本文選題：工業(yè)版畫 + 藝術(shù)特征�。� 參考：《西安美術(shù)學(xué)院》2017年碩士論文

【摘要】：“工業(yè)版畫”一詞來源于“工業(yè)題材版畫”,是指專門表現(xiàn)工業(yè)生產(chǎn)生活、大工業(yè)建設(shè)以及工業(yè)化進(jìn)程中所呈現(xiàn)出的諸多因素、現(xiàn)象為主要內(nèi)容的版畫藝術(shù)創(chuàng)作。這一概念是在人為因素影響下產(chǎn)生的一個藝術(shù)題材的特指,現(xiàn)已成為中國現(xiàn)當(dāng)代版畫創(chuàng)作的重要類型之一。新中國成立以后,在黨的文藝政策號召下,工業(yè)題材類藝術(shù)創(chuàng)作以其嶄新的姿態(tài)、全新的內(nèi)容、豐富的樣式記錄并見證了我國工業(yè)的發(fā)展以及實(shí)現(xiàn)全面現(xiàn)代化的宏圖遠(yuǎn)志。此類作品雖然具有強(qiáng)烈的政宣色彩,但依然流露出不同于以往的新氣息,作品所展現(xiàn)的不同時期意識形態(tài)、風(fēng)格樣式已然成為現(xiàn)當(dāng)代版畫藝術(shù)創(chuàng)作進(jìn)程中的活標(biāo)本。20世紀(jì)80年代后,工業(yè)版畫的創(chuàng)作一反“常態(tài)”,擺脫了以往的敘事性表達(dá)模式而更為注重版畫圖像本身,更為強(qiáng)調(diào)創(chuàng)作主體的個體意識和主觀感受,使作品更具獨(dú)立性和文化內(nèi)涵。本文以改革開放前后(即上世紀(jì)80年代前后)為界,以工業(yè)版畫在不同的時期所呈現(xiàn)出的不同藝術(shù)特征為主要內(nèi)容,嘗試對工業(yè)版畫的發(fā)展演化作出理性、深入的分析研究,探尋工業(yè)版畫在長達(dá)數(shù)十年創(chuàng)作實(shí)踐中所產(chǎn)生的現(xiàn)實(shí)意義。本文主要從四個部分來對中國工業(yè)版畫藝術(shù)特征進(jìn)行分析研究和梳理;第一部分對中國工業(yè)版畫不同的時代背景進(jìn)行總體敘述,對工業(yè)題材版畫的出現(xiàn)以及“工業(yè)版畫”這一概念的來源進(jìn)行了史料挖掘;第二部分為本文的核心內(nèi)容,將1980年視為工業(yè)版畫創(chuàng)作發(fā)展的轉(zhuǎn)折點(diǎn),論述改革開放前后作品特征的具體變化,并總結(jié)其形成藝術(shù)特征變化的內(nèi)外因素;第三部分通過對工業(yè)版畫的創(chuàng)作素材、創(chuàng)作手法、文化內(nèi)涵在藝術(shù)實(shí)踐中的現(xiàn)實(shí)意義分析、歸納;最后,結(jié)合本人的創(chuàng)作實(shí)踐,著重論述不同時代的工業(yè)版畫的藝術(shù)特征,論述其在創(chuàng)作視角上、時代氛圍上、構(gòu)圖方式、內(nèi)涵呈現(xiàn)等方面對筆者創(chuàng)作所產(chǎn)生的影響。
[Abstract]:The term "industrial printmaking", derived from "industrial printmaking", refers to the artistic creation of printmaking, which is specialized in the production and life of industry, the construction of large industries and the process of industrialization.This concept is a special reference of art subject under the influence of human factors, and has become one of the important types of contemporary print creation in China.After the founding of the people's Republic of China, under the call of the Party's literary and artistic policy, the creation of industrial art with its new posture, new content, rich style record and witness the development of China's industry and the great ambition to realize the overall modernization.Although this kind of work has a strong political propaganda color, it still reveals a new flavor which is different from the past.Style style has become a living specimen in the process of modern and contemporary printmaking. After the 1980s, the creation of industrial printmaking was "abnormal", getting rid of the previous narrative expression mode and paying more attention to the printmaking image itself.It emphasizes the individual consciousness and subjective feeling of the creative subject and makes the work more independent and cultural connotation.In this paper, before and after the reform and opening up (that is, before and after the 1980s) as the boundary, with the industrial printmaking in different periods of different artistic characteristics as the main content, try to make a rational, in-depth analysis and research on the development and evolution of industrial printmaking.To explore the practical significance of industrial printmaking in decades of creative practice.This paper mainly analyzes and combs the artistic characteristics of Chinese industrial printmaking from four parts. The first part gives a general description of the different background of Chinese industrial printmaking.The emergence of industrial printmaking and the source of the concept of "industrial printmaking" are excavated. The second part is the core content of this paper, which regards 1980 as the turning point of the creation and development of industrial printmaking.This paper discusses the concrete changes of the characteristics of the works before and after the reform and opening up, and summarizes the internal and external factors which form the changes of the artistic characteristics. The third part analyzes the practical significance of the industrial printmaking, the creative techniques and the cultural connotations in the art practice.Finally, combined with my creative practice, this paper focuses on the artistic characteristics of industrial prints in different times, and discusses its influence on the author's creation from the perspective of creation, the atmosphere of the times, the way of composition, the presentation of connotation, and so on.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J217

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