本文選題：陳洪綬 + 人物畫�。� 參考：《南京師范大學(xué)》2014年碩士論文

【摘要】：隨著時(shí)代的發(fā)展與變化,中國畫藝術(shù)也在不斷的發(fā)展,線條在中國畫藝術(shù)中占據(jù)著重要的位置,畫家的個(gè)人情感很多都由個(gè)性鮮明的線條表達(dá)出來。晚明時(shí)期的天才畫家陳洪綬畫風(fēng)怪異,藝術(shù)種類涉獵廣泛,繪畫線條變化多端,特征明顯,與現(xiàn)當(dāng)代藝術(shù)中追求自我個(gè)性的特點(diǎn)不謀而合。全文通過分析陳洪綬人物畫風(fēng)格的特點(diǎn),從中重點(diǎn)分析陳洪綬人物畫的線條在不同的時(shí)期,由于自己生活經(jīng)歷的變化,直接或者間接的影響了其線條的形成與發(fā)展,導(dǎo)致線條在不同時(shí)期呈現(xiàn)不同奇特的藝術(shù)面貌,并從社會(huì)、家庭以及自我三個(gè)方面分析這些變化對(duì)其線條形成的具體影響,進(jìn)而更深層次的探究陳洪綬人物畫線條的形成,感受其繪畫線條的魅力,為我們?cè)诋?dāng)下更好的學(xué)習(xí)與發(fā)展中國畫藝術(shù)有一定的意義。
[Abstract]:With the development and change of the times, the art of Chinese painting is developing constantly. The line occupies an important position in the art of Chinese painting, and many of the painters' personal feelings are expressed by the distinctive lines. Chen Hongshou, a talented painter in the late Ming Dynasty, had a strange style of painting, with a wide range of art types, various painting lines and obvious characteristics, which coincided with the pursuit of self-individuality in modern and contemporary art. By analyzing the characteristics of the style of Chen Hongshou figure painting, this paper focuses on the analysis of the lines of Chen Hongshou figure painting in different periods, directly or indirectly affecting the formation and development of their lines because of the changes in their own life experiences. It leads to different artistic features of lines in different periods, and analyzes the concrete influence of these changes on the formation of lines from three aspects of society, family and self, and then probes into the formation of Chen Hongshou figure painting lines at a deeper level. Feeling the charm of its drawing line has certain significance for us to study and develop Chinese painting art better.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 全泉;對(duì)中國畫線條的認(rèn)識(shí)[J];藝術(shù)探索;1998年02期

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本文編號(hào)：2065997