本文選題：寫(xiě)實(shí)油畫(huà) + 歷史性��； 參考：《遼寧師范大學(xué)》2013年碩士論文

【摘要】：從油畫(huà)明發(fā)之今,傳統(tǒng)寫(xiě)實(shí)油畫(huà)一直得到眾多畫(huà)家們的青睞,它是通往畫(huà)家內(nèi)心表達(dá)事物情感的路徑,同時(shí)又具歷史性的,不同的歷史時(shí)期、社會(huì)制度、文化差異,決定畫(huà)家的思想與創(chuàng)作方向。 寫(xiě)實(shí)油畫(huà)是繪畫(huà)中的一種,源自西方,具有悠久的歷史和深厚的傳統(tǒng)。寫(xiě)實(shí)繪畫(huà)在歐洲“文藝復(fù)興”時(shí)期得以壯大,歷經(jīng)五百多年的輝煌,產(chǎn)生了許多藝術(shù)大師、巨匠和藝術(shù)史上的不朽名作。作為繪畫(huà)形式之一的寫(xiě)實(shí)繪畫(huà)、寫(xiě)實(shí)油畫(huà),仍然占有一席之地,同時(shí)也不乏優(yōu)秀的藝術(shù)家和作品。寫(xiě)實(shí)繪畫(huà)在中國(guó)有著廣闊的市場(chǎng),仍然是油畫(huà)領(lǐng)域的主流。二十世紀(jì)的大部分時(shí)間里中國(guó)畫(huà)壇仍然是寫(xiě)實(shí)繪畫(huà)的一花獨(dú)放。隨著國(guó)門(mén)的打開(kāi),現(xiàn)代藝術(shù)潮流呼嘯而入,中國(guó)畫(huà)壇真正地實(shí)現(xiàn)了裂變,多元化的意識(shí)深入人心,藝術(shù)開(kāi)始與世界接軌,嘗試并努力同世界潮流同步發(fā)展。 在新時(shí)代、新形式下,油畫(huà)藝術(shù)正經(jīng)受新舊價(jià)值觀、新舊思維方式和新舊文化觀念的激烈碰撞,在擴(kuò)大藝術(shù)發(fā)展領(lǐng)域和進(jìn)發(fā)藝術(shù)家創(chuàng)造才能的同時(shí),也在繪畫(huà)觀念和藝術(shù)實(shí)踐中存在諸多困惑。當(dāng)今我們正在為創(chuàng)造具有中國(guó)特色、時(shí)代精神和個(gè)性特征的中國(guó)油畫(huà)而努力,自覺(jué)構(gòu)建油畫(huà)的中國(guó)學(xué)派,努力向世界藝術(shù)做出貢獻(xiàn)。中國(guó)從事寫(xiě)實(shí)油畫(huà)創(chuàng)作的藝術(shù)家眾多,擁有廣泛的藝術(shù)愛(ài)好者和收藏群。但當(dāng)前中國(guó)寫(xiě)實(shí)油畫(huà)的發(fā)展從學(xué)術(shù)的角度看尚有許多可研究之處。例如,寫(xiě)實(shí)油畫(huà)概念的界定,寫(xiě)實(shí)油畫(huà)的繪畫(huà)性功能與寫(xiě)實(shí)方式,寫(xiě)實(shí)油畫(huà)中的人文品格和精神素質(zhì)問(wèn)題,寫(xiě)實(shí)油畫(huà)與反映社會(huì)現(xiàn)實(shí)生活的問(wèn)題,都值得我們深入探討。 反映社會(huì)現(xiàn)實(shí)生活的問(wèn)題是中國(guó)進(jìn)入改革開(kāi)放以后,在社會(huì)經(jīng)濟(jì)發(fā)展與人們生活水平日益提高的新時(shí)期下,精神文化建設(shè)日益加深,人民大眾精神文化生活迫切需要,作為新時(shí)期文化工作者和藝術(shù)家們急需解決的問(wèn)題。以寫(xiě)實(shí)油畫(huà)反映新形勢(shì)下人們思想層面諸多關(guān)系的展現(xiàn),這就需要藝術(shù)家們用他們的寫(xiě)實(shí)油畫(huà)理念去表達(dá)對(duì)自身、人與人、人與自然、人與社會(huì)關(guān)系的反思,并創(chuàng)作出一系列正面的、積極的,表現(xiàn)畫(huà)者藝術(shù)價(jià)值水準(zhǔn)并符合人民的、大眾的欣賞水平。
[Abstract]:From the perspective of oil painting, traditional realistic oil painting has been favored by many painters. It is the way to express things and feelings in the painter's heart. At the same time, there are historical, different historical periods, social systems and cultural differences. Decide the painter's thought and direction of creation. Realistic oil painting is a kind of painting, originated from the West, with a long history and deep tradition. Realistic painting in the European "Renaissance" period to grow, after more than 500 years of brilliance, has produced many masters, giants and immortal works in art history. As one of the forms of painting, realistic oil painting, still occupies a place, but also many excellent artists and works. Realistic painting in China has a broad market, is still the mainstream of the field of oil painting. For most of the twentieth century, the Chinese painting world was still a florist of realistic painting. With the opening of the country, the tide of modern art roared in, and the Chinese painting world really realized the fission, the consciousness of pluralism was deeply rooted in the people's heart, the art began to connect with the world, tried and made great efforts to develop synchronously with the trend of the world. In the new era and new form, oil painting art is undergoing the fierce collision of old and new values, new and old ways of thinking and new and old cultural concepts, while expanding the field of artistic development and developing artists' creative abilities. There are also many puzzles in painting concept and art practice. At present, we are working hard to create Chinese oil painting with Chinese characteristics, the spirit of the times and the characteristics of Chinese oil painting, consciously construct a Chinese school of oil painting, and strive to contribute to the art of the world. Chinese artists engaged in realistic oil painting have a wide range of art lovers and collections. However, the development of realistic oil painting in China has much to be studied from an academic point of view. For example, the definition of the concept of realistic oil painting, the painting function and realistic way of realistic oil painting, the problems of humanistic character and spiritual quality in realistic oil painting, realistic oil painting and the problem of reflecting social real life are all worthy of our deep discussion. The problem that reflects the real life of the society is that after China enters the reform and opening up policy, under the new period of social and economic development and the increasing improvement of people's living standard, the spiritual and cultural construction is deepening day by day, and the people's spiritual and cultural life is in urgent need. As cultural workers and artists in the new era, they urgently need to solve the problem. Realistic oil painting reflects a lot of relationships between people's thoughts in the new situation, which requires artists to express their reflection on themselves, people, nature, people and social relations with their realistic oil painting ideas. And create a series of positive, performance artist artistic value level and in line with the people, the public appreciation level.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J213

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