本文選題：水彩人物畫(huà) + 西藏��； 參考：《西安美術(shù)學(xué)院》2017年碩士論文

【摘要】：水彩畫(huà)屬于舶來(lái)品,傳入我國(guó)已經(jīng)有百余年歷史。1999年,中國(guó)第九屆全國(guó)美術(shù)作品展中,將水彩畫(huà)與國(guó)畫(huà)、油畫(huà)并列成為第三大畫(huà)種予以獨(dú)立展覽,這一標(biāo)志性事件使得水彩畫(huà)在“名分”上擺脫了“小畫(huà)種”的歷史局面。值得注意的是,二十余年來(lái),我國(guó)水彩人物畫(huà)的快速發(fā)展為水彩畫(huà)地位提升做出了不少貢獻(xiàn)。在發(fā)展中,水彩人物畫(huà)靈活吸收中國(guó)畫(huà)和油畫(huà)的現(xiàn)實(shí)主義經(jīng)驗(yàn)及表現(xiàn)技巧,在題材上也獲得多元化發(fā)展,尤其是少數(shù)民族題材日益得到業(yè)界和社會(huì)關(guān)注,已成為我國(guó)水彩人物畫(huà)的重要組成部分。在現(xiàn)當(dāng)代美術(shù)格局中,西藏題材一直飽受青睞,除了文藝政策的導(dǎo)引之外,西藏獨(dú)具特色的自然環(huán)境,人文歷史、風(fēng)土人情、宗教信仰等都是吸引和調(diào)動(dòng)藝術(shù)家創(chuàng)作欲的重要元素。作為后起之秀的水彩畫(huà)種,自然也不例外。本文對(duì)西藏題材人物水彩畫(huà)的探討,旨在建立于西藏題材繪畫(huà)的深厚基礎(chǔ)之上,梳理該類題材水彩人物畫(huà)發(fā)展的基本脈絡(luò)、藝術(shù)特征及其與西藏自然環(huán)境和人文特征的內(nèi)在聯(lián)系。故而,本文采用了文獻(xiàn)閱讀法、圖像分析法、比較研究等方法,搜集大量資料,在縱向上梳理出西藏少數(shù)民族題材水彩人物畫(huà)的發(fā)展脈絡(luò)以及不同階段所取得的藝術(shù)成就。在橫向上與西方水彩人物畫(huà)進(jìn)行對(duì)比,總結(jié)出藏族題材水彩人物畫(huà)的特點(diǎn)、藝術(shù)高度以及自己創(chuàng)作中的心得體會(huì)。為了能有更多的理論對(duì)藏族水彩人物畫(huà)題材創(chuàng)作有進(jìn)一步的指導(dǎo)作用,創(chuàng)作出更優(yōu)秀的作品。促進(jìn)藏族與其他民族文化交流、增進(jìn)民族之間的認(rèn)同、融合和凝聚力。本文力圖起到一個(gè)拋磚引玉的作用,希冀此類題材能夠引起更多畫(huà)者和美術(shù)理論研究者的關(guān)注,從而不斷壯大水彩人物畫(huà)理論研究的人才隊(duì)伍,進(jìn)一步提高藏民水彩畫(huà)人物理論,對(duì)今后的西藏少數(shù)民族題材水彩人物畫(huà)創(chuàng)作有所幫助,促使西藏少數(shù)族水彩畫(huà)人物創(chuàng)作得到全面提升。
[Abstract]:Watercolor painting belongs to foreign goods. It has been introduced into China for more than 100 years in.1999 years. In the Ninth National Art Exhibition of China, water color painting, Chinese painting and oil painting are the third major paintings to be displayed independently. This landmark event made watercolor painting out of the historical situation of "small painting" in the "name". It is noteworthy that In the past twenty years, the rapid development of Chinese watercolor figure painting has made a lot of contributions to the promotion of the status of watercolor painting. In the development, the watercolor figure painting absorbs the realistic experience and expressive skills of Chinese painting and oil painting flexibly, and has also gained diversified development in the subject matter, especially the minority subjects have become increasingly concerned by the industry and society. As an important part of Chinese watercolor figure painting, in the present and contemporary pattern of art, the subject of Tibet has been favored. In addition to the guidance of literature and art policy, Tibet's unique natural environment, human history, customs and religious beliefs are all important elements to attract and arouse the creative desire of the artists. On the basis of the deep foundation of Tibet subject painting, this paper aims to discuss the basic context of the development of the watercolor figure painting of this kind of subject, the artistic features and the inherent connection with the natural and humanistic features of Tibet. Therefore, this article adopts the literature reading method and the image analysis. The method, comparative study and so on, collect a lot of information, carding the development vein of the watercolor figure painting of Tibet minority subject and the artistic achievements in different stages in the longitudinal direction, comparing with the Western watercolor figure painting horizontally, summarizing the characteristics of the watercolor figure painting of the Tibetan subject, the artistic height and the heart of his own creation. In order to have more theories to further guide the creation of the subject of Tibetan watercolor figure painting, create more excellent works, promote cultural exchanges between Tibetans and other ethnic groups, promote national identity, integration and cohesion. This article tries to play a role in throwing bricks into jade and hoping that this kind of subject can cause more. The attention of the painter and the art theory researchers, thus continuously strengthen the talent team of the theoretical research of watercolor figure painting, further improve the theory of the people in the Tibetan water color painting, and help the Tibet minority nationality watercolor figure painting in the future to promote the comprehensive promotion of the creation of the minority water color paintings in Tibet.

【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王鏞;;高原之魂——吳長(zhǎng)江的藝術(shù)創(chuàng)作[J];美術(shù)向?qū)?2010年05期

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本文編號(hào)：1863689