本文選題：古典油畫技法 + 材料　； 參考：《北方民族大學(xué)》2017年碩士論文

【摘要】：西方古典油畫技法和繪畫材料的演變,是整個西方繪畫藝術(shù)發(fā)展的重要線索,也是西方繪畫藝術(shù)風(fēng)格產(chǎn)生的重要基礎(chǔ)。西方古典主義繪畫大師們的繪畫技法有著逼真性、寫實(shí)性等特點(diǎn),再現(xiàn)了不同歷史時(shí)期的人物形象,也記錄著西方社會發(fā)展的點(diǎn)點(diǎn)滴滴。直至今日,國內(nèi)外仍然有許多畫家在不斷的實(shí)踐與研究西方傳統(tǒng)的古典油畫技法。我國是由56個民族共同組成的大家庭,少數(shù)民族傳統(tǒng)文化是中國傳統(tǒng)文化的重要組成部分。不同民族所特有的文化傳統(tǒng)、生活習(xí)性、民族服飾,都是古典寫實(shí)油畫創(chuàng)作的重要素材。在少數(shù)民族油畫肖像創(chuàng)作中,運(yùn)用傳統(tǒng)古典油畫技法的寫實(shí)性特點(diǎn)來表現(xiàn)少數(shù)民族特有的人物形象和服飾特色,從中提煉出具有民族性的繪畫語言和形式美感。同時(shí),從理論與實(shí)踐的角度,探究古典油畫技法在少數(shù)民族油畫肖像創(chuàng)作中的運(yùn)用價(jià)值。本文通過四個章節(jié)論述:第一章,對古典油畫技法的發(fā)展、繪畫材料、技術(shù)美等內(nèi)容進(jìn)行分析闡述;第二章,研究古典油畫技法在少數(shù)民族肖像創(chuàng)作中的意義,并對在油畫創(chuàng)作中運(yùn)用古典油畫技法的國內(nèi)畫家的藝術(shù)風(fēng)格進(jìn)行分析;第三章,對歐洲文藝復(fù)興時(shí)期繪畫大師們的油畫作品和國內(nèi)著名油畫家們的少數(shù)民族油畫肖像作品進(jìn)行對比研究,分析古典主義風(fēng)格在油畫作品中的審美體現(xiàn);第四章,通過對古典油畫技法、材料的實(shí)踐研究進(jìn)行苗族油畫肖像創(chuàng)作,探究古典油畫技法在少數(shù)民族油畫肖像創(chuàng)作中的實(shí)際影響。
[Abstract]:The evolution of western classical oil painting techniques and materials is an important clue to the development of the whole western painting art, and also an important basis for the creation of the western painting art style. The painting techniques of the masters of Western classicism have the characteristics of lifelike realism and so on. They reproduce the figures of different historical periods and record the development of the western society bit by bit. Up to now, there are still many painters at home and abroad in the practice and study of Western traditional classical oil painting techniques. China is a large family of 56 nationalities, and the traditional culture of ethnic minorities is an important part of Chinese traditional culture. The unique cultural traditions, habits and costumes of different nationalities are important materials for the creation of classical realistic oil paintings. In the creation of minority oil painting portraits, the realistic features of traditional classical oil painting techniques are used to express the unique characters and dress characteristics of ethnic minorities, and the painting language and aesthetic sense of form with national characteristics are extracted from them. At the same time, from the angle of theory and practice, this paper probes into the application value of classical oil painting technique in minority oil painting portrait creation. The first chapter analyzes the development of classical oil painting techniques, painting materials, technical beauty and other content; the second chapter, the significance of classical oil painting techniques in the creation of ethnic minority portraits, And the use of classical oil painting techniques in oil painting art style of domestic painters are analyzed. Chapter three, This paper makes a comparative study of the oil paintings of the European Renaissance masters and the national famous oil painters' minority oil paintings, and analyzes the aesthetic embodiment of the classicism style in the oil paintings. Chapter four, Through the practical research on the techniques and materials of classical oil painting, this paper explores the practical influence of the techniques of classical oil painting on the creation of oil paintings of ethnic minorities.
【學(xué)位授予單位】：北方民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213

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