本文選題：民俗文化　切入點(diǎn)：都市文化　出處：《遼寧師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：扎根于深厚中華民族文化土壤中的民俗文化,歷經(jīng)幾千年的傳承與發(fā)展,現(xiàn)已成為融合中國(guó)特色文化素養(yǎng)、審美觀念、哲學(xué)觀念的文化體系。油畫(huà)作為一種藝術(shù)語(yǔ)言自西方傳入中國(guó)之后,經(jīng)歷幾代畫(huà)家的不懈努力,得到了充分地發(fā)展。尤其在全球化背景下的民族油畫(huà)創(chuàng)作,集中地出現(xiàn)了一批以表現(xiàn)我國(guó)民間風(fēng)俗為對(duì)象內(nèi)容的油畫(huà)作品。這些作品都明顯的傳達(dá)出一個(gè)共同信息,即在以西方造型體系為主的油畫(huà)創(chuàng)作觀念和方法中,融入中華民族傳統(tǒng)文化藝術(shù)的美學(xué)理念,借助西方油畫(huà)藝術(shù)這一特殊手法表現(xiàn)中國(guó)優(yōu)秀的本土民俗文化,從而使中國(guó)油畫(huà)具有鮮明的民族特色。這是油畫(huà)本土化的重要?jiǎng)?chuàng)作之路。 本文以當(dāng)代具有代表性的油畫(huà)作品為范例,并結(jié)合自己在創(chuàng)作過(guò)程中的親身體驗(yàn)進(jìn)行評(píng)析,論述中國(guó)民俗文化對(duì)當(dāng)代油畫(huà)的影響及作用。著重從中國(guó)民俗文化與油畫(huà)創(chuàng)作的融合、于油畫(huà)創(chuàng)作中的體現(xiàn)、傳播等角度切入,運(yùn)用分析、比較、圖像研究等方法進(jìn)行論述及研究。闡述近幾十年隨著時(shí)代的發(fā)展,原本婚喪嫁娶、歲時(shí)禮儀等舊民俗事項(xiàng)也開(kāi)始衍生出新型的都市民俗。藝術(shù)家們通過(guò)對(duì)這些民俗文化及社會(huì)意義的探索和研究,使當(dāng)代油畫(huà)的創(chuàng)作觀念、創(chuàng)作空間得到了擴(kuò)展、延伸,進(jìn)而產(chǎn)生當(dāng)代中國(guó)油畫(huà)多樣化的發(fā)展趨勢(shì)。 于當(dāng)今藝術(shù)多元化的時(shí)代之下,中國(guó)特色民族文化對(duì)油畫(huà)創(chuàng)作有著較大的影響,也是油畫(huà)取之不盡用之不竭的寶貴源泉。二者的完美融合有助于實(shí)現(xiàn)當(dāng)代中國(guó)油畫(huà)真正意義上的“中體西用”。
[Abstract]:The folk culture, rooted in the deep soil of Chinese culture, has become a fusion of cultural literacy and aesthetic concept with Chinese characteristics after several thousand years of inheritance and development. The cultural system of philosophy. Oil painting, as an artistic language introduced into China from the West, has been fully developed through the unremitting efforts of several generations of painters, especially in the context of the globalization of national oil painting, A number of oil paintings focusing on the expression of Chinese folk customs have appeared. These works have clearly conveyed a common message, that is, in the concept and method of oil painting creation, which is mainly based on the western modeling system, Blend into the aesthetic idea of Chinese traditional culture and art, and express China's excellent local folk culture with the help of western oil painting art. So that Chinese oil painting has distinct national characteristics, which is an important way to localize oil painting. This article takes the contemporary representative oil painting as the example, and combines own personal experience in the creation process carries on the appraisal, This paper discusses the influence and function of Chinese folklore culture on contemporary oil painting. It focuses on the integration of Chinese folk culture and oil painting creation, the embodiment and dissemination of oil painting creation, and the application of analysis and comparison. Image research and other methods are discussed and studied. It is explained that in recent decades, with the development of the times, the marriage and funeral were originally married and married. By exploring and studying the cultural and social significance of these folk customs, artists have expanded and extended their creative ideas and creative space of contemporary oil paintings. And then produce the development trend of contemporary Chinese oil painting diversification. In the era of art diversification, the national culture with Chinese characteristics has a great influence on oil painting creation. It is also an inexhaustible source of oil painting. The perfect combination of the two is helpful to realize the real meaning of contemporary Chinese oil painting.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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本文編號(hào)：1591956