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“山水”沒(méi)落與現(xiàn)代中國(guó)藝術(shù)的困境

發(fā)布時(shí)間:2018-04-26 12:58

  本文選題:《瓦爾登湖》 + 梭羅; 參考:《文化縱橫》2017年02期


【摘要】:正山水系統(tǒng)的發(fā)育:中國(guó)文明的獨(dú)特DNA1854年,梭羅寫(xiě)了本大家耳熟能詳?shù)臅?shū),《瓦爾登湖》。五年前,他寫(xiě)過(guò)一本政論,《論公民的不服從義務(wù)》。對(duì)于"公民的不服從義務(wù)"這個(gè)話題,歷來(lái)我們都從政治權(quán)利的角度來(lái)理解。殊不知,《瓦爾登湖》的寫(xiě)作,即是對(duì)五年前這一政治主張的豐富和解釋。這意味著什么呢?《瓦爾登湖》所要表達(dá)的,當(dāng)
[Abstract]:The development of the landscape system: the unique DNA1854 year of Chinese civilization, Thoreau wrote a familiar book, Walden Lake. Five years ago, he wrote a political theory on the disobedience of citizens. We have always understood the topic of "civil disobedience and obligation" from the perspective of political rights. However, the writing of Lake Walden is the enrichment and interpretation of this political proposition five years ago. What does this mean?
【作者單位】: 北京大學(xué)人文社會(huì)科學(xué)研究院/社會(huì)學(xué)系;
【分類號(hào)】:J212
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本文編號(hào):1806119

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