本文選題：孫隆　切入點：惲壽平　出處：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：花鳥畫,是中國繪畫的三大畫科之一,在石器時代就已出現(xiàn)一些簡單的花鳥圖像,其獨立成科的時間晚于人物畫和山水畫。沒骨花鳥繪畫屬于中國花鳥畫藝術(shù)的一個重要分支,沒骨風(fēng)格的出現(xiàn)不僅豐富了花鳥畫的表現(xiàn)形式,也推動了花鳥畫的發(fā)展。在沒骨花鳥畫藝術(shù)的發(fā)展進程中,明代與清代是最具特色的兩個時期,明代畫家孫隆偏寫意的“粗筆”沒骨風(fēng)格與清代惲壽平偏工整的“細筆”沒骨風(fēng)格,在沒骨花鳥藝術(shù)發(fā)展中極具代表性。論文主要分為四個章節(jié),第一章主要對沒骨花鳥畫的特點以及起源發(fā)展進行整理;第二章以明清兩代畫壇畫風(fēng)與畫家自身所受社會文化環(huán)境的影響為出發(fā)點,對孫隆與惲壽平一粗一細的沒骨花鳥畫風(fēng)格進行探析。第三章是闡述孫隆“粗筆”與惲壽平“細筆”沒骨花鳥畫的風(fēng)格比較,在宋元花鳥畫與明清兩代的審美思潮影響下,分析孫隆與惲壽平?jīng)]骨花鳥藝術(shù)獨特的審美特征。孫隆與惲壽平?jīng)]骨花鳥繪畫技法迥異,孫隆用筆瀟灑,直接以彩色揮寫,酣暢淋漓。在當(dāng)時可謂開創(chuàng)一代新風(fēng),既發(fā)展了前人的沒骨,又在此基礎(chǔ)上積極創(chuàng)新。惲壽平用筆嚴謹,設(shè)色清麗,畫面工整秀逸,其繪畫一改前習(xí),獨辟蹊徑,成為“一代之冠”。孫隆與惲壽平?jīng)]骨花鳥畫風(fēng)格相比較,既有差異又有淵源,二者的相通之處在于文人畫特質(zhì)的顯現(xiàn)。第四章探究孫隆、惲壽平?jīng)]骨繪畫藝術(shù)風(fēng)格對后世影響。沒骨繪畫的發(fā)展離不開畫家們的創(chuàng)新意識與突破精神,在繼承傳統(tǒng)的基礎(chǔ)上進行創(chuàng)新,對于沒骨花鳥藝術(shù)的發(fā)展具有積極意義,研究孫隆與惲壽平的繪畫審美風(fēng)格以及創(chuàng)新意識,對當(dāng)代沒骨花鳥藝術(shù)創(chuàng)作具有很好的啟示作用。在研究孫隆與惲壽平?jīng)]骨花鳥畫風(fēng)格的同時,論文對沒骨花鳥畫的藝術(shù)特點、發(fā)展演變進行較為系統(tǒng)的探究。旨在取其精華去其糟粕,在分析與比較的基礎(chǔ)上,了解其歷史和內(nèi)容,以發(fā)展和創(chuàng)新為基礎(chǔ),豐富其內(nèi)容和形式,以滿足時代發(fā)展對于沒骨藝術(shù)提出的新要求。
[Abstract]:The flower and bird painting, is one of the three major painting China painting, in the stone age, there have been some simple bird images, the independent family time later than the figure painting and landscape painting. One of the most important branches of flower and bird paintings belong to Chinese Mogu flower and bird painting, appear not only enrich the style "form of flower and bird painting also, to promote the development of flower and bird painting. In the process of development of Mogu flower bird painting art in the Ming Dynasty and Qing Dynasty, the two period is the most characteristic, the Ming Dynasty painter Sun Longpian freehand" thick pen "Qing Yun Shouping mogu style and partial neat" fine pen "" style, in the development of art in the very representative of Mogu flower bird. The thesis is divided into four chapters, the first chapter of the main features of the collation and the origin and development of flower and bird Mogu painting; the second chapter in the Ming and Qing Dynasties two generation painting style with the painter himself influenced by social and cultural environment for The starting point of Sun long of Yun Shouping Mogu flower bird painting style with a thick and thin. The third chapter is the comparison of Sun Long "thick pen" and Yun Shouping "pen" Mogu painting style, in the aesthetic trend of Song Yuan Flower and bird painting of Ming and Qing Dynasties two generations under the sun Long Yun Shou Ping and analysis "flower and bird painting unique aesthetic characteristics. And different from the sun Long Yun Shouping Mogu painting techniques, Sun Long pen to write clear, direct color. At the time, can be described as creating a fully and delightfully fresh air, which developed the previous", on the basis of positive innovation. Yun Shou Ping with strict colors Qingli, neat picture hideitsu, the painting changed before learning, inventive, become "a crown". Compared with the sun Long Yun Shouping Mogu painting style, has both difference and origin, similarities between the two is that the characteristics of literati painting appeared. The fourth chapter explores the sun Long, Yun Shouping Mogu painting art style influence on later generations. The development of Mogu painting artists cannot do without the sense of innovation and breakthrough in the spirit of innovation, on the basis of inheriting the tradition, which has a positive significance for the development of the art of flower and bird Mogu, Sun long and Yun Shouping painting aesthetic style and sense of innovation, has the enlightenment a good effect on contemporary art. The Mogu flower bird in the study of Sun Long and Yun Shouping Mogu flower bird painting style, the artistic features of "painting, the development of a more systematic study. In order to keep its essence to its dregs, based on the analysis and comparison on the understanding of its history and content. With the development and innovation as the foundation, enrich its content and form, to meet the new requirements for the development of the times" art is put forward.

【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

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本文編號：1708676