本文選題：香港地區(qū) + 近現(xiàn)代��； 參考：《河南師范大學(xué)》2013年碩士論文

【摘要】：水墨畫是一個(gè)獨(dú)特的藝術(shù)門類，在中國(guó)，其歷史悠久，傳承有序，千百年來(lái)歷久彌新且蒸蒸日上。在有著深厚文化背景的中國(guó)，許多城市成為了傳播和繼承水墨畫的陣地，如北京，安徽，廣東，浙江等。這些城市有著各自豐富漫長(zhǎng)的歷史和文化，所以他們因地域的不同而形成了各自的流派和多元化的風(fēng)格。香港地處中國(guó)南方一隅，以中國(guó)人為主，百年來(lái)從漁業(yè)社會(huì)發(fā)展成商貿(mào)都市。成為英國(guó)的殖民地后，不斷受到來(lái)自西方思潮的影響，但畢竟隸屬中華大地，因而無(wú)論在文化、生活方式還是藝術(shù)方面都保存著中華民族的優(yōu)良傳統(tǒng)。雖然香港文化的歷史不長(zhǎng)，但由于其獨(dú)特的地理位置，政治和文化背景異于大陸內(nèi)地，因而香港的水墨畫呈現(xiàn)出一股特殊的風(fēng)貌，在繪畫領(lǐng)域中綻放異彩，成為新水墨藝術(shù)的搖籃。 香港地區(qū)近現(xiàn)代水墨山水畫是建立在中國(guó)傳統(tǒng)山水畫的基礎(chǔ)之上，近百年來(lái)一直持續(xù)發(fā)展著。在過(guò)去的一個(gè)世紀(jì)中，中國(guó)社會(huì)文化的變遷，時(shí)局的動(dòng)蕩，許多大江南北的畫家為了躲避戰(zhàn)爭(zhēng)，紛紛逃到香港以尋求自由發(fā)展的空氣。大陸水墨畫家的到來(lái)，，使水墨山水畫移植香港，并隨著香港社會(huì)文化的不斷發(fā)展而得以繼承和傳播。雖然香港當(dāng)時(shí)已處在東西方文化沖突之地，西方文明務(wù)必會(huì)對(duì)香港水墨畫產(chǎn)生影響，但不可否認(rèn)的是，這種在沖突下成長(zhǎng)起來(lái)的特殊藝術(shù)形態(tài)，儼然已成為香港水墨畫的特色，因此，吸收和融合東西方文化的水墨山水畫既源于中國(guó)傳統(tǒng)山水畫，又在外來(lái)的沖擊下有所改造。 本文專門探討香港地區(qū)近現(xiàn)代水墨山水畫的繪畫藝術(shù)風(fēng)格，以及大陸內(nèi)地的傳統(tǒng)繪畫和西方藝術(shù)在香港的傳播與其關(guān)系。通過(guò)對(duì)當(dāng)今香港地區(qū)近現(xiàn)代水墨山水代表畫家作品的分析，對(duì)繪畫風(fēng)格、語(yǔ)言和內(nèi)容進(jìn)行系統(tǒng)的總結(jié)和梳理，旨在透過(guò)這些代表畫家的作品進(jìn)一步認(rèn)識(shí)香港地區(qū)近現(xiàn)代繪畫的獨(dú)特魅力，理解香港地區(qū)近現(xiàn)代水墨山水畫發(fā)展的內(nèi)在規(guī)律。在當(dāng)代，香港水墨山水畫是一個(gè)新的中國(guó)畫的表現(xiàn)內(nèi)容，他有著非常廣闊的發(fā)展前景，任何個(gè)人的實(shí)踐與理論探索都將成為它未來(lái)大廈的一塊磚瓦。香港藝術(shù)家致力于在中國(guó)文化中尋根，同時(shí)也將新時(shí)代的精神作為自己創(chuàng)作上積極改革的一條主脈，在探索水墨畫的道路上，能夠做到求新求變，把香港變成一塊富有地域色彩且令人矚目的獨(dú)特藝術(shù)天地。
[Abstract]:Ink painting is a unique art category, in China, its long history, inheritance order, thousands of years old and prosperous. In China with a deep cultural background, many cities have become the dissemination and inheritance of ink painting, such as Beijing, Anhui, Guangdong, Zhejiang and so on. These cities have a long history and culture, so they form their own schools and diverse styles according to their different regions. Hong Kong is located in a corner of southern China, mainly Chinese, developed from fishing society into a commercial city over the past hundred years. After becoming a colony of Britain, it was constantly influenced by western thoughts, but it belonged to the Chinese land, so it preserved the fine tradition of the Chinese nation in culture, way of life and art. Although the history of Hong Kong culture is not long, due to its unique geographical location, political and cultural background is different from the mainland, so the ink painting in Hong Kong presents a special style, blooming in the field of painting. To become the cradle of new ink art. The modern ink landscape painting in Hong Kong is based on the traditional Chinese landscape painting, which has been developing continuously in the past hundred years. In the past century, with the changes of Chinese society and culture and the turbulence of the situation, many painters from the north and south of the river fled to Hong Kong to seek the air of free development in order to avoid the war. With the arrival of the Chinese ink and wash painters, the landscape painting was transplanted to Hong Kong and inherited and spread along with the continuous development of Hong Kong's social culture. Although Hong Kong was already in the midst of a cultural conflict between the East and the West, and Western civilization must have an impact on Hong Kong's ink painting, it is undeniable that this particular artistic form, which has grown up under the conflict, has become a feature of Hong Kong's ink painting. Therefore, the absorption and integration of East and West culture of ink landscape painting not only originated from Chinese traditional landscape painting, but also under the impact of external transformation. This paper mainly discusses the artistic style of painting in Hong Kong, and the relationship between the traditional painting in the mainland and the spread of western art in Hong Kong. Through the analysis of the works of modern and modern ink and landscape painters in Hong Kong, the style, language and content of paintings are systematically summarized and combed. The purpose is to further understand the unique charm of modern painting in Hong Kong through the works of these representative painters and to understand the inherent law of the development of modern ink and landscape painting in Hong Kong. In the contemporary, Hong Kong ink landscape painting is a new Chinese painting performance content, he has a very broad development prospects, any individual practice and theoretical exploration will become its future building a brick. Hong Kong artists are committed to finding roots in Chinese culture. At the same time, they regard the spirit of the new era as a main vein of positive innovation in their creative work. Turn Hong Kong into a unique art world rich in regional color and eye-catching.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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