本文選題：水墨藝術(shù)　切入點：動畫造型　出處：《西北大學》2013年碩士論文

【摘要】：中國動畫在八十多年的發(fā)展歷程中,曾創(chuàng)造過輝煌的成績,“中國學派”的美譽聞名于世。但是,自九十年代以來,中國動畫的發(fā)展幾乎處于停滯狀態(tài)。在外來動畫風格的強烈沖擊下,中國動畫在創(chuàng)作觀念與創(chuàng)作方法上失去了方向,外來元素成為主流,本土文化藝術(shù)底蘊嚴重缺失。 動畫造型是整個動畫作品中最為關(guān)鍵的部分,造成中國動畫如今尷尬處境的原因之一就是缺乏特色鮮明、文化底蘊濃厚的動畫形象。要想擺脫外來動畫造型觀念的侵蝕,就必須善于發(fā)現(xiàn)我們本民族文化藝術(shù)傳統(tǒng)的優(yōu)勢與長處,從傳統(tǒng)藝術(shù)這片肥沃的土壤中找到養(yǎng)分,創(chuàng)作出屬于我們本土氣質(zhì)的動畫形象。 水墨藝術(shù)不但具有悠久的文化歷史,更是中國人思想觀念、情感意志的物象表達,它承載著中華民族深厚的傳統(tǒng)文化積淀,是最具民族性的藝術(shù)形式。水墨藝術(shù)與動畫造型都共同具有繪畫性、造型性、表現(xiàn)性的特征,甚至在象征性與虛擬性上也較為類似。尤其是在表現(xiàn)性上,兩者對形體的捕捉都以超自然的主觀再造力見長,巧妙的夸張變形、靈活的提煉組合等是它們擅長的手段。這些條件為水墨藝術(shù)在動畫造型中的應用提供了實踐基礎,因此,本課題的研究旨在探討如何繼承與發(fā)揮水墨藝術(shù)優(yōu)良的文化藝術(shù)精髓,挖掘出適用于中國動畫語言創(chuàng)新的表現(xiàn)要素,使其合理、有效地運用于動畫造型創(chuàng)作中,以維持中國動畫藝術(shù)水墨語言魅力的生生不息。
[Abstract]:Chinese animation has made brilliant achievements in the development of more than 80 years, and the "Chinese School" is famous all over the world. However, since the 1990s, The development of Chinese animation is almost at a standstill. Under the strong impact of foreign animation style, Chinese animation has lost its direction in creative concepts and methods, foreign elements have become the mainstream, and local culture and art have been seriously missing. Animation modeling is the most important part of the whole animation works. One of the reasons for the embarrassing situation of Chinese animation nowadays is the lack of animation image with distinctive characteristics and strong cultural background. In order to get rid of the erosion of the concept of foreign animation modeling, We must be good at discovering the advantages and advantages of our national cultural and artistic traditions, find nutrients from the fertile soil of traditional art, and create animated images belonging to our native temperament. Ink art not only has a long cultural history, but also the Chinese people's ideas, emotional will of the expression of the object, it carries the Chinese nation's deep accumulation of traditional culture, It is the most national art form. Both ink and ink art and animation modeling have the same characteristics of painting, modeling, expressiveness, even in symbolism and fictionalness, especially in expressiveness. Both of them are good at capturing objects by supernatural subjective reinventing force, ingenious exaggeration and deformation, flexible extraction and combination, etc. These conditions provide a practical basis for the application of ink and wash art in animation modeling, so, The purpose of this research is to explore how to inherit and give play to the fine cultural and artistic essence of ink and wash art, to excavate the expression elements suitable for Chinese animation language innovation, and to make it reasonable and effective in animation modeling. In order to maintain the Chinese animation art ink language charm.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J218.7

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本文編號：1673753