本文選題：隱喻 + 當(dāng)代��； 參考：《沈陽師范大學(xué)》2013年碩士論文

【摘要】：文章從隱喻的基本特征入手，論述了隱喻油畫在中國當(dāng)代油畫中的所具有的獨特的地位。文章還通過對中西方傳統(tǒng)思想以及審美觀點的比較，論述了隱喻油畫在中國的存在與發(fā)展所具有的極佳的思想基礎(chǔ)、社會基礎(chǔ)和學(xué)科基礎(chǔ)；文章中作者結(jié)合自己的觀察和思考，簡略地介紹了對部分作品的解讀；在文章的最后，作者針對目前隱喻油畫的創(chuàng)作中的存在的問題以及未來發(fā)展的方向提出了自己的見解。 文章的主題思想是試圖理清隱喻油畫的脈絡(luò)，讓人們了解到隱喻油畫在中國當(dāng)代繪畫中是自成體系的，它有著自己的繪畫語言，有著自己的審美感受。文章的目的是讓人們認(rèn)識到隱喻油畫是繪畫中具有中國文化傳統(tǒng)特色的表現(xiàn)方式，是一種完全可以用來與世界進(jìn)行交流的中國藝術(shù)，，進(jìn)而提高人們對隱喻油畫中所蘊含的深邃思想的領(lǐng)悟能力，激發(fā)起藝術(shù)家們的創(chuàng)作熱情。
[Abstract]:Starting with the basic characteristics of metaphor, this paper discusses the unique position of metaphorical oil painting in contemporary Chinese oil painting.Through the comparison of Chinese and western traditional thought and aesthetic point of view, the article also discusses the excellent ideological foundation, social foundation and discipline foundation of the existence and development of metaphorical oil painting in China, and the author combines his own observation and thinking.At the end of the article, the author puts forward his own views on the problems existing in the creation of metaphorical oil paintings and the direction of their future development.The main idea of the article is to try to clarify the context of metaphorical oil painting, let people understand that metaphorical oil painting in contemporary Chinese painting is its own system, it has its own painting language, has its own aesthetic feelings.The purpose of the article is to make people realize that metaphorical oil painting is a form of expression with Chinese culture and tradition in painting, and it is a kind of Chinese art that can be used to communicate with the world.Thus, people's understanding of the profound ideas contained in metaphorical oil paintings is improved, and the artists' enthusiasm for creation is aroused.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

【共引文獻(xiàn)】

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5 田潤s

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