本文選題：高更 + 風(fēng)景畫��； 參考：《河北大學(xué)》2014年碩士論文

【摘要】：保羅·高更（Paul Gauguin,1848-1903）法國(guó)后印象派畫家、雕塑家及版畫家。高更的藝術(shù)風(fēng)格對(duì)后世產(chǎn)生了深遠(yuǎn)影響,本文正是通過其風(fēng)景畫來研究高更一直貫穿在其作品中的神秘、原始、象征、主觀的繪畫理念。他從原始藝術(shù)中獲取靈感，藝術(shù)表現(xiàn)手法上追求對(duì)色彩和形態(tài)的極富主觀性的夸張，從而創(chuàng)造出一種具有裝飾性意味美感的畫面。他在繪畫中注重表達(dá)原始精神，反對(duì)自然主義，，同時(shí)他的色彩和線條極具象征意義，其風(fēng)景畫作品，顏色激烈，感情飽滿。 該文分為五部分，第一章闡明高更繪畫藝術(shù)的形成，第二章闡述高更的繪畫藝術(shù)理念，第三章繼而在前兩章的基礎(chǔ)上分析高更的風(fēng)景畫作品，第四章著重分析高更在塔希提島作品的特點(diǎn)，第五章綜合前四章說明高更風(fēng)景繪畫給我們的啟示。 該文結(jié)合高更所處的生存環(huán)境、綜合前人的研究成果、結(jié)合本人的藝術(shù)實(shí)踐，通過作品分析對(duì)高更的風(fēng)景畫藝術(shù)進(jìn)行研究。高更影響了象征主義、納比派、野獸主義等二十世紀(jì)的幾大現(xiàn)代主義繪畫流派，前人多研究他的人物畫，本文以高更的風(fēng)景畫為重點(diǎn)，所以極具現(xiàn)實(shí)意義。
[Abstract]:Paul Gauguin (1848-1903) French Post-Impressionist painter, sculptor, and printmaker.The art style of Gauguin has a profound impact on later generations. This paper studies the mysterious, primitive, symbolic and subjective painting ideas of Gauguin through his landscape paintings.He draws inspiration from the primitive art and pursues the exaggeration of color and form in artistic expression, thus creating a decorative aesthetic picture.He pays attention to expressing primitive spirit and opposing naturalism in his paintings. At the same time, his colors and lines are very symbolic, his landscape works are intense in color and full of feelings.This article is divided into five parts. The first chapter expounds the formation of Gauguin's painting art, the second chapter expounds Gauguin's artistic concept of painting, and the third chapter analyzes Gauguin's landscape paintings on the basis of the first two chapters.The fourth chapter mainly analyzes the characteristics of Gauguin's works in Tahiti Island, and the fifth chapter synthesizes the first four chapters to illustrate the inspiration of Gauguin's landscape painting.This paper combines the living environment of Gauguin, synthesizes the previous research results, combines my artistic practice, and studies the art of Gauguin's landscape painting through the analysis of his works.Gauguin influenced several modernist painting schools in the 20th century, such as symbolism, Nabidism, wild animal doctrine and so on. Many predecessors studied his figure painting. This paper focuses on Gauguin's landscape painting, so it is of great practical significance.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 余虹;在西方文明的轉(zhuǎn)折點(diǎn)——論象征主義思潮[J];外國(guó)文學(xué)評(píng)論;1989年01期

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