本文選題：全景壁畫　切入點(diǎn)：敘事形式　出處：《西南大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：通常來說,繪畫藝術(shù)的形式語言主要包括色彩、形狀、體積、空間、質(zhì)地、材料等要素。作為一種古老而年輕的繪畫——全景壁畫,它有著獨(dú)有的形式語言。在“敘事形式”、“構(gòu)成形式”與“空間表現(xiàn)形式”上都有著一般之上的特殊性。具體而言,首先,就全景壁畫的“敘事形式”來說,在敘事題材內(nèi)容的選擇上,主要選擇大型景觀、歷史事件或宗教事件、戰(zhàn)爭等重大題材為創(chuàng)作母體,藉由各種不同形式編排繪制,如,回轉(zhuǎn)連續(xù)的敘事手法、線性遞進(jìn)的敘事手法等。其次,就審美與互動(dòng)而言,全景壁畫的展觀形式也有別于其他繪畫。它主要展示在固定的封閉空間內(nèi),即“全景壁畫展館”,展館的結(jié)構(gòu)型制參與了作品的形式美生成,展館內(nèi)部的模擬塑型與畫面互為補(bǔ)充,相互融合構(gòu)成完整的作品。最后,全景壁畫作為一門注重空間真實(shí)再現(xiàn)的綜合藝術(shù),其在空間營造方面也有其獨(dú)特性,除了運(yùn)用一般的造型語言和空間法則,同時(shí)多媒體及其他科技手段的綜合運(yùn)用保障了空問營造的真實(shí)感。 綜上,筆者認(rèn)為全景壁畫的形式語言獨(dú)特性主要體現(xiàn)在敘事形式、構(gòu)成形式、空間表現(xiàn)形式三個(gè)方面。故,選取以上三個(gè)層次具體研究全景壁畫的形式語言。并試圖探索全景壁畫的形式語言為現(xiàn)代裝飾性壁畫的創(chuàng)作提供的新的可能與思考。
[Abstract]:Generally speaking, the formal language of painting art mainly includes the elements of color, shape, volume, space, texture, material, etc. As an ancient and young painting-panoramic mural, It has a unique formal language. It has the particularity on the "narrative form", "constitutive form" and "spatial expression". Specifically, first of all, in terms of the "narrative form" of panoramic murals, In the choice of narrative content, the main choice of large-scale landscape, historical events or religious events, war and other major themes for the creation of the matrix, by a variety of different forms of arrangement and drawing, such as, turn the continuous narrative techniques, Secondly, in terms of aesthetics and interaction, the panoramic fresco is different from other paintings. It is mainly displayed in a fixed closed space. That is, "panoramic mural pavilion," the structural system of the pavilion takes part in the creation of the formal beauty of the works, and the simulated shapes and pictures inside the pavilions complement each other and form a complete work. Finally, Panoramic murals, as a comprehensive art focusing on the real reproduction of space, are also unique in space construction, in addition to the use of general modeling language and spatial laws. At the same time multimedia and other scientific and technological means of comprehensive use to protect the reality of space construction. In summary, the author thinks that the form language uniqueness of panoramic murals is mainly embodied in three aspects: narrative form, constitution form and spatial expression form. The above three levels are selected to study the formal language of panoramic murals and try to explore the new possibilities and thoughts that the formal language of panoramic murals provides for the creation of modern decorative murals.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.6

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