本文選題：漆畫 + 畫境��； 參考：《四川美術(shù)學(xué)院》2017年碩士論文

【摘要】：漆畫是以漆為媒材的表現(xiàn)語言創(chuàng)作,是繪畫與工藝之間兩者的結(jié)合。通過漆畫的發(fā)展探索,現(xiàn)代漆畫作為純繪畫藝術(shù)語言表現(xiàn),對其意境營造的探索研究和開發(fā),歷來都是漆畫藝術(shù)備受關(guān)注的焦點所在。繪畫意境的優(yōu)先是漆畫創(chuàng)作的前提宗旨,它在學(xué)術(shù)上也是極為重要的。那么如何通過漆畫的繪畫語言、材質(zhì)語言、圖式語言等為漆畫創(chuàng)作帶來豐富多樣的藝術(shù)表現(xiàn)形態(tài)以及畫意畫味。本文一共五個部分。第一部分為緒論,主要從“國內(nèi)外現(xiàn)狀”、“研究的目的和研究的內(nèi)容”兩個方面論述,宗旨在于對畫境優(yōu)先的繪畫性美學(xué)境界的追求。只有在這樣的前提下,才能體現(xiàn)漆畫創(chuàng)作的純粹性價值。而對于畫境優(yōu)先前提下的漆媒表現(xiàn)的研究正是繪畫藝術(shù)的重要研究課題。對于漆畫畫境的研究,除了對一般規(guī)律性和特征的營造表達以外,本文還提出要重視漆畫創(chuàng)作的獨特性:漆畫的圖式、漆畫的材質(zhì)美感、漆畫的純粹性以及后續(xù)工作的展望這些都是構(gòu)成漆畫獨具一別的因素。這也是本文研究的目的和主要內(nèi)容所在。第二部分圍繞畫境的優(yōu)先性這個課題展開,首先對何謂畫境進行闡述;其次進一步闡釋概括傳統(tǒng)山水畫的意境,通過對山水畫的研究引出本次畢業(yè)創(chuàng)作的中心和初衷。再者對何謂優(yōu)先進行解釋,是繪畫,是畫味。文中始終結(jié)合并貫穿著漆畫創(chuàng)作展開論述。第三部分,這個部分包括兩點:其一,探討何謂語言,構(gòu)成漆畫圖式語言的重點還是依附于“畫境優(yōu)先”(即“畫在漆先,藝在技前”),“圖的放松,質(zhì)的看重”。其二,何謂相應(yīng)性,是繪畫又是一種心境,是一種情緒的自然流動。創(chuàng)作的技藝表現(xiàn)很多時候都是非預(yù)設(shè)性的、非慣例的,繪畫的思維在創(chuàng)作中具有決定性作用,在此繪畫思維意識便成了作品成功的前提保障,這也是以畫制漆,而非以漆制畫。第四部分,解讀現(xiàn)代漆畫繪畫性的特點,可以從兩個方面來敘述:第一,從漆畫自身出發(fā),探討漆畫的材質(zhì)美感,這也是一直以來漆畫創(chuàng)作備受關(guān)注的點,材質(zhì)的美感,特殊性也讓漆畫創(chuàng)作增添了幾分色彩。第二,從漆畫作為純繪畫的純粹性方面講,那么漆的意義并非只顯示在漆層的反復(fù)堆疊、髹涂和研磨中,漆所需要的所有工藝和步驟都有其必要的意義,因為漆受自身材料條件的限制,注定了漆需要同其他材料結(jié)合來展現(xiàn)圖像。漆從業(yè)者一定要探索到漆與自我的天然聯(lián)系,使用恰到好處的手段,使漆成為材料間聯(lián)結(jié)的橋梁,使之相得益彰。第五部分,是文章的結(jié)論部分,展望漆畫發(fā)展的未來,從我的創(chuàng)作探索過程中體悟到繪畫意識在現(xiàn)代漆畫藝術(shù)上的決定意義�，F(xiàn)代漆畫以漆而畫,意在畫境,是對形上精神追求所致。在漆畫創(chuàng)作中,要尊重漆畫不同于其他畫種的特殊美感,材質(zhì)的獨有性、技藝的特殊性的表現(xiàn),以圖取質(zhì),以畫施技,畫在漆先,藝在技前,這樣的漆文化的藝術(shù)精神才能更加深入地、內(nèi)在地傳承與發(fā)展。實現(xiàn)“畫——技”和諧,“技——畫”一體的藝術(shù)渾成關(guān)系,如此才能為現(xiàn)代漆畫的發(fā)展拓寬道路,才能真正彰顯漆文化的博大精深與不息精進。
[Abstract]:Lacquer painting is the combination of painting and technology, and the combination of painting and craft. Through the development of lacquer painting, modern lacquer painting, as the language expression of pure painting, has always been the focus of lacquer painting. The priority of painting artistic conception is the front of lacquer painting. For the purpose, it is also very important in academic. Then how to bring a variety of artistic expression and flavor to the creation of lacquer painting through the painting language of lacquer painting, the material language and the schema language. The first part is the introduction, mainly from "the present situation at home and abroad", "the purpose of the study and the inside of the research." The purpose of the two aspects is to pursue the aesthetic realm of painting, which is the priority of painting. Only under this premise can we reflect the pure value of the creation of lacquer painting. The study on the performance of paint medium under the precondition of painting is an important research topic in the art of painting. In addition to the construction and expression of law and characteristics, this article also puts forward to pay attention to the uniqueness of lacquer painting creation: Lacquer Painting Schema, lacquer painting aesthetic feeling, lacquer painting purity and future work outlook are all other factors that constitute lacquer painting. This is also the purpose and main content of this study. The second parts around the best painting environment. First, the subject is to expand, first of all, the description of what is the painting situation; secondly, to further explain and summarize the artistic conception of the traditional landscape painting, and to draw the center and original intention of this graduation creation through the study of landscape painting. This part includes two points: first, to discuss what is the language, to form the focus of the lacquer painting language, or to be attached to "the priority of painting" (that is, "painting in lacquer first, art before skill"), "the relaxation of the drawing, the quality of view". What is the corresponding nature of painting, is a mood and a natural flow of emotion. Time is non presupposition, non customary, painting thinking plays a decisive role in the creation of the painting thinking consciousness has become the prerequisite for the success of the work, which is also a painting, not paint. The fourth part, interpretation of the characteristics of the painting of modern lacquer painting, can be described from two aspects: first, from lacquer painting itself out of the painting. To explore the aesthetic feeling of lacquer painting, it is also a point of concern for the creation of lacquer painting, the aesthetic feeling of the material and the particularity of the lacquer painting add a few colors. Second, from the pure aspect of the painting as pure painting, the meaning of the paint is not only shown in the repeated stacking of the lacquer layer, lacquer and lacquer, and the need for lacquer. The process and the steps have the necessary meaning, because the paint is limited by the conditions of its own material, and it is doomed to combine the paint with other materials to show the image. The paint practitioners must explore the natural connection between the paint and the self, use the appropriate means to make the paint a bridge between the materials and make it complement each other. The fifth part is the article. The conclusion part of the chapter looks forward to the future of the development of lacquer painting. From the process of my creative exploration, we realize the decisive significance of the painting consciousness in the modern lacquer painting. The modern lacquer painting is painted with paint and is intended to be the result of the spiritual pursuit of shape. In the creation of lacquer painting, we should respect the special aesthetic feeling of lacquer painting different from other kinds of painting, and the uniqueness of the material. The performance of the particularity of skill, in order to draw the quality, to draw the skill, the painting in the paint first, the art before the technique, can the art spirit of the lacquer culture be more deeply, inherit and develop inside, realize the harmony of "painting - technology", "technology and painting", so that the development of modern lacquer painting can be widened and the real way can be true. Lacquer culture is extensive and profound.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213.9

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