天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁 > 文藝論文 > 繪畫論文 >

架上繪畫在新圖像時代的文化意義

發(fā)布時間:2018-03-02 20:01

  本文選題:新圖像時代 切入點:架上繪畫 出處:《南昌大學(xué)》2014年碩士論文 論文類型:學(xué)位論文


【摘要】:隨著高清數(shù)碼技術(shù)的發(fā)展,我們的生活已進(jìn)入了一個全新的圖像時代。長期以來,以復(fù)制性為基本特征的現(xiàn)代生產(chǎn)方式日益滲透到經(jīng)濟、政治、文化、思想等各個領(lǐng)域,在藝術(shù)文化領(lǐng)域中體現(xiàn)出來的審美趨勢,使架上繪畫在新圖像時代由單純的“自然”變成了“圖像”。不難看出,在當(dāng)今多元化的文化語境中,科技技術(shù)的創(chuàng)新發(fā)展對架上繪畫產(chǎn)生了一定的影響,但同時也促進(jìn)了架上繪畫語言的多樣性。當(dāng)我們大量的運用繪畫的圖像式去對待繪畫,將繪畫語言以模仿與復(fù)制為表現(xiàn)方式時,其情感精神文化就逐個的失去了它們獨特感受和內(nèi)在含義。架上繪畫好像陷入了圖像的云迷霧罩中,它的文化意義何在?通過對新圖像時代背景的產(chǎn)生及發(fā)展研究,試著去探究人們在其審美趨勢下所體現(xiàn)的審美價值的泛化與潮流文化的介入對繪畫產(chǎn)生的影響。導(dǎo)致架上繪畫在審美趨勢下逐漸轉(zhuǎn)向了世俗化、潮流化、淺顯化,,從而使繪畫作品價值不斷的縮水,忽略了繪畫的語言本身所承載的精神追求與文化意義。 本文主要從架上繪畫在新圖像時代的背景下的審美轉(zhuǎn)型為先導(dǎo),以外來文化與本土文化為切入點,并分別從現(xiàn)代性與后現(xiàn)代性、商業(yè)化價值、手工性與機械復(fù)制性對的架上繪畫進(jìn)行反思。在從中領(lǐng)悟架上繪畫的精神文化品質(zhì)與文化內(nèi)涵,從而使人們更深入的認(rèn)識到社會發(fā)展中文化的繼承與發(fā)揚以及繪畫所包涵的必要的文化精神和人文關(guān)懷。
[Abstract]:With the development of high-definition digital technology, our life has entered a new image era. For a long time, the modern mode of production, characterized by reproduction, has increasingly penetrated into various fields, such as economy, politics, culture, thought and so on. The aesthetic trend reflected in the field of art and culture has changed the easel painting from "nature" to "image" in the new image era. The innovative development of science and technology has a certain impact on the shelf painting, but it also promotes the diversity of painting language on the shelf. When the painting language is imitated and copied, its emotional spiritual culture loses its unique feeling and internal meaning one by one. The painting on the shelf seems to fall into the cloud fog of the image, what is its cultural significance? Through the background of the new image generation and development, Try to explore people in its aesthetic trend reflected in the aesthetic value of the generalization and the trend of cultural intervention on the impact of painting, leading to the easel painting in the aesthetic trend gradually turned to secularization, trend, shallow visibility, Thus, the value of painting constantly shrinks, ignoring the spiritual pursuit and cultural significance of painting language itself. This paper mainly takes the aesthetic transformation of frame painting in the background of new image era as the forerunner, takes foreign culture and native culture as the breakthrough point, and respectively from modernity and post-modernity, commercial value. Manual and mechanical reproduction of painting on the shelf to reflect on the understanding of the spiritual and cultural quality of painting on the shelf and cultural connotations, In order to make people more deeply understand the inheritance and development of culture in the social development and the necessary cultural spirit and humanistic concern contained in painting.
【學(xué)位授予單位】:南昌大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J205

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 沈蘭;;從永樂宮和西斯廷教堂看中西壁畫在藝術(shù)語言上的差異[J];安徽電子信息職業(yè)技術(shù)學(xué)院學(xué)報;2010年02期

2 闞新娜;;中國早期宗教畫與西方早期基督教題材畫比較研究[J];書畫世界;2010年04期

3 翟康輝;;淺談當(dāng)代寫實油畫創(chuàng)作及欣賞者審美觀念的嬗變[J];安徽文學(xué)(下半月);2009年10期

4 陸楊;;喬托至馬薩喬繪畫觀念之演變[J];安徽文學(xué)(下半月);2010年04期

5 蔣賢萍;;漫游中的凝視——再讀《黛茜·密勒》[J];北京航空航天大學(xué)學(xué)報(社會科學(xué)版);2010年06期

6 李玉萍;;宋代與歐洲文藝復(fù)興時期寫實主義風(fēng)格之比較[J];邊疆經(jīng)濟與文化;2008年11期

7 馬

本文編號:1557960


資料下載
論文發(fā)表

本文鏈接:http://www.sikaile.net/wenyilunwen/huihuayishu/1557960.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶8e15e***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com