本文選題：汪子美 + 圖像學(xué)　； 參考：《中國(guó)藝術(shù)研究院》2014年碩士論文

【摘要】：漫畫作為時(shí)代性畫種,從一誕生就披著戰(zhàn)斗的外衣揭露黑暗社會(huì)的罪惡,它自引入中國(guó)所發(fā)揮的作用與價(jià)值就未曾減弱過(guò)。從清政府到辛亥革命、北伐戰(zhàn)爭(zhēng)、國(guó)民政府、抗日戰(zhàn)爭(zhēng)等,不知經(jīng)歷多少個(gè)戰(zhàn)爭(zhēng)事件,漫畫家換了一代又一代,他們創(chuàng)作了大量的披露現(xiàn)實(shí)的作品,為漫畫的發(fā)展夯實(shí)了基礎(chǔ)。本文針對(duì)著名的漫畫家汪子美及其漫畫作品展開論述,以二十世紀(jì)三、四十年代的漫畫經(jīng)歷為路線,對(duì)他的漫畫作品做圖像學(xué)的分析,以此總結(jié)他的創(chuàng)作特點(diǎn)、風(fēng)格變化,進(jìn)而揭示出他的精神內(nèi)涵。 本文以汪子美的創(chuàng)作活動(dòng)分為上下兩篇,上篇即“上海時(shí)期的汪子美”,下篇即“流亡時(shí)期的汪子美”。汪子美從天津到上海,是他從事漫畫創(chuàng)作的初期及發(fā)展時(shí)期；抗日戰(zhàn)爭(zhēng)爆發(fā)后他隨漫畫隊(duì)伍輾轉(zhuǎn)流亡到武漢、桂林最后到達(dá)重慶,經(jīng)歷抗日戰(zhàn)爭(zhēng)后進(jìn)入解放戰(zhàn)爭(zhēng),他的漫畫也逐漸走向成熟。隨著各個(gè)時(shí)期經(jīng)歷的時(shí)代不同,汪子美的漫畫作品也發(fā)生著變化。從題材上來(lái)看,上海時(shí)期,他畫過(guò)影星、漫畫家等肖像漫畫,后轉(zhuǎn)入國(guó)際、國(guó)內(nèi)的時(shí)事政治漫畫。流亡時(shí)期,他主要以戰(zhàn)爭(zhēng)為主要題材,發(fā)表有關(guān)戰(zhàn)事、諷刺日寇、抨擊漢奸、歌頌英雄等內(nèi)容的漫畫。進(jìn)入解放戰(zhàn)爭(zhēng)后,汪子美擔(dān)任報(bào)紙副刊的主編,并自行創(chuàng)辦刊物,所畫漫畫直面抨擊國(guó)民黨執(zhí)政的腐敗與黑暗,繼續(xù)秉持漫畫的諷刺、戰(zhàn)斗特性進(jìn)入戰(zhàn)爭(zhēng)沖鋒狀態(tài)。 汪子美在上海所描繪的漫畫題材是代表他思想表達(dá)的關(guān)鍵環(huán)節(jié),但他的上海時(shí)期只是他漫畫創(chuàng)作的一個(gè)階段,在戰(zhàn)時(shí)所創(chuàng)作的作品和發(fā)揮的作用遠(yuǎn)比戰(zhàn)前要大得多。因此抗日戰(zhàn)爭(zhēng)、解放戰(zhàn)爭(zhēng)時(shí)期的漫畫作品使得他的創(chuàng)作主體脈絡(luò)得以延續(xù)。
[Abstract]:As a kind of contemporary painting, cartoon has been draped in the cloak of battle since its birth to expose the evil of dark society, and the function and value it has played since it was introduced into China has not been weakened. From the Qing government to the Revolution of 1911, the Northern Expedition, the National Government, the Anti-Japanese War and so on, they did not know how many war events, cartoonists changed generation after generation, they created a large number of works revealing reality, which laid a solid foundation for the development of comic books. This paper discusses the famous cartoonist Wang Zimei and his comic books, taking the comic book experience of the 1930s and 1940s as the route, and makes an analysis of his comic book works in order to sum up his creative characteristics and style changes. Then reveal his spiritual connotation. This article is divided into two parts according to Wang Zimei's creative activities. The first is Wang Zimei in Shanghai and the second is Wang Zimei in exile. Wang Zimei, from Tianjin to Shanghai, was the beginning and development period of his comic book creation. After the outbreak of the War of Resistance against Japan, he went from exile to Wuhan with the comic book team, and Guilin finally arrived in Chongqing, where he went through the War of Resistance against Japan and entered the War of Liberation. His comics are also gradually maturing. With the different times, Wang Zimei's comics are changing. In terms of subject matter, during the Shanghai period, he drew portraits of movie stars and cartoonists before turning to international and domestic current affairs and politics comics. During his exile, he mainly focused on war and published cartoons about war, satirizing the Japanese aggressors, criticizing traitors and praising heroes. After entering the War of Liberation, Wang Zimei was the editor of the newspaper supplement and founded her own publication. The cartoons directly attacked the corruption and darkness of the ruling Kuomintang, and continued to uphold the satire of comic books, and the combat characteristics entered into a state of war charge. Wang Zimei's caricature in Shanghai is the key link to represent his thought expression, but his Shanghai period is only a stage of his comics creation, and the works and functions he created in wartime are much bigger than those before the war. Therefore, during the War of Resistance against Japan and the War of Liberation, his comic books continued.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 高亢;左聯(lián)時(shí)期文藝大眾化運(yùn)動(dòng)的歷史意義[J];承德師專學(xué)報(bào)(社會(huì)科學(xué)版);1988年01期

2 張西洛;;刺向敵人的一把匕首——記《萬(wàn)象十日畫刊》[J];讀書;1980年07期

3 陳一文;錢亦蕉;;陳依范:一個(gè)心屬中國(guó)的國(guó)際人[J];對(duì)外大傳播;2007年07期

4 顏書凱;漫畫家汪子美筆下的“聯(lián)華”明星[J];大眾電影;2004年11期

5 謝其章;汪子美畫的《魯迅奮斗畫傳》[J];魯迅研究月刊;2004年04期

6 賀南;要作尖兵必須努力學(xué)習(xí)政治——評(píng)汪子美的漫畫“手段變成‘手?jǐn)唷盵J];美術(shù);1955年08期

7 王琦;懷念汪子美同志[J];美術(shù);2002年09期

8 彭飛;;1918年-1937年國(guó)立北平藝專教職員名錄[J];美術(shù)研究;2013年03期

9 林軍;魯迅打叭兒狗圖[J];語(yǔ)文學(xué)刊;1988年02期

10 山水;;紀(jì)實(shí)漫壇汪子美[J];中華文化畫報(bào);2009年10期

，

本文編號(hào)：1977250