of lacquer painting and oil painting; the second chapter, the development of Chinese lacquer painting and oil painting and the development background; the third chapter, mainly from the material, color language, The composition of the picture, the way of expression, and the drawing process are compared and analyzed to distinguish the difference between the two painting languages, so as to draw the conclusion that the two painting languages have both connections and differences. More comprehensive understanding of the painting language of Chinese lacquer painting and oil painting is of great significance to the future study and creation. Finally the chapter summarizes the significance of the comparative study of the two painting languages and the prospect of Chinese lacquer painting and oil painting. The above will be the main content of the author in this article.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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相關(guān)期刊論文 前1條

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本文編號(hào)：2091886