本文選題：寫實(shí) + 人體��； 參考：《南昌大學(xué)》2014年碩士論文

【摘要】：在二十世紀(jì)藝術(shù)主流的沖擊下，現(xiàn)實(shí)主義藝術(shù)被擠到一個(gè)偏僻的角落，但它并沒(méi)有被這些現(xiàn)代流派所吞噬，并且漸漸綻放開自己新的生命力。而弗洛伊德正是這樣的人，他用非同一般的寫實(shí)方法表現(xiàn)人的精神和肉體的病態(tài)。他特殊的圖示和異樣的風(fēng)格震撼和引領(lǐng)現(xiàn)實(shí)主義藝術(shù)創(chuàng)作。本文通過(guò)對(duì)弗洛伊德本人分析，對(duì)其藝術(shù)風(fēng)格特色，演變，，對(duì)其繪畫的詳細(xì)探究及其思想背景進(jìn)行研究剖析，從多角度審視他的藝術(shù)風(fēng)格，全面的論述弗洛伊德藝術(shù)特點(diǎn)和他對(duì)現(xiàn)實(shí)主義的啟示，來(lái)深入緬懷這位去世不久的大師。
[Abstract]:Under the impact of the mainstream art in the 20th century, realism art was squeezed into a remote corner, but it was not swallowed by these modern schools, and gradually opened up its new vitality. Freud is such a person, he uses the unusual realistic way to express the human mind and body sickness. His particular graphic and unusual style shocked and led realistic artistic creation. Based on the analysis of Freud himself, the characteristics and evolution of his artistic style, the detailed exploration of his painting and its ideological background, this paper examines his artistic style from various angles. A comprehensive discussion of Freud's artistic characteristics and his inspiration to realism, to deeply remember the late master.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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相關(guān)期刊論文 前3條

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