本文選題：東北油畫(huà) + 油畫(huà)風(fēng)景�。� 參考：《吉林大學(xué)》2017年碩士論文

【摘要】：油畫(huà)(oil painting)是在15世紀(jì)以前的歐洲蛋彩畫(huà)的基礎(chǔ)之上發(fā)展而來(lái),從起源時(shí)期到近現(xiàn)代時(shí)期一直是西洋畫(huà)的主要畫(huà)種之一。油畫(huà)是在亞麻布、紙板或木板上使用松節(jié)油和干性的亞麻仁油等主要材料作畫(huà)的畫(huà)種,其畫(huà)面顏料具有較強(qiáng)的硬度,材料干燥后畫(huà)面也能在較長(zhǎng)時(shí)間內(nèi)保持光澤,因此油畫(huà)能夠憑借著顏料的遮蓋力和透明性能充分地表現(xiàn)描繪對(duì)象的各種特征,并且色彩豐富、立體質(zhì)感強(qiáng)。油畫(huà)藝術(shù)作為西洋畫(huà)的主要畫(huà)種,其在我國(guó)東北地區(qū)的發(fā)展時(shí)間較短,但是這并不影響油畫(huà)藝術(shù)同東北地區(qū)本土繪畫(huà)藝術(shù)之間的相互融合、借鑒與發(fā)展。東北油畫(huà)在幾代東北油畫(huà)藝術(shù)家的共同努力和艱苦探索中逐漸形成了自成一脈的繪畫(huà)內(nèi)容和藝術(shù)風(fēng)格。東北地區(qū)的油畫(huà)藝術(shù)也逐漸成為東北地區(qū)油畫(huà)家和廣大群眾的獨(dú)特藝術(shù)語(yǔ)言,在多樣與質(zhì)樸的藝術(shù)氛圍之中,東北油畫(huà)在藝術(shù)水平、表現(xiàn)層次上有了很大的提升。東北風(fēng)景油畫(huà)是我國(guó)風(fēng)景畫(huà)的重要組成部分,而風(fēng)景畫(huà)不僅僅是對(duì)特定事物的特定狀態(tài)的固定保存,更是一個(gè)地區(qū)在特定時(shí)期的發(fā)展特征的記錄,代表著特定地區(qū)在一定時(shí)期內(nèi)的社會(huì)發(fā)展程度和時(shí)代的更迭,同時(shí)藝術(shù)形式和內(nèi)容上的選擇也展現(xiàn)了不同時(shí)代的審美標(biāo)準(zhǔn)和精神面貌。因此為了了解不同時(shí)期東北地區(qū)的社會(huì)狀態(tài)和當(dāng)時(shí)群眾的精神面貌、生活狀態(tài),研究不同時(shí)期東北風(fēng)景油畫(huà)中所具備的時(shí)代特征就尤為必要。在文中,主要通過(guò)分析建國(guó)后、文革時(shí)期、改革開(kāi)放后三個(gè)時(shí)期東北油畫(huà)中所具備的時(shí)代特征,以此來(lái)獲取與當(dāng)時(shí)人民生活、社會(huì)發(fā)展相關(guān)的有效信息。通過(guò)分析不同時(shí)期油畫(huà)創(chuàng)作風(fēng)格與內(nèi)容上的差異,來(lái)了解東北社會(huì)的發(fā)展與變遷,從而對(duì)東北地區(qū)以及東北風(fēng)景油畫(huà)產(chǎn)生更深層次的認(rèn)識(shí)。通過(guò)分析不同時(shí)期東北風(fēng)景油畫(huà)中所蘊(yùn)含的深層次內(nèi)涵,學(xué)習(xí)不同時(shí)期東北風(fēng)景油畫(huà)的創(chuàng)作手法和藝術(shù)表現(xiàn)技巧,吸取其中對(duì)現(xiàn)代油畫(huà)創(chuàng)作有指導(dǎo)意義的內(nèi)容。
[Abstract]:Oil painting (oil painting) was developed on the basis of European egg painting before the 15th century. It has been one of the main paintings of Western painting from the origin period to the modern period. Oil painting is used on linens, cardboard or planks to paint with turpentine and dried flax seed oil. The paint has a strong hardness, and the picture can keep its luster for a long time after the material is dried. Therefore, oil painting can fully express the various characteristics of the object by means of the shading power and transparency of the pigment, and the color is rich and the three-dimensional texture is strong. As the main painting of Western painting, the development of oil painting in Northeast China is relatively short, but this does not affect the integration of oil painting art and local painting art in Northeast China, reference and development. Northeast oil painting has gradually formed its own painting content and artistic style in the joint efforts and hard exploration of several generations of Northeast oil painting artists. Oil painting art in Northeast China has gradually become the unique artistic language of oil painters and the masses in Northeast China. In the diverse and simple artistic atmosphere, the art level and performance level of oil painting in Northeast China has been greatly improved. Northeast landscape painting is an important part of Chinese landscape painting, and landscape painting is not only a fixed preservation of the specific state of a particular thing, but also a record of the development characteristics of a region in a specific period. It represents the degree of social development and the change of times in a certain period of time. Meanwhile, the choice of artistic form and content also shows the aesthetic standards and spiritual outlook of different times. Therefore, in order to understand the social state of the Northeast region in different periods, the spiritual outlook and life state of the masses at that time, it is particularly necessary to study the characteristics of the times in the northeast landscape oil painting of different periods. In this paper, mainly through the analysis of the three periods after the founding of the people's Republic of China, the Cultural Revolution period, the reform and opening up period Northeast oil painting has the characteristics of the times, in order to obtain effective information related to people's life and social development at that time. By analyzing the differences in the style and content of oil painting in different periods, we can understand the development and changes of the Northeast society, and thus produce a deeper understanding of the Northeast region and Northeast landscape oil painting. By analyzing the deep connotation of northeast landscape oil painting in different periods, we can learn the creative techniques and artistic expression skills of Northeast landscape oil painting in different periods, and absorb the contents of guiding significance to modern oil painting creation.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 敖琳;;地域特征影響下的東北油畫(huà)的人文情感[J];美術(shù)教育研究;2016年04期

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本文編號(hào)：2067979