本文選題：中國(guó)水彩畫 + 困境　； 參考：《內(nèi)蒙古師范大學(xué)》2013年碩士論文

【摘要】：在中國(guó)民族傳統(tǒng)藝術(shù)和外來藝術(shù)進(jìn)行碰撞之時(shí),總是能在交流當(dāng)中創(chuàng)造出新的藝術(shù)火花,水彩畫正是在這一背景下發(fā)展起來的藝術(shù)形式。當(dāng)代中國(guó)水彩畫家在持續(xù)拓展水彩畫藝術(shù)語言和探究過程中,已經(jīng)取得了令人矚目的成效。但是,縱觀當(dāng)代中國(guó)水彩畫的發(fā)展歷程,也面臨著一系列不容忽視的問題,如果不及時(shí)加以改進(jìn),勢(shì)必將危及中國(guó)水彩畫創(chuàng)作的未來發(fā)展。當(dāng)代中國(guó)水彩畫應(yīng)當(dāng)以更加開放、平和和包容的姿態(tài),在思想上進(jìn)行大膽革新,突破固定化的思維模式,讓自身能夠符合當(dāng)今時(shí)代的發(fā)展大潮。在創(chuàng)作的材料上,中國(guó)水彩畫也應(yīng)當(dāng)實(shí)施大膽創(chuàng)新,擺脫當(dāng)前只能用水與彩進(jìn)行創(chuàng)作的現(xiàn)實(shí)狀況,從而為中國(guó)水彩畫事業(yè)發(fā)展找到新的突破口。 當(dāng)前,許多中國(guó)水彩畫家一味摹仿前人的作品,從而導(dǎo)致其筆墨難以跟隨時(shí)代發(fā)展的腳步。藝術(shù)具有獨(dú)特的創(chuàng)造性,是一種全面的革新,應(yīng)當(dāng)進(jìn)行全新地展現(xiàn)。藝術(shù)之偉大就源于其所獨(dú)特的創(chuàng)造性,這將直接決定繪畫的藝術(shù)格調(diào),也是中國(guó)水彩較為迫切的問題之一。本文回顧了中國(guó)水彩畫的發(fā)展歷程,分析了當(dāng)代中國(guó)水彩畫面臨的困境,并探討了當(dāng)代中國(guó)水彩畫的發(fā)展方向。
[Abstract]:When the Chinese traditional art and foreign art collide, it can always create a new artistic spark in the exchange. Watercolor painting is the art form developed under this background. Contemporary Chinese watercolor painters have achieved remarkable results in the process of continuously expanding the artistic language and exploring the watercolor painting. However, throughout the development process of contemporary Chinese watercolor painting, it is also faced with a series of problems that can not be ignored. If it is not improved in time, it will certainly endanger the future development of Chinese watercolor painting creation. Contemporary Chinese watercolor painting should take a more open, peaceful and tolerant attitude, make bold innovation in thought, break through the fixed mode of thinking, so that it can meet the development tide of the present era. On the material of creation, Chinese watercolor painting should also carry out bold innovation, get rid of the reality that can only use water and color to create at present, so as to find a new breakthrough for the development of Chinese watercolor painting. At present, many Chinese watercolor painters blindly imitate the works of their predecessors, which makes it difficult for them to follow the pace of the development of the times. Art has a unique creativity, is a comprehensive innovation, should be displayed in a new way. The greatness of art originates from its unique creativity, which directly determines the artistic style of painting and is one of the more urgent problems of Chinese watercolor. This paper reviews the development of Chinese watercolor painting, analyzes the plight of contemporary Chinese watercolor painting, and probes into the development direction of contemporary Chinese watercolor painting.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

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本文編號(hào)：1963768