本文選題：寫(xiě)實(shí) + 油畫(huà)��； 參考：《廣西師范大學(xué)》2013年碩士論文

【摘要】：油畫(huà)作為具有世界性的繪畫(huà)種類之一起源于西方,已有數(shù)百年的發(fā)展歷程和深厚的傳統(tǒng),其中每個(gè)時(shí)代都有登峰造極的大師凸顯,在藝術(shù)史上留下不朽的傳世名作。他們各領(lǐng)風(fēng)騷,雖此起彼伏終究異彩紛呈耀眼奪目。一部泱泱的西方美術(shù)史整個(gè)就是寫(xiě)實(shí)油畫(huà)(繪畫(huà))的發(fā)展史。 寫(xiě)實(shí)油畫(huà)作為繪畫(huà)的一種表現(xiàn)手法,在藝術(shù)形態(tài)方面屬于具象藝術(shù)的范疇。本文從具象寫(xiě)實(shí)油畫(huà)的語(yǔ)言入手,深入探討自人類寫(xiě)實(shí)意識(shí)的萌芽到寫(xiě)實(shí)性繪畫(huà)的誕生、及寫(xiě)實(shí)油畫(huà)作為繪畫(huà)的一種形式語(yǔ)言在西方和中國(guó)演化、流變的漫長(zhǎng)過(guò)程,其中伴隨攝影照相術(shù)的生發(fā),對(duì)寫(xiě)實(shí)油畫(huà)帶來(lái)“鳩占鵲巢”的惶恐不安,刺痛寫(xiě)實(shí)畫(huà)家身心,同時(shí)又衍生新的觀念促使寫(xiě)實(shí)油畫(huà)語(yǔ)言革命性的流變,拓展了寫(xiě)實(shí)油畫(huà)語(yǔ)言新的疆域,打破了古典寫(xiě)實(shí)一統(tǒng)天下的局勢(shì),使具象寫(xiě)實(shí)油畫(huà)與抽象、表現(xiàn)等繪畫(huà)語(yǔ)言多元共進(jìn),迎來(lái)前所未有的嶄新天地。與此同時(shí),“寫(xiě)實(shí)油畫(huà)作為架上繪畫(huà)已經(jīng)失去意義沒(méi)有了價(jià)值”“寫(xiě)實(shí)繪畫(huà)已經(jīng)死亡”之類云云話語(yǔ)如影隨行紛沓而至,寫(xiě)實(shí)油畫(huà)似乎如履薄冰四面楚歌。然而事實(shí)證明寫(xiě)實(shí)油畫(huà)作為架上繪畫(huà)并未“失去意義沒(méi)有了價(jià)值”更沒(méi)有像某些人預(yù)言的那樣早早的衰亡,而是仍然在繪畫(huà)領(lǐng)域中不斷的流變,依然扮演著重要的角色,發(fā)揮著它的作用。 具象寫(xiě)實(shí)油畫(huà)語(yǔ)言作為多類繪畫(huà)語(yǔ)言的一種,它是人類思想情感與手工勞作的文化產(chǎn)物、是人類進(jìn)化能力的體現(xiàn),是人的心、眼、手同畫(huà)布的接觸碰撞所產(chǎn)生的心靈痕跡,表達(dá)人內(nèi)心的某種情感和精神,是人的心靈同生活、自然碰撞的結(jié)果。而手的靈巧是人類進(jìn)化的重要成果,寫(xiě)實(shí)繪畫(huà)的創(chuàng)作是由手的高度完善帶來(lái)的技藝性與自我意識(shí)的結(jié)合所產(chǎn)生的。而其中的技藝性是需要人們經(jīng)過(guò)長(zhǎng)期訓(xùn)練和實(shí)踐得來(lái)的,這一過(guò)程并不能因?yàn)榭萍嫉母叨冗M(jìn)步發(fā)達(dá)而被忽略。即便電腦技術(shù)更加發(fā)達(dá),機(jī)器可以幫助人做更多的事情,但最終也無(wú)法取代人類的思維和人類的手工技能,因?yàn)槿说撵`魂是任何無(wú)生命的東西都代替不了的。因此,作為有人的精神情感和手工技藝參與的寫(xiě)實(shí)油畫(huà)藝術(shù)應(yīng)該是與人類同生同滅的。只要有人的存在,手工技藝的寫(xiě)實(shí)油畫(huà)作為人類精神情感的產(chǎn)物,便會(huì)隨時(shí)隨勢(shì)的發(fā)展和流變,而不會(huì)早早的衰亡
[Abstract]:As one of the world painting types, oil painting originated in the West, has hundreds of years of development and deep tradition, in which each era has the highlight of the masters, leaving immortal masterpieces in the history of art. Each of them, in spite of one after another, was dazzling in splendor and splendor. A great western art history is the history of realistic oil painting. Realistic oil painting, as a technique of painting, belongs to the category of figurative art in the aspect of artistic form. Starting with the language of realistic oil painting, this paper deeply discusses the long process from the germination of realistic consciousness to the birth of realistic painting, and the evolution of realistic oil painting as a formal language of painting in the West and China. Accompanied by the growth of photography, realistic oil painting brought "dove occupy the nest" panic, stinging realistic painter body and mind, but also derived new ideas to promote the revolutionary evolution of realistic oil painting language. It expands the new territory of realistic oil painting language, breaks the situation of classical realism and dominates the world, and makes realistic oil painting, abstract, performance and other painting languages advance together, and ushered in an unprecedented new world. At the same time, "realistic oil painting as a shelf painting has lost significance," realistic painting is dead, "and so on words such as shadow to accompany, realistic oil painting seems to be embattled on every side. However, the facts have proved that realistic oil painting, as a frame painting, has not "lost its meaning and lost its value," nor has it fallen to an early death as some people have predicted, but it is still constantly evolving in the field of painting and still playing an important role. Play its role. As a kind of many kinds of painting language, realistic oil painting language is the cultural product of human thought, emotion and manual work, the embodiment of human evolutionary ability, and the mental trace produced by the contact between human heart, eye, hand and canvas. To express a certain emotion and spirit in one's heart is the result of the collision of human mind with life and nature. The dexterity of the hand is an important achievement of human evolution. The creation of realistic painting is caused by the combination of skill and self-consciousness brought by the perfection of the hand. And the skills need to be trained and practiced for a long time, and this process can not be ignored because of the highly advanced science and technology. Even if the computer technology is more advanced, the machine can help the human to do more things, but also cannot replace the human thought and the human craft skill in the end, because the human soul can not replace anything inanimate. Therefore, the realistic oil painting art, as a person's spiritual emotion and handicraft skill, should be born and died with human beings. As long as there are people, artisanal realistic oil painting, as a product of human spiritual feelings, will always follow the development and evolution of the situation, and will not decline and die early.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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