本文選題：人物畫　切入點：寫意性　出處：《中央美術(shù)學院》2017年碩士論文　論文類型：學位論文

【摘要】：《明人十二像冊》是明代人物畫中的杰出作品,現(xiàn)藏于南京博物院。文章研究分析了《明人十二像冊》中對于人物畫的造型手法。并整理了中國人物畫的歷史發(fā)展背景,簡要闡述了畫冊中的人物身份背景。簡述了明代幾種人物畫繪制技法,如傳統(tǒng)畫法,江南畫法,沒骨法。探討了西洋繪畫對明代人物畫的影響及當時的人物形象采集辦法。主要從寫意性和平面性兩方面來分析《明人十二像冊》和明代人物畫,試圖從中找到人物畫發(fā)展的營養(yǎng)和一般規(guī)律。
[Abstract]:"Ming Man 12 Image album" is an outstanding work of the Ming Dynasty figure painting, which is now hidden in Nanjing Museum. This paper studies and analyzes the modeling techniques of figure painting in "Ming Man 12 Image album", and arranges the historical development background of Chinese figure painting. This paper briefly expounds the background of the identity of characters in the album of paintings, and briefly describes several drawing techniques of figure painting in the Ming Dynasty, such as the traditional painting method, the Jiangnan painting method, This paper discusses the influence of Western painting on the figure painting of the Ming Dynasty and the method of collecting the figures at that time. It mainly analyzes the "Ming Man 12 Image album" and the figure painting of the Ming Dynasty from the two aspects of freehand brushwork and planarity. Trying to find the nutrition and general law of figure painting development.
【學位授予單位】：中央美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前1條

1 李旭東;;明人十二肖像冊與徐光啟夫婦像創(chuàng)作年代考[J];長江大學學報(社會科學版);2013年12期

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本文編號：1594060