本文選題：中國水彩畫　切入點：民族性　出處：《東北師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：在中國，水彩畫是被人們熟知的并且有著完整體系的一個畫種，并且因其具有獨特的藝術(shù)魅力，深受人們的喜歡。水彩畫，是指用水彩顏料描繪的作品，它是以水為稀釋的媒介，通過水稀釋透明顏料，在紙張上或是其他媒介上表達(dá)物象，并且充分表現(xiàn)水彩特有的屬性，主要表現(xiàn)的是水與色的運用，水彩畫因為充分掌握了對水的性能的運用和盡情發(fā)揮，形成了別的畫種很難做到的水與色相交融的韻味。中國水彩畫在經(jīng)過近百年的民族化發(fā)展以后，可以說取得了很大的成就。不僅在藝術(shù)面貌上有著自己獨特的風(fēng)格，而且也有著很多優(yōu)秀的藝術(shù)作品。而這種民族化包括很多內(nèi)容，不僅僅要從繪畫材料、技法和所畫對象上入手，更重要的是要掌握中國的傳統(tǒng)文化，把民族精神和內(nèi)涵融合到水彩畫中，并且要通過手法和畫技來完美展現(xiàn)其底蘊和內(nèi)涵。本文主要從實例中來闡述中國水彩畫的意義，，并且結(jié)合以往的歷史和目前出現(xiàn)的問題以及水彩畫的發(fā)展方向，從而為水彩畫的更好的明天做好充足的準(zhǔn)備。本論文的研究內(nèi)容大致分為以下五個部分: 第一章，緒論部分。主要闡明水彩畫的發(fā)展歷史以及我國水彩畫現(xiàn)在的發(fā)展現(xiàn)狀，以及研究中國水彩畫的目的和意義；第二，中國水彩畫民族性的意義：弘揚東方神韻文化、突出特有藝術(shù)風(fēng)格、融合中西方文化；第三章，中國水彩畫民族性表現(xiàn)：追求氣韻、營造意境和形式風(fēng)格；第四章，對中國當(dāng)代水彩畫民族化的思考，從中國當(dāng)代水彩畫民族化探索中存在的誤區(qū)入手，提出完善中國當(dāng)代水彩畫民族化的建議；第五章提出文章的結(jié)語，總結(jié)全文。本文對于研究當(dāng)代中國藝術(shù)畫種的發(fā)展、繁榮藝術(shù)市場是有意義的。
[Abstract]:In China, watercolor painting is well known and has a complete system of painting, and because of its unique artistic charm, deeply loved by people. Watercolor painting, refers to the painting of watercolor paint, It uses water as a diluted medium, dilutes transparent pigments through water, expresses objects on paper or on other media, and fully displays the unique properties of watercolor, mainly the use of water and color. Watercolor paintings, because they have fully mastered the use and full play of the performance of water, have formed the lasting appeal of the blending of water and color which is difficult for other painting types to achieve. After nearly 100 years of nationalization and development of Chinese watercolor paintings, It can be said that great achievements have been made. Not only have they had their own unique style in the face of art, but they also have many excellent works of art. And this nationalization includes a lot of content, not only from drawing materials, Starting with the techniques and objects of painting, it is more important to master the traditional Chinese culture and integrate the national spirit and connotation into watercolor paintings. This paper mainly expounds the significance of Chinese watercolor painting from examples, and combines the past history and current problems and the development direction of watercolor painting. The research content of this thesis is divided into the following five parts:. The first chapter, the introduction part, mainly expounds the development history of watercolor painting and the present development situation of Chinese watercolor painting, as well as the purpose and significance of studying Chinese watercolor painting; second, the significance of the national character of Chinese watercolor painting: to carry forward the oriental charm culture, Highlight the unique artistic style, integrate Chinese and western culture; Chapter three, the national expression of Chinese watercolor painting: pursue charm, create artistic conception and form style; Chapter 4th, thinking of nationalization of Chinese contemporary watercolor painting, Starting with the misunderstanding existing in the exploration of the nationalization of Chinese contemporary watercolor painting, the author puts forward some suggestions to perfect the nationalization of Chinese contemporary watercolor painting; 5th chapter puts forward the conclusion of the article and summarizes the full text. It makes sense to prosper the art market.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J215

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相關(guān)期刊論文 前2條

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