本文選題：版畫 + 藝術(shù)　； 參考：《中國美術(shù)學(xué)院》2014年碩士論文

【摘要】：本文的目的和意義是分析當(dāng)代版畫現(xiàn)狀問題和成因,及其與各種形態(tài)藝術(shù)的關(guān)聯(lián)問題,從而去面對當(dāng)代藝術(shù)存在的各種問題,厘清未來的方向反思藝術(shù)何為,又從版畫出發(fā),重新邁向解決這些問題的道路,意義是借此揭示出藝術(shù)的本質(zhì)功能和意義,從而試圖建立自己的對當(dāng)代版畫創(chuàng)作的思路。 研究的方法先了解目前該版畫及其他各類藝術(shù)在國內(nèi)的現(xiàn)狀和基本發(fā)展史,進(jìn)而盡可能的收集和閱讀與其相關(guān)的古今中外各種資料,形成論文大綱,再推敲每個詳細(xì)問題及其關(guān)聯(lián)和邏輯,形成初稿,反復(fù)檢討,直至完成。 由于各種思想的百花齊放,藝術(shù)定義的模糊不可捉摸,形成各種藝術(shù)的互相爭鳴,傳統(tǒng)的藝術(shù)形式也在回應(yīng)當(dāng)前問題上受到各種挑戰(zhàn),版畫也是,但其問題并當(dāng)下才出現(xiàn)而是藏在歷史中,而且并非其自身的問題,關(guān)系到整個的藝術(shù),這也并非是是與否可以片面定位,通過其形式和意義對比歷史和當(dāng)下的分析,本文通過對比其他藝術(shù)門類,分析版畫這門藝術(shù)的成因及其利弊,拓展到對整個藝術(shù)系統(tǒng)的發(fā)問。創(chuàng)新論點是發(fā)現(xiàn)這些名稱和門類限制了藝術(shù)的發(fā)展,而仔細(xì)分析推理,可以發(fā)現(xiàn)名稱被許多假問題構(gòu)建起來,而只有一點一點拋開偽問題,我們才能觸碰到藝術(shù)的根本問題,然后去尋求解答和行動。而版畫卻因其天然成因,那些被遺忘的功能正好能夠合適的去實踐這些問題。
[Abstract]:The purpose and significance of this paper is to analyze the current situation and causes of contemporary printmaking, as well as its connection with various forms of art, so as to face all kinds of problems existing in contemporary art, to clarify the future direction of reflecting on what art is doing, and to proceed from the perspective of printmaking. To solve these problems again, the significance is to reveal the essential function and significance of art, and thus try to establish his own ideas for contemporary print creation. The research methods first understand the current situation and basic development history of this print and other kinds of art in China, and then collect and read as much as possible all kinds of materials related to them, both ancient and modern, so as to form an outline of the thesis. Refine each detailed question and its correlation and logic to form a first draft and review it until it is completed. As a result of the blooming of all kinds of ideas, the vagueness of artistic definitions, and the formation of contentions between various arts, traditional art forms are also faced with various challenges in responding to current problems, and prints are also. But its problems are hidden in history, but not in its own right. They are related to the whole art. This is not a one-sided orientation, which can be compared with the analysis of history and the present through its form and meaning. By comparing other art categories, this paper analyzes the causes of this art and its advantages and disadvantages, and extends to the whole art system. The innovative argument is to find that these names and categories limit the development of art, and by careful analysis of reasoning, we can find that names are constructed by many false problems, and only if we put aside the false problems can we touch the fundamental problems of art. Then seek solutions and actions. But prints because of its natural causes, those forgotten functions can be appropriate to practice these problems.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J217

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本文編號：1964389