發(fā)布時(shí)間：2018-05-16 00:03

  本文選題：宋代 + 工筆花鳥　； 參考：《湖南科技大學(xué)》2013年碩士論文

【摘要】：中國(guó)工筆花鳥畫，自魏晉南北朝伊始，經(jīng)過(guò)隋唐五代，至兩宋時(shí)期形成了第一座高峰。工筆花鳥小品畫——作為工筆花鳥畫的一種特殊形式——自北宋末年便開始大量出現(xiàn)。然而，何為宋代工筆花鳥小品畫，學(xué)術(shù)界卻沒(méi)有一個(gè)統(tǒng)一的定義，于是眾說(shuō)紛紜、莫衷一是。見(jiàn)于此，本文歸納、總結(jié)了諸如佛教、醫(yī)學(xué)等領(lǐng)域的“小品”之特點(diǎn)，探究其精神內(nèi)核，以厘清宋代工筆花鳥小品畫的內(nèi)涵。一種特殊形式繪畫的大量出現(xiàn)，必然有其復(fù)雜的社會(huì)歷史原因。關(guān)于工筆花鳥小品畫在宋代的興盛問(wèn)題，其繪畫發(fā)展的客觀規(guī)律是一個(gè)不容忽視、也不可能被忽視的因素。工筆花鳥畫在宋代的興盛已是一個(gè)不爭(zhēng)的事實(shí)，這樣的事實(shí)為工筆花鳥小品畫在宋代的興盛提供了題材和技法上的準(zhǔn)備。本文研究宋代工筆花鳥小品畫的興盛原因，正是基于工筆畫在宋代興盛的客觀事實(shí)，從扇面繪畫的嬗變、統(tǒng)治者的特殊功用以及藝術(shù)平民化這幾個(gè)方面進(jìn)行分析，試圖挖掘促使其興盛的原因。是否具有新的形式是體現(xiàn)一件藝術(shù)作品是否具有價(jià)值的一個(gè)方面的因素，但其最大的藝術(shù)魅力則是源于作品本身所蘊(yùn)含的文化意蘊(yùn)、思想情感。對(duì)于宋代工筆花鳥小品畫而言，能夠在宋代得以興盛，說(shuō)明其所含的文化意蘊(yùn)、思想情感也必然備受青睞；它所創(chuàng)造的藝術(shù)魅力能夠得以延續(xù)，而且，，經(jīng)久不衰，也必然與其所含有的特殊的文化因素有關(guān)，小尺幅，創(chuàng)造大空間。本為從宋代工筆花鳥小品畫構(gòu)圖方面入手，從文化史的角度，探討宋代尤其是工筆花鳥小品畫大量出現(xiàn)的時(shí)期，影響社會(huì)生活的主流文化，并結(jié)合作品本身，從“以小見(jiàn)大”與“虛實(shí)相生”兩個(gè)哲學(xué)思想層面，論述宋代工筆花鳥小品畫所蘊(yùn)含的文化意蘊(yùn)，所營(yíng)造的藝術(shù)意境，也即本文所謂之“美”。
[Abstract]:From the beginning of the Wei, Jin and the Southern and Northern dynasties, the first peak was formed in the Sui, Tang and five dynasties. As a special form of fine brushwork flower-bird painting, meticulous brushwork has appeared in large numbers since the end of the Northern Song Dynasty. However, the academic circles did not have a unified definition of what is a fine brush painting of flowers and birds in Song Dynasty, so there are different opinions. In view of this, this paper summarizes and summarizes the characteristics of "sketch" in such fields as Buddhism and medicine, and probes into its spiritual core in order to clarify the connotation of fine brushwork and bird painting in Song Dynasty. The emergence of a special form of painting is bound to have complicated social and historical reasons. With regard to the prosperity of meticulous brushwork and bird paintings in the Song Dynasty, the objective law of the development of its paintings is a factor that can not be ignored. It is an indisputable fact that fine brushwork flower-and-bird painting flourished in Song Dynasty, which provides the subject matter and technique preparation for the prosperity of fine brushwork flower and bird painting in Song Dynasty. Based on the objective facts of the prosperity of meticulous brushwork paintings in Song Dynasty, this paper studies the reasons for the prosperity of meticulous brushwork paintings in Song Dynasty. It analyzes the evolution of fan painting, the special function of rulers and the populace of art. Try to dig out the reasons for its prosperity. Whether there is a new form is a factor that reflects the value of an art work, but its greatest artistic charm is derived from the cultural connotation and thought and emotion contained in the work itself. As for the fine brushwork of the Song Dynasty, it can flourish in the Song Dynasty, explaining its cultural implications, and its thoughts and feelings will inevitably be favored; the artistic charm it creates can be continued, and it will last for a long time. It must also contain special cultural factors, small ruler, create large space. Starting with the composition of fine brushwork flower-bird brushwork in the Song Dynasty and from the perspective of cultural history, this paper discusses the period in which a large number of meticulous brushwork floral and bird brushwork appeared in the Song Dynasty, which affects the mainstream culture of social life, and combines the works themselves. From the two philosophical levels of "seeing the whole through a small part" and "living with reality", this paper discusses the cultural implication and artistic conception of the fine brushwork and bird paintings in the Song Dynasty, that is, the so-called "beauty" in this paper.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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本文編號(hào)：1894526