本文選題：廣州口岸 + 西洋風(fēng)景畫(huà)　； 參考：《華東師范大學(xué)》2014年碩士論文

【摘要】：清代廣州口岸西洋風(fēng)景畫(huà)作為東西世界方文化交流的產(chǎn)物,它的出現(xiàn)有著重要意義。首先,清代廣州口岸風(fēng)景畫(huà)的出現(xiàn)標(biāo)志著東西方間地理隔被打破,東西方經(jīng)濟(jì)文化開(kāi)始接觸交流；其次,清代廣州口岸風(fēng)景畫(huà)作為出口歐美市場(chǎng)具有很高藝術(shù)價(jià)值的產(chǎn)品,一方面向西方世界展示了神秘東方世界的風(fēng)貌,另一方面推動(dòng)了西洋繪畫(huà)在中國(guó)的傳播,使的西方繪畫(huà)的材料、表現(xiàn)方式、繪畫(huà)技巧被中國(guó)人接受,促進(jìn)了西洋繪畫(huà)在中國(guó)的發(fā)展；再次,清代廣州口岸西洋風(fēng)景畫(huà)有著鮮明的中西繪畫(huà)融合的特點(diǎn),具體表現(xiàn)在中西繪畫(huà)技巧、取材、審美的融合,對(duì)研究中國(guó)早期風(fēng)景畫(huà)發(fā)展有著重要的學(xué)術(shù)價(jià)值；最后,清代廣州口岸西洋風(fēng)景畫(huà)的寫(xiě)實(shí)性和紀(jì)實(shí)性,真實(shí)的記錄了清代中西貿(mào)易中的歷史情境,使之成為研究清代中西貿(mào)易的歷史圖像資料,具有寶貴的史料價(jià)值。鑒于清代廣州口岸西洋風(fēng)景畫(huà)具有重大的意義與價(jià)值,本文將以清代廣州口岸西洋風(fēng)景畫(huà)為研究對(duì)象,結(jié)合中西貿(mào)易歷史與清代開(kāi)埠的歷史進(jìn)程分析庭院題材和地志性題材西洋風(fēng)景畫(huà)背后的歷史動(dòng)因,使用當(dāng)時(shí)來(lái)華西方人所寫(xiě)日記,西方商船航海日記等第一手資料,盡量從客觀(guān)角度揭示廣州口岸風(fēng)景題材洋畫(huà)的圖像發(fā)展與中西文化交流的圖像聯(lián)系。以探究廣州開(kāi)港通商之后,清代廣州口岸西洋風(fēng)景畫(huà)在不同歷史時(shí)期的變化特征。本文將風(fēng)景題材清代廣州口岸西洋畫(huà)表現(xiàn)內(nèi)容再次細(xì)化分類(lèi)歸納整理,將風(fēng)景題材西洋畫(huà)又分為表現(xiàn)最具嶺南園林建筑特色的庭院風(fēng)景畫(huà)和表現(xiàn)廣東名勝古跡、嶺南田園漁村、珠江流域風(fēng)光、港口風(fēng)貌的地志性風(fēng)景畫(huà)兩種類(lèi)型,庭院風(fēng)景和地志性風(fēng)景是廣州口岸西洋風(fēng)景畫(huà)重要的組成部分,本文將在文中第二章和第三章重點(diǎn)介紹這兩部分內(nèi)容,探討研究庭院風(fēng)景畫(huà)產(chǎn)生的原因以及其具有的藝術(shù)特點(diǎn),分析地志性風(fēng)景畫(huà)的興起、發(fā)展變化過(guò)程及對(duì)一些重要的風(fēng)景畫(huà)家的畫(huà)風(fēng)進(jìn)行分析。本文力圖揭示清代廣州口岸西洋風(fēng)景畫(huà)所具有的學(xué)術(shù)價(jià)值和歷史意義以及在中西文化交流史、中西貿(mào)易交流史、西洋畫(huà)在中國(guó)的傳播和發(fā)展過(guò)程中的價(jià)值與意義。
[Abstract]:Western landscape painting of Guangzhou Port in Qing Dynasty is the product of cultural exchange between East and West countries, and its appearance is of great significance. First, the appearance of Guangzhou port landscape paintings in Qing Dynasty marked the breaking of the geographical separation between the East and the West, and the economic and cultural contacts between the East and the West began to be exchanged. Secondly, the Guangzhou Port Landscape paintings of the Qing Dynasty were exported to the European and American markets as products of high artistic value. On the one hand, it shows to the western world the style and features of the mysterious eastern world, on the other hand, it promotes the spread of Western painting in China, so that the materials, ways of expression, and painting techniques of Western painting are accepted by the Chinese. Promoted the development of Western painting in China. Thirdly, Western landscape painting at Guangzhou port in Qing Dynasty has distinct characteristics of Chinese and Western painting fusion, which is embodied in the integration of Chinese and Western painting techniques, materials, and aesthetics. It has important academic value to study the development of early Chinese landscape painting. Finally, the realism and reality of western landscape painting at Guangzhou port in Qing Dynasty, which truly recorded the historical situation in the trade between China and the West in Qing Dynasty. It is valuable to study the history of trade between China and the West in Qing Dynasty. In view of the great significance and value of western landscape painting at Guangzhou port in Qing Dynasty, this paper will take the western landscape painting at Guangzhou port in Qing Dynasty as the research object. Combining the history of trade between China and the West and the history of the opening of ports in the Qing Dynasty, this paper analyzes the historical reasons behind western landscape paintings on the theme of courtyard and geographies, and makes use of first-hand materials such as the diary written by Westerners in China at that time, the diary of western merchant ships, and so on. This paper tries to reveal the relationship between the image development of Guangzhou port landscape theme and the cultural exchange between China and the West from an objective point of view. In order to explore the Qing Dynasty Guangzhou port after the opening of trade, Western landscape painting in different historical periods of change. In this paper, the western paintings of Guangzhou port in Qing Dynasty are classified and classified again, and the western paintings are divided into garden landscapes with the most distinctive architectural features of the Lingnan area and Guangdong scenic spots and historic sites, Lingnan pastoral fishing villages. There are two types of landscape of Pearl River Basin, port landscape, courtyard landscape and geographies, which are important parts of western landscape painting at Guangzhou Port. The second and third chapters of this paper will focus on these two parts. This paper probes into the reasons for the development of landscape painting in the courtyard and its artistic characteristics, analyzes the rise, development and change of the landscape painting of geographies, and analyzes the painting style of some important landscape painters. This paper tries to reveal the academic value and historical significance of Western landscape painting at Guangzhou port in Qing Dynasty, as well as its value and significance in the history of cultural exchange between China and the West, the history of trade between China and the West, and the spread and development of Western painting in China.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J209.2

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