淺談當代油畫對電腦特效圖片的過度應用
發(fā)布時間:2018-04-26 20:55
本文選題:電腦特效圖片 + 油畫藝術 ; 參考:《西安美術學院》2013年碩士論文
【摘要】:電腦特效圖片作為當今新興科學技術的產(chǎn)物,是一種以滿足人們的實用性為目的的物質(zhì)產(chǎn)品,它以對圖像的改造、再現(xiàn)為特征出現(xiàn),電腦特效圖像與油畫藝術之間既有挑戰(zhàn)又出現(xiàn)了融合。油畫作品中凝聚了創(chuàng)作者的思想與審美情感,它的藝術價值在于它的繪畫性。在科學技術發(fā)展日新月異的今天,大量的電腦特效圖片被應用于油畫作品的創(chuàng)作中。誠然,新技術的使用能給傳統(tǒng)油畫的畫面形式帶來創(chuàng)新性的影響,,但對電腦特效圖片的過度依賴勢必會對油畫藝術的藝術性造成極大沖擊,產(chǎn)生諸多的負面影響:創(chuàng)作變成只是單純的描摹,繪畫性被削弱了,油畫藝術的主體性和高雅藝術性被消解,作品流于商品化、大眾化、通俗化,這種負面影響由兩者的本質(zhì)區(qū)別造成,是不可避免的。本論文將從對電腦特效圖片與油畫藝術的本質(zhì)屬性的認識與比較出發(fā),來探討兩者的一些本質(zhì)上的差別,并通過這些差別來說明,油畫藝術對電腦特效圖片的過度依賴,將會對油畫藝術的藝術性、特別是油畫藝術的主體性與精神性造成負面的影響,使油畫喪失藝術的本質(zhì)特征,流于空洞的形式主義。如何在當前科學技術對藝術的影響不可避免的情況下,處理二者之間的關系,這值得我們進行深入的思考。
[Abstract]:As the product of the new science and technology, computer special effect picture is a kind of material product with the aim of satisfying people's practicability. It is characterized by the transformation and reproduction of the image. There is both challenge and fusion between computer-specific images and oil painting art. Oil painting condenses the creators' thoughts and aesthetic feelings, and its artistic value lies in its painting. With the rapid development of science and technology, a large number of computer effects pictures are used in the creation of oil paintings. It is true that the use of new technology can bring innovative influence to the picture form of traditional oil painting, but the excessive reliance on computer special effects pictures will certainly have a great impact on the artistry of oil painting art. There are many negative effects: creation becomes a simple description, painting is weakened, the subjectivity and elegance of oil painting art is eliminated, and the works are commercialized, popularized and popularized. This negative effect caused by the essential difference between the two is inevitable. Based on the understanding and comparison of the essential attributes of computer special effect pictures and oil painting art, this paper will discuss some essential differences between them, and show that oil painting art is too dependent on computer special effect pictures through these differences. It will have a negative impact on the artistic quality of oil painting, especially the subjectivity and spirituality of oil painting, which will make oil painting lose its essential characteristics and flow into empty formalism. How to deal with the relationship between the two under the inevitable influence of science and technology on art is worth our deep consideration.
【學位授予單位】:西安美術學院
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J213
【參考文獻】
相關期刊論文 前7條
1 朱蘭芝;文藝理論專題講座之三 藝術作品的內(nèi)容與形式[J];理論學刊;1987年02期
2 王河寧;;油畫精神性的表達與媒材[J];美與時代;2008年02期
3 張紅江;馬平;;論中國油畫藝術的意象審美與精神表現(xiàn)[J];美術觀察;2012年09期
4 段煉;最后的前衛(wèi)──97惠特尼雙年展的繪畫性與批評中的閱讀描述[J];世界美術;1997年04期
5 孫如靜;;論油畫藝術中材料運用的精神表達[J];徐州師范大學學報(哲學社會科學版);2012年02期
6 魏捍紅;;設計藝術造型基礎研究[J];裝飾;2011年07期
7 劉愛民;;油畫藝術的“超越性重建期”[J];西安交通大學學報(社會科學版);2012年01期
本文編號:1807610
本文鏈接:http://www.sikaile.net/wenyilunwen/huihuayishu/1807610.html