本文選題：石魯 + 馮建吳　； 參考：《四川美術學院》2017年碩士論文

【摘要】：每一個藝術家的成長都會受到兩個方面因素的影響,一是個人性格,二是社會因素。不同的性格影響著每一個人的社會閱歷,而不同的社會閱歷對一個人的氣象、胸襟、眼界、格調的影響很大。表現(xiàn)出來的藝術風格也就截然不同,因為一個人的藝術風格是他個人內涵的表達。出身一宗同門的石魯和馮建吳在少年時期擁有相同的家庭背景、社會關系,接受同樣的家學教育。成年后因著性格上的差異,人生軌跡出現(xiàn)重大差異,各行其道。馮建吳學有所成,以書畫為事業(yè),在江湖打拼。石魯性格桀驁與家庭決裂只身前往延安投身革命,從此開始了自己的傳奇人生和藝術生涯。兩位藝術家在現(xiàn)代中國畫發(fā)展史上都有重要地位,石魯是長安畫派的領軍人物,馮建吳是川渝地區(qū)現(xiàn)代中國畫的開創(chuàng)人之一。他們在藝術創(chuàng)作的道路上相互影響相互促進。馮建吳將石魯領進書畫藝術之門,是石魯?shù)乃囆g啟蒙老師,而后石魯經(jīng)過版畫學習,大膽地將版畫的表現(xiàn)技術運用于國畫創(chuàng)作之中,并在國畫學習創(chuàng)作中注重生活體驗,不為傳統(tǒng)束縛,大膽創(chuàng)新成為一代名家,為現(xiàn)代中國畫發(fā)展做出重大貢獻。馮建吳自小研習傳統(tǒng),傳統(tǒng)功底極為深厚,而后在石魯?shù)挠绊懴绿剿鲃?chuàng)新之道,打破傳統(tǒng)束縛,自創(chuàng)一人之蹊徑,豐富的人生閱歷和深厚的詩書畫印功底,讓他的作品大氣磅礴,老辣勁道,而充滿金石味的筆墨、以畫言詩,詩意入畫的人風格為世人注目。一門二子兩大家,這在中國書畫史上比較少見。本文第二、三章節(jié)將分別對他們不同時期的風格進行梳理,探索在不同時期不同社會背景下,二人藝術風格形成的原因,以及對他們不同時期繪畫風格進行具體分析。第四章節(jié)主要將各自藝術風格進行對比,將主要從圖式、筆墨、色彩、題材、內容等面進行對比研究,說明他們藝術風格的異同。兩位藝術家在現(xiàn)代中國畫史上具有深遠影響力,研究其藝術風格形成過程,梳理藝術歷程的脈絡以及相關背景和因素,對我們解讀兩位藝術家的作品很有幫助,了解作品的背景對于解讀作品,感受作品的氣息是非常重要的。而對于他們藝術風格形成脈絡梳理和了解對于我們藝術創(chuàng)作以及個人風格的追求都有很大的幫助。
[Abstract]:The growth of every artist is influenced by two factors: personal character and social factor. Different personality affects everyone's social experience, and different social experience has great influence on one's weather, mind, vision and style. The artistic style is very different, because a person's artistic style is the expression of his personal connotation. Shi Lu and Feng Jianwu, who came from the same family, had the same family background, social relationship and the same education as teenagers. As a result of personality differences in adulthood, there are significant differences in life trajectory. Feng Jianwu learned well, painting and calligraphy as a career, fighting in the rivers and lakes. Shi Lu's character broke away from his family and went to Yenan to join the revolution and began his legendary life and art career. Both artists play an important role in the development of modern Chinese painting. Shi Lu is the leading figure of Chang'an School of painting, and Feng Jianwu is one of the pioneers of modern Chinese painting in Sichuan and Chongqing. They influence and promote each other on the road of artistic creation. Feng Jianwu introduced Shi Lu into the door of calligraphy and painting art, and was the first teacher of Shi Lu art. Then Shi Lu applied the performance technology of print to the creation of Chinese painting boldly, and paid attention to the life experience in the study and creation of traditional Chinese painting. Not for the traditional constraints, bold innovation to become a generation of famous, for the development of modern Chinese painting to make a major contribution. Feng Jianwu has studied the tradition since his childhood, and his traditional skills are very deep. Then under the influence of Shi Lu, he explores the innovative ways, breaks the traditional shackles, creates his own personal path, has a rich life experience, and has a deep foundation of poetry, calligraphy, painting and printing. Let his works majestic, old hot, and full of gold and stone ink, painting words and poems, poetic style for the attention of the world. One door two son two big family, this is relatively rare in the Chinese calligraphy and painting history. The second and third chapters will sort out their styles in different periods, explore the reasons for the formation of their artistic styles in different periods and different social backgrounds, and make a concrete analysis of their painting styles in different periods. The fourth chapter mainly compares their artistic styles, mainly from the schema, ink, color, subject matter, content and other aspects of comparative research, to explain the similarities and differences of their artistic styles. The two artists have a profound influence in the history of modern Chinese painting. It is helpful for us to study the formation process of their artistic style, sort out the context of the art process and the relevant background and factors, which will help us to interpret the works of the two artists. Understanding the background of the work is very important for reading the work and feeling the breath of the work. The formation of their artistic style to sort out and understand our artistic creation as well as the pursuit of personal style have a lot of help.
【學位授予單位】：四川美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212

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